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From Hammered! at Q2: “Kathleen Supové Hosts Hammered!”

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Hammered! is a focused keyboard program at Q2. The program streams weekdays at 11AM and 11PM on Q2.

“This month on Hammered! we invite three pianists to curate episodes focused on the diverse body of keyboard music generated by some of the twentieth and twenty-first century’s most revolutionary musicians. Listen in 11 am and pm all this week for episodes hosted by the fearless Kathleen Supové.

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By Kathleen Supové

‘…When one thinks of American Mavericks, several names immediately come to mind: John Cage, Lou Harrison, Philip Glass, Steve Reich, John Adams, and a few others. In my series, I tried to focus on artists other than these, some of whom are underplayed, some young and not yet well known and some I believe to be Mavericks in ways that perhaps you don’t expect…..’”

Read all about it here.

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From Q2 Music – “American Mavericks Festival: What’s Ahead”

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Q2 is the 24/7 New Music Stream from New York Public Radio

March Madness: Q2 Music Undergoes a Maverick Makeover

“Q2 Music celebrates America’s great iconoclastic composers this March, when San Francisco Symphony music director Michael Tilson Thomas brings his American Mavericks tour to New York. For three full weeks (March 8–30), Q2 Music presents a wide range of special programming — from a trinity of new-music hosts to live concerts to composer profiles to treasures from the WQXR and WNYC archive— with a crowning live event American Mavericks: Music and Conversation with Michael Tilson Thomas on March 26 at The Jerome L. Greene Performance Space.

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Maverick John Cage


“MTT”

The festival also includes Tilson Thomas hosting a weekday show, contemporary music icons such as David Byrne and Zoe Keating sharing their own “American Mavericks” playlists, and select American Mavericks concerts – including Alarm Will Sound and JACK Quartet – recorded for on-demand listening.

    AMERICAN MAVERICK HOSTS

MTT AT THE TURNTABLES
Weekdays at 10am and 5pm ET

Each weekday, Michael Tilson Thomas will host twice daily at 10am and 5pm ET. Focusing on the San Francisco Symphony’s featured line-up of 17 game-changing composers including Charles Ives, Lou Harrison, Aaron Copland, Morton Feldman, John Cage, and John Adams, Tilson Thomas’s hosted hours present the pioneering conductor’s own insights alongside exclusive archival recordings from the San Francisco Symphony’s storied history of promoting adventurous, cutting-edge American composers. Also included will be freshly-minted live concert recordings from this year’s American Mavericks tour.

PHIL KLINE
Weekdays from 8-10am (repeats 6-8pm)

MARY ROWELL
Weekdays from 12-2pm (repeats 9-11pm)

FRED SHERRY
Weekdays from 3-5pm (repeats midnight-2am)

I have just hit the high spots. Please visit the complete web page here to know (almost) everything that is going to happen

From Hammered at Q2: “Also Sprach A Living Composer!”

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Hammered! is a focused keyboard program at Q2. The program streams weekdays at 11AM and 11PM on Q2.

Living, breathing composers introduce their piano music this week on Hammered!

“A counterpoint of instructive voices host this week on Hammered! as we pass the mic among a collection of composers who will introduce their own works for piano. Hear their musical secrets all week at 11 am and pm.

Really, who better to talk about a new piece than its composer? All week we’ll hear composers like Ingram Marshall, Judd Greenstein, Christopher Cerrone and Lowell Liebermann (and that’s just Monday!) talk about their music before hearing some of the most striking works being written today. Later in the week you’ll be joined by Steve Reich, Missy Mazzoli, Jacob Cooper and Paola Prestini.

These composer introductions are a feature unique to Q2 Music and invaluable in providing a context for the great music you hear on this program. But we’re still growing our composer intro library, so, if you could hear anyone introduce their own music, who would it be?

Also, stay tuned later in the week for information about how you can pledge support in our Winter Fund Drive, and lastly keep your eyes peeled for details on — not joking at all — a festival of American Maverick music that is absolutely not to be missed … all right here at Q2 Music.”

Hammered! is hosted by Conor Hanick

From Cued Up at Q2: “Millennial Mavericks”

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Cued Up On Q2 streams Sundays at 2PM on Q2; encores Tuesdays at 8PM and Thursdays at 4PM on Q2

Live performances by NOW Ensemble, Victoire, the Chamber Music Society of Lincoln Center and More

“As Q2 Music prepares to go all-American Mavericks all the time next month, we’ve been doing a lot of listening to Varèse, Copland, Harrison, Cage, Monk and more. But while we’ve been excited to see the return of a concert series given in 2000 by Michael Tilson Thomas and the San Francisco Symphony, we can’t help but think of the new mavericks.

So taking as a springboard the styles of our 20th-century Mavericks, we’re looking today at in-concert recordings from composers who in this century challenge and redefine the way music is created and consumed.

There are nods to the greats of the past (such as Sergei Prokofiev’s grandson, Gabriel Prokofiev), but the present has a mightily different face. We’ll hear from Missy Mazzoli’s rockstar quintet Victoire live at Chelesea’s Look and Listen Festival, blending the lines between rock and classical (we’ll hear more to that end with music from Radiohead’s Johnny Greenwood). And we’ll hit up the Chamber Music Society of Lincoln Center for a trio by juggernaut composer Kevin Puts.

There will also be hints of social consciousness in by the NOW Ensemble of Judd Greenstein’s Change and Ensemble 212 of Tahrir by Mohammed Fairouz, and selections from concert series like the Ecstatic Music Festival and SONiC. All told, various threads of the contemporary zeitgeist will weave together in two hours of musical bliss.”

This edition of Cued Up is hosted by Olivia Giovetti

Olivia Giovetti

I wish to again remind readers that rthey can still access, enjoy and learn from the original American Public Media radio project American Mavericks.

While Minnesota Public Radio has taken down most of the audio, you can still access the text materials.

From The New Canon at Q2: “Maverick Roll with Jennifer Koh “

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The New Canon streams Fridays at 1PM on Q2 Music; encore presentations Wednesdays at 10AM and Sundays at 8PM on Q2.

Bringing the “M” Word Back to Music

“On The New Canon this week, we gear up for American Mavericks with the festival’s featured violinist Jennifer Koh, asking: What makes a maverick?

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Jennifer Koh

Twelve years ago, Michael Tilson Thomas and the San Francisco Symphony presented twelve concerts honoring American composers who pushed the boundaries of classical music in the 20th Century, redefining the parameters of American sound and our contribution to a European-born genre. Twelve years later, as the SFS celebrates its own centennial, American Mavericks is back with a vivacious vengeance starting in the Bay Area before docking at Carnegie Hall.

We welcome to The New Canon Maverick violinist Jennifer Koh, who has no small relationship to some of the featured composers (from Adams to Cage), indulging in a sonic star-spangled banner of daring musicians that have forged our national sonic identity. As we listen to some of these composers in action, we invite you to join us in asking Koh, What makes a maverick? And who are our 21st-century mavericks?”

See the full article here, complete with some interactive utilities.

Q2 did not mention the American Public Media project inspired by MTT’s SFS and also named American Mavericks, a 13 week radio project guided by MTT and hosted by Suzanne Vega. While some of the audio features are no longer available, there is a vast treasure trove of material still available. Pease visit the site to learn more.The thirteen essays by Kyle Gann give quite a history of all of American music.

The New Canon on Q2 is hosted by Olivia Giovetti

Olivia Giovetti

From Hammered! at Q2: “Loops, Ladders and Wind-Up Birds”

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Hammered! is a focused keyboard program at Q2. The program streams weekdays at 11AM and 11PM on Q2.

Exploring Brooklyn-based composer Ryan Francis‘s box of musical toys

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Ryan Anthony Francis

“Among diverse cast of characters informing Brooklyn-based composer Ryan Anthony Francis’s musical language are author Haruki Murakami, artist M.C. Escher and poet Wilhelm Muller. Hear what they’ve told him this week at 11 am and pm on Hammered!.

You can hear Escher in the interlocking motivic infinities in Francis’s Etude Jacob’s Ladder, Murakami’s polished elegance in the Wind-Up Bird Preludes, and Muller’s prophetic solemnity in Consolations.

This is to say nothing of the musical personalities sitting on his other shoulder, a lineup of composers beginning with Frederic Chopin and filing through Henri Dutilleux and Richard D. James of Aphex Twin. Each of these voices are considered, adapted and synthesized by Francis into an aggressively original musical language that uses nuance, precision and stylistic-variance to create music that is at once lush, probing and inventive.

Accompanying Hammered!’s week-long survey of his piano music are works that interact with Francis’s language in especially intriguing ways. You’ll hear songs by Franz Schubert, movements from Harrison Birtwistle’s Harrison’s Clocks, a recent work from Arlene Sierra and, to balance Francis’s mammoth Moonlight Fantasy, a remarkable performance from pianist Sergei Babayan of Maurice Ravel’s Gaspard de la Nuit.

See the full article here.

Hammered! is hosted by Conor Hanick

From Cued Up at Q2: “Acoustic Music That Sounds Like Electronic Music”

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Cued Up On Q2 streams Sundays at 2PM on Q2; encores Tuesdays at 8PM and Thursdays at 4PM on Q2

Works by Tristan Perich, Michael Gordon, Ingram Marshall, and more.

“It’s the 21st Century and it’s pretty safe to say that there’s no shortage of composers today who have been inspired by the sounds of electronic music, whether through the tape collages of Stockhausen and Xenakis, the electroacoustic manipulations of Pauline Oliveros, or the beat-driven textural experiments of lap-top sample-ists like Flying Lotus and DJ Shadow.

This week on Cued Up, we’ll be exploring live performances of acoustic and electroacoustic music that take on the sonic quality of electronic music. We’ll hear works by Tristan Perich and Todd Reynolds that pair live strings with electronics, and Ingram Marshall’s seminal Fog Tropes II. Alarm Will Sound offers a startlingly fresh take on The Beatles’ Revolution #9 and the Young People’s Chorus of New York and Kronos Quartet accent the other-worldly textures of Michael Gordon’s Exalted.

The program will also feature two brand-new live recordings that blur the lines between acoustic and electronic from So Percussion’s Jason Treuting (taken from a live show at The Greene Space in February 2012) and composer/Slow Six bandmember Christopher Tignor, recorded at this year’s Ecstatic Music Festival.

This week Cued Up is hosted by Olivia Giovetti

Olivia Giovetti

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