From ECM New Releases in April


Nils Økland Lysøen Hommage à Ole Bull
ECM 2179

Nils Økland violin, hardanger fiddle
Sigbjørn Apeland piano, harmonium

Nils Økland and Sigbjørn Apeland are the first musicians to record an album at Lysøen, the Norwegian island home of iconic violinist-composer Ole Bull (1810-1880). For years they have explored Ole Bull’s musical landscapes with open minds, and found inspiration to develop their own ideas. In this recording they have chosen to emphasise the contemplative elements in Ole Bull’s music. The album presents partly the performers’ own arrangements and improvisations based on tunes that Bull performed, and partly new compositions inspired by Ole Bull.”


Wolfert Brederode Quartet Post Scriptum
ECM 2184

Wolfert Brederode piano
Claudio Puntin clarinets
Mats Eilertsen double-bass
Samuel Rohrer drums

“Second album from Dutch pianist Brederode and his international band, with clarinettist Puntin and drummer Rohrer from Switzerland, and Norwegian bassist Eilertsen. The music builds upon the achievements of 2006’s Currents, a recording that received high critical acclaim: ‘ What is marvellous about this music [said All About Jazz] is that it combines a moody airiness with intellectual rigor. The romantic emotionality that paints beautiful images of sound has sinews of steel. It simultaneously invites the listener with its surface beauty, only to create bonds that hold on strongly as it weaves its spell.’ Brederode’s is music that flows, drawing influences from both the jazz and the classical traditions. It suggests more than it states, and is the more powerful for its restraint.”

Gidon Kremer Giedrė Dirvanauskaitė Khatia Buniatishvili Peter I. Tchaikovsky / Victor Kissine: Piano Trios

ECM 2202

Gidon Kremer violin
Giedrė Dirvanauskaitė violoncello
Khatia Buniatishvili piano

“Two compositions bracketing the history of Russian chamber music. A revelatory account of Tchaikovsky’s piano trio op.50, juxtaposed with Victor Kissine’s Zerkalo of 2009, a work dedicated to performers Kremer, Dirvanauskaitė and Buniatishvili, and inspired by two lines from Anna Akhmatova: “The mirror dreams only of the mirror / Silence watches over silence.” Issued on the eve of a major tour with dates in both Europe and Japan, and with Georgian pianist Khatia Buniatishvili and Lithuanian cellist Giedrė Dirvanauskaitė hailed as two of the most gifted players of their generation, this newest project from Gidon Kremer is certain to be one of the events of the season.”