New From Cuneiform Records in May
From Cuneiform Records
HIGHLY PUBLICIZED DIGITAL BOXING MATCH
“Based out of Brooklyn, NY and creating a group sound that is truly their own, Afuche is a band that needs to be heard by lovers of adventurous, modern progressive music! Formed by Ruben Sindo Acosta & Zach Ryalls in 2008, they have been adding to the ensemble and evolving their sound by writing, performing, and touring non-stop – it was at one of their many shows where we found them and watched their continued development with keen interest.
Afuche is a 5 piece band featuring Ruben on keyboard, vocals and percussion, Zach on guitar, Denny Tek on bass, Andrew Carrico on baritone sax and Max Jaffe on drums. Taking their cues from Can, The Dirty Projectors, Frank Zappa, King Crimson, James Brown, Tortoise, as well as African and Afro-Cuban music, they take these musical influences as a base and apply their own group sound to it and bend it all into a hybrid, original and very progressive contemporary rock music that is interestingly complex without losing its inviting quality; most of all Afuche is a lot of fun.
Highly Publicized Digital Boxing Match is a showcase of a group whose sound is more than the sum of its parts. Recorded mainly live in the studio with minimal textural overdubs in one day, it is Afuche presenting their work with just as you would experience it at one of their lively and exciting shows. The fearless intensity and the strong group dynamic in the playing – extremely notable in such a young band – pours through the speakers; their sound is catchy and mesmerizing and will have you moving in ways you never thought possible.”
NO IFS, ANDS OR DOGS
“No Ifs, Ands, or Dogs, Cheer-Accident’s 17th album is a kaleidoscopic, inclusive trip into a musical madhouse that you’ll want to stay lost within. The core membership of the ever-shifting organism that is Cheer-Accident remains Thymme Jones (vocals, keyboards, brass, synth, drums); Carmen Armillas (vocals), Alex Perkolup (vocals, bass, guitar), D. Bayne (keyboards, trombone) and Jeff Libersher (vocals, guitar, keys, trumpet, bass), with able assists from Andrea Faught (vocals, keys), and Lise Gilly (saxophones), among others. Everyone makes significant and important and wonderful contributions, but since the vocalist is always the focal point in bands, I want to mention that Carmen is a real find, with a powerfully emotive voice; she really lends a huge presence to this album, working beautifully with Thymme and Jeff and the rest.
The songs on No Ifs… run the gamut of everything that makes Cheer-Accident an exceptional band: prickly, lurching psychedelia with honeyed singing, quizzical Steve Reich-meets-King Crimson rockers, and sweetly peculiar soft-pop a la Beach Boys and Free Design. This diversity does not denote dilettantism, however; Cheer Accident empowers and devotes itself to whatever style, mode, or genre it absorbs. Even after a few listens, regardless of stylistic diversity displayed during No Ifs, Ands or Dogs is the commitment to primo performance of the album/music/concept as a whole — songs often lead into one another, going from a self-contained song to a introduction (or a coda) depending on where you are or where your focus is in the listening.
After the critical acclaim and expanded audience that greeted Cheer-Accident after the release of Fear Draws Misfortune, the group responded as they always do; by a reinvention of their sound. A wonderful album that is – as usual – also something completely different! ”
“Named after one of the most notable Swedish books of all time, Gösta Berlings Saga are currently one of Sweden’s most notable bands. The group are a modern instrumental rock band and their style combines post-rock, progressive rock, minimalism, avant-rock, collage/sound and more, all recorded and combined with unusual and interesting studio techniques. The four members of Gösta Berlings Saga, with their diverse musical backgrounds and personalities find a common focal point in the music they create together. Each individual effort is melted into the pot and glued together with the rest to create something greater together. The collage as a working method; Soft glued to rough. Epic glued to tiny. Minimalism glued to maximalism, all to create a new whole.
For their third album and their first for Cuneiform, Gösta Berlings Saga have created an album that is highly and creatively produced. The solid backbone of the band is always the focus and the core: Alexander Skepp (drums and percussion), Einar Baldursson (guitars), David Lundberg (Fender Rhodes, synthesizers and Mellotron), Gabriel Hermansson (bass). With the engineering and production work of Mattias Olsson (Änglagård, White Willow, etc) the band has created a truly all-embracing and forward thinking album. The disc is packed with creative and surprising flourishes from guest musicians performing on French horn, musical saw, cello, trumpet and more. There is always a lot going on that makes Glue Works much more than ‘merely’ a document of band performing; the group is performing extremely well, but the production work incorporates many unique elements into the album in tremendously surprising ways. ”
(vinyl lp with download card)
“In 2007, guitarist and rock electronics innovator Richard Pinhas performed in Tokyo and then performed a duo concert with notorious ‘noise’ artist Merzbow. Both men were so excited by the duo concert, they immediately booked studio time to make the recordings that became their first duo release Keio Line. The duo continue to perform together; this concert performance and recording was their first meeting together after Keio Line. It was recorded at Les Instants Chavirés in Paris on November 12, 2008. Even though they had only worked together for a very short time the year before, the duo had already established a recognizable sound with Richard’s metronic and spacey guitar figures being worked over by Merzbow’s electronic mayhem in a glorious, psychedelic death spiral.
Paris 2008 is a vinyl-only release; the first vinyl released by Cuneiform in over 20 years! There are only 500 copies made and there will not be a repress; this lp edition is the only way to buy this in a physical format. The lp comes with a digital download card for the music and if you buy it from us, your copy will be on beautiful blue vinyl.”
” ‘ In 1973, a rock guitarist and an electronic knob-twiddler released a revered and trail-blazing document in contemporary ambient music: Rober Fripp and Brian Eno’s No Pussyfooting. Thirty-five years later, guitarist Richard Pinhas and noise artist Masami Akita (aka Merzbow) have formed the 21st century version of the concept.’ – Brandon Wu/Washington City Paper
It’s interesting that Brandon Wu compares the work of Richard Pinhas and Merzbow to Fripp and Eno. At the time it was recorded, No Pussyfooting was considered to be practically ‘noise’ (sound familiar?) and Robert Fripp has gone on record about how the record label didn’t want to release the album because it would affect the commmercial impact of these artsts. Yet, with time, the work the duo did was absorbed into the greater musical universe – if not into the mainstream – and its influence continues to this day.
While it’s never safe to predict the future, perhaps the unlikely but also quite logical meeting of Richard’s billowing clouds of guitarwork with Masami’s well considered sonic assault will also prove to be influencial upon the larger musical universe. In any event, this recording from September, 2010, expands upon their first studio meeting, Keio Line and offers an obvious follow-up, as well as new twists to the sound.
The first pressing of Rhizome also includes a number of bonuses not available after the initial pressing and all included at regular single-CD pricing!: a bonus DVD of a generous excerpt of the duo’s performance at the 2010 Sonic Circuits festival as well as a download coupon for their performance in Paris, November 12, 2008.”
“Although he made his reputation over decades and decades of work in the free jazz and improvised music realm and as a early member of Chicago’s hugely influencial AACM (the Association for the Advancement of Creative Music), trumpeter Wadada Leo Smith has long been interested in larger ensembles and electric music as well. Heart’s Reflections is a bold double-disc set that features Wadada Leo Smith’s Organic, a predominately electric, fourteen-piece group, a band most notable for a lineup marked by four guitarists. In addition to Smith, who plays both acoustic and electric trumpet, the extraordinary lineup on Heart’s Reflection includes: Brandon Ross, Michael Gregory, Lamar Smith, and Josh Gerowitz on guitar; Skuli Sverrisson and John Lindberg on bass; Angelica Sanchez on acoustic and electric piano; Stephanie Smith on violin; Casey Anderson on alto saxophone; Casey Butler on tenor saxophone; Mark Trayle and Charlie Burgin on laptops; and Pheeroan AkLaff on drums.
For a record by such a large group, at times the sound is surprisingly sparse and delicate – both qualities that have long marked Smith’s work, while at other times, it sizzles and stomps! Though longtime listeners who haven’t followed Wadada’s work in the last decade might be surprised at times by the fierceness of Organic’s rhythm section, Heart’s Reflections is nonetheless marked by the trumpeter’s usual touchstones: long sustained notes, occasional clipped phrases, and a tough-to-define playfulness that infuses all of his work.
Coming across like the next evolutionary step after Miles Davis’ electric era, Heart’s Reflections is a vibrant set that harkens back to the blues influence of Smith’s Mississippi childhood, and looks forward to still-developing realms of noise and electronics. The album fuses a galaxy of influences into a natural and accessible form, offering an ideal entry point into Smith’s vast oeuvre. Heart’s Reflections should appeal to fans of groove-oriented jazz, as well as rock and electronics audiences with a taste for adventure.”