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From The New York Times: yMusic Brings Its Versatility to Ecstatic Music Festival

This article is copyright protected, so just a few notes.

By WILLIAM ROBIN
February 3, 2012

“Over an eight-day stretch in December members of the chamber sextet yMusic finished a Midwest tour with the folk band Bon Iver; accompanied the indie-rock acts My Brightest Diamond and the National at the Beacon Theater; played with the New York Philharmonic; performed in the Radio City Christmas Spectacular; and participated in recording sessions for the singer and songwriter Beth Orton, the band Dirty Projectors and Trey Anastasio, the frontman of Phish.

For yMusic the difference between hip-hop and classical music is more an issue of performance practice than of impassable boundaries, a shift of style rather than genre. As members of Generation Y — hence the group’s name — the players grew up with the Internet, whose breakdown of artistic barriers has informed the ensemble’s outlook. Its versatility serves not only unclassifiable composers like Mr. Lott but also more conventional ones who weave pop idioms into their music.


yMusic

Rob Moose, violin
CJ Camerieri, trumpet
Clarice Jensen, cello
Alex Sopp, flute
Hideaki Aomori, reeds
Nadia Sirota, Viola

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Nadia Sirota

This approach intersects with that of the Ecstatic Music Festival, which is in its second season at Merkin Concert Hall. Judd Greenstein, the festival’s curator, prizes yMusic’s open ears.”

See the full article here.

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