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New From Cantaloupe Records: Music By Martin Bresnick and Annie Gosfield For Lisa Moore and So Percussion

Cantaloupe Music is the recording arm of Bang On a Can, the original New Music DIY organization.

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Martin Bresnick Caprichos Enfaticos
Cantaloupe CA21075 Releases 10/25/11

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Martin Bresnick

Composer Martin Bresnick returns to follow up his first Cantaloupe release, The Essential Martin Bresnick (2006) with Caprichos Enfaticos (Emphatic Caprices). A concerto in eight movements for piano/keyboard and percussion quartet, Caprichos Enfaticos was commissioned by Meet the Composer for Cantaloupe artists Lisa Moore, pianist, and So Percussion. The 8 movements are accompanied by interpolated DVD projections (available on Youtube), created by Johanna Bresnick based on Francisco Goya’s book of etchings Los Destastres de la Guerra, or The Disasters of War, a piece that laments the excesses and tragedies of war.

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Lisa Moore


So Percussion

Says Bresnick, ‘The titles of the eight movements are either by Goya himself, or suggested by his ideas. A farandula, or farandole, was a chain dance popular in Provence, although it’s origins are much older. The dance is often in 6/8 time, with a moderate to fast tempo. In modern Spanish, a farandula is a company of actors.’

Martin Bresnick is presently the Professor of Composition and Coordinator of the Composition Department at the Yale School of Music. His principal teachers of composition include Gyorgy Ligeti, John Chowning, and Gottfried von Einem.

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Lisa Moore Lightning Slingers and Dead Ringers
Cantaloupe CA21061 Releases 10/25/11

Lisa Moore is back with her second EP, Lightning Slingers and Dead Ringers, written specifically for her by composer Annie Gosfield, who is described as ‘…a major figure of the downtown scene with pieces that use nonmusical sounds in a strikingly expressive manner.’

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Annie Gosfield

Wondering where such an eclectic title comes from? A “Lightning Slinger” is an archaic term for a telegraph operator, and an apt simile for a pianist who translates musical ideas into an electric medium. This piece is performed on a piano and a keyboard sampler simultaneously, so that the pianist can use piano techniques and interpretive skills in both the acoustic and electronic realms. A “Dead Ringer” literally means an exact substitute of something. The dead ringers in this case are samples of piano sounds: the detuned, retuned, pinging, sliding, and rattling sounds are altered piano, prepared piano, and inside the piano techniques, which sometimes resemble guitar, bass, and even synthesizer sounds.

The last track, Brooklyn, October 5, 1941 was inspired by the 1941 Dodgers vs. Yankees World Series, and is performed with two baseballs and a catcher’s mitt. The baseballs are rolled, rubbed and struck on the keys, strings, and soundboard of the piano, and the mitt provides an expanded span for giant clusters and chords.

Lightning Slingers and Dead Ringers was commissioned by Lisa Moore with funding provided by Meet the Composer’s Commissioning USA and The Argosy Fund for New Music.

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