From Cued Up at Q2: “Acoustic Music That Sounds Like Electronic Music”
Works by Tristan Perich, Michael Gordon, Ingram Marshall, and more.
“It’s the 21st Century and it’s pretty safe to say that there’s no shortage of composers today who have been inspired by the sounds of electronic music, whether through the tape collages of Stockhausen and Xenakis, the electroacoustic manipulations of Pauline Oliveros, or the beat-driven textural experiments of lap-top sample-ists like Flying Lotus and DJ Shadow.
This week on Cued Up, we’ll be exploring live performances of acoustic and electroacoustic music that take on the sonic quality of electronic music. We’ll hear works by Tristan Perich and Todd Reynolds that pair live strings with electronics, and Ingram Marshall’s seminal Fog Tropes II. Alarm Will Sound offers a startlingly fresh take on The Beatles’ Revolution #9 and the Young People’s Chorus of New York and Kronos Quartet accent the other-worldly textures of Michael Gordon’s Exalted.
The program will also feature two brand-new live recordings that blur the lines between acoustic and electronic from So Percussion’s Jason Treuting (taken from a live show at The Greene Space in February 2012) and composer/Slow Six bandmember Christopher Tignor, recorded at this year’s Ecstatic Music Festival.