From NEWMUSICUSA and Bang on a Can: “Artists at Noguchi | Bang on a Can: String Noise”

From NEWMUSICUSA

and

Bang On a Can the original DIY New Music Organization


1
Sunday, August 12, 2018
at 3:00 PM

The Noguchi Museum
9-01 33rd Road
Long Island City, NY 11106

Free Event
https://www.noguchi.org/programs/public/bang-on-a-can-string-noise-august-12-2018

Bang on a Can and The Noguchi Museum continue their 2018 monthly summer concert series with String Noise, presented in the Museum’s outdoor sculpture garden. In case of rain, the concert will take place in the galleries.

Blurring the lines of classical and avant-garde, String Noise (violinists Conrad Harris and Pauline Kim) will perform music by Georg Friedrich Haas, David Lang, Pauline Kim Harris, Jessie Cox, Paul Reller, and Richard Carrick. The performance also features punk covers and the title work of their debut album on Northern Spy Records, The Book of Strange Positions, by 2018 Guggenheim fellow Eric Lyon.

String Noise
New York City, NY

“TRAILBLAZING DUO” – (TIME OUT NY)

“THE ENTERPRISING DUO, STRING NOISE… LIGHTNING FAST REFLEXES AND WARMLY MATCHED SOUNDS” – (NEW YORK TIMES)

“FORMIDABLE DISPLAY OF VIRTUOSITY”- (NEW MUSIC BOX)

“THEY WERE GREETED WITH A THUNDERING OVATION, MORE COMMON FOR AMERICAN IDOLS” – (HUFFINGTON POST)

“NEW YORK’s MOST DARING VIOLIN DUO” – (TIME OUT NY)

String Noise is an “enterprising violin duo” in NYC comprised of “two of the most focused and lustrous-toned avant stalwarts.” Channeling “all the sweetness of Mantovani’s 1001 strings into just eight,” Conrad Harris and Pauline Kim Harris, who are married, break down barriers and expand the traditional boundaries of the two violin repertoire, redefining the possible.

String Noise is a classical, avant-punk violin duo comprised of violinists Conrad Harris and Pauline Kim Harris. Since its inception in 2011 at Ostrava New Music Days, they have expanded the two violin repertoire in over 50 new works to include larger collaborations with multimedia art, electronics, video projections, opera and dance.

Their first feature album The Book of Strange Positions was released on NORTHERN SPY RECORDS in November 2015. Tiny Mix Tapes describes this collection of original works and arrangements by Eric Lyon of punk covers by Bad Brains, Violent Femmes, Deerhoof, Radiohead, and Black Flag as a “mix of classic punk covers and ZERO APOLOGIES.” Their 7” inch EP Covers produced by Deerhoof drummer and composer Greg Saunier is also available on Northern Spy Records.

String Noise was highlighted in Performa 2011 with artist Will Cotton and was the featured ensemble for the launch of composers collective Indexical (David Kant, Andrew Christopher Smith, Mustafa Walker and Beau Sievers). Premieres by String Noise include works by Christian Wolff, John King, Phill Niblock, Caleb Burhans, David Lang, Petr Kotik, Du Yun, Annie Gosfield, Bernhard Lang, Spencer Topel, Derek Hurst, Jerome Begin, Elizabeth Hoffman, John Zorn, Greg Saunier, Alex Mincek, Yoon-Ji Lee, Catherine Lamb, Petr Bakla, Richard Carrick and Alvin Lucier, to name some. String Noise has performed at Issue Project Room, Czech Center, Roulette, EXAPNO, Rockwood Music Hall and the Stone and has been heard on WNYC, WKCR and WFMU.

Co-concertmasters of Wordless Music Orchestra, Ensemble LPR and the S.E.M. Ensemble, String Noise has collaborated in special projects with artists such as Jonny Greenwood (Radiohead), John Cale (Velvet Underground), Billy Martin (Martin, Medeski, Wood), Mica Levi (Micachu and the Shapes), Jon Brion, Laurie Anderson, Jason Moran, Roscoe Mitchell, Max Richter and and Rostam (Vampire Weekend).

As curators, String Noise presented Drawing Sound: Part II at the Drawing Center – a three night mini-festival featuring artists Alvin Lucier, Greg Saunier and Jad Fair and is a co-curator for Carnegie Hill Concerts in New York.

Static Strands and String Noise by Annie Gosfield

Harvestworks, in partnership with Composers Now Festival presents Annie Gosfield – Jammed Radios, Flying Signals, and String Noise.

See the full article here .


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Bang On A Can David Lang- Michael Gordon- Julia Wolfe © Peter Serling

Bang On A Can All-Stars Members Ashley Bathgate, cello
Robert Black, bass
Vicky Chow, piano
David Cossin, percussion
Mark Stewart, guitars
Ken Thomson, clarinet

Bang on a Can is dedicated to making music new. Since its first Marathon concert in 1987, Bang on a Can has been creating an international community dedicated to innovative music, wherever it is found. With adventurous programs, it commissions new composers, performs, presents, and records new work, develops new audiences, and educates the musicians of the future. Bang on a Can is building a world in which powerful new musical ideas flow freely across all genres and borders. Bang on a Can plays “a central role in fostering a new kind of audience that doesn’t concern itself with boundaries. If music is made with originality and integrity, these listeners will come.” (The New York Times)
Bang on a Can has grown from a one-day New York-based Marathon concert (on Mother’s Day in 1987 in a SoHo art gallery) to a multi-faceted performing arts organization with a broad range of year-round international activities. “When we started Bang on a Can, we never imagined that our 12-hour marathon festival of mostly unknown music would morph into a giant international organization dedicated to the support of experimental music, wherever we would find it,” write Bang on a Can Co-Founders Michael Gordon, David Lang and Julia Wolfe. “But it has, and we are so gratified to be still hard at work, all these years later. The reason is really clear to us – we started this organization because we believed that making new music is a utopian act – that people needed to hear this music and they needed to hear it presented in the most persuasive way, with the best players, with the best programs, for the best listeners, in the best context. Our commitment to changing the environment for this music has kept us busy and growing, and we are not done yet.”

Formed in 1992, the Bang on a Can All-Stars are recognized worldwide for their ultra-dynamic live performances and recordings of today’s most innovative music. Freely crossing the boundaries between classical, jazz, rock, world and experimental music, this six-member amplified ensemble has consistently forged a distinct category-defying identity, taking music into uncharted territories. Performing each year throughout the U.S. and internationally, the All-Stars have shattered the definition of what concert music is today.

Together, the All-Stars have worked in unprecedented close collaboration with some of the most important and inspiring musicians of our time, including Steve Reich, Ornette Coleman, Burmese circle drum master Kyaw Kyaw Naing, Tan Dun, DJ Spooky, and many more. The group’s celebrated projects include their landmark recordings of Brian Eno’s ambient classic Music for Airports and Terry Riley’s In C, as well as live performances with Philip Glass, Meredith Monk, Don Byron, Iva Bittova, Thurston Moore, Owen Pallett and others. The All-Stars were awarded Musical America’s Ensemble of the Year and have been heralded as “the country’s most important vehicle for contemporary music” by the San Francisco Chronicle.

Current and recent project highlights include the touring performances and recording of Julia Wolfe’s Pulitzer Prize winning Anthracite Fields for the All-Stars and guest choir, the record release of Wolfe’s acclaimed Steel Hammer, featuring Trio Mediaeval, plus a moving theatrically staged collaboration with SITI Company and director Anne Bogart; Field Recordings, a major multi-media project and CD/DVD now featuring 30 commissioned works by Tyondai Braxton, Mira Calix, Anna Clyne, Bryce Dessner, Florent Ghys, Michael Gordon, Jóhann Jóhannsson, David Lang, Christian Marclay, Steve Reich, Todd Reynolds, Julia Wolfe, and more; the Lincoln Center Festival 2017 world premiere of Cloud River Mountain, a new collaboration featuring Chinese superstar singer Gong Linna; the world premiere performance and recording of Steve Reich’s 2×5 including a sold-out performance at Carnegie Hall, and much more. With a massive repertoire of works written specifically for the group’s distinctive instrumentation and style of performance, the All-Stars have become a genre in their own right. The All-Stars record on Cantaloupe Music and have released past recordings on Sony, Universal and Nonesuch.

At NEWMUSICUSA we see ourselves first and foremost as advocates. Our mission is to support and promote new music created in the United States. We do that in many ways, fostering connections, deepening knowledge, encouraging appreciation, and providing financial support. In recognition of the possibility and power inherent in the virtual world, we’ve worked to build a strong internet platform to serve our constituency. And that constituency is broad and diverse, from composers and performers to presenters and producers, casual listeners to die-hard fans. We’re truly committed to serving the WHOLE new music community.

As we go about our work, we make a point of not defining too precisely what we mean by new music. To define is to limit. It’s a spectacular time for musical creativity in part because so much music is being made that isn’t bound by conventional limitations of style or genre or background. The music that we hear being created in such abundance all around us is definition enough. We simply want it to flourish.

We’re fortunate to have as our legacy the history of previous decades of good works done by the American Music Center and Meet The Composer, the two great organizations that merged to form us in 2011. Their legacies have also brought a small financial endowment that mostly helps support our grantmaking. But we’re not a foundation. We depend decisively each year on the generosity of so many institutions and individuals around the country who are dedicated as we are to the advancement of new music and are devoted to supporting our work.

New Music USA is part of an international community of advocates for the arts. We’re members of the Performing Arts Alliance, the International Association of Music Information Centres, and the International Society for Contemporary Music. Those partnerships help us represent the interests of our constituents at every level.

No matter how far ranging our networks, our focus is always solidly on what brings these many constituents and communities together in the first place: the music. When someone uses our platform to listen to something new, recommend a favorite to a friend, or to seek financial assistance or information to support the creation or performance of new work, the whole community is strengthened. Together we’re helping new music reach new ears every day.
Our Vision

We envision in the United States a thriving, interconnected new music community that is available to and impactful for a broad constituency of people.
Our Mission

New Music USA supports and promotes new music created in the United States. We use the power of virtual networks and people to foster connection, deepen knowledge, encourage appreciation, and provide financial support for a diverse constituency of practitioners and appreciators, both within the United States and beyond.

Our Values
We believe in the fundamental importance of creative artists and their work.
We espouse a broad, inclusive understanding of the term “new music.”
We uphold and embrace principles of inclusivity and equitable treatment in all of our activity and across our nation’s broadly diverse population in terms of gender, race, age, location, national origin, sexual orientation, religion, socio-economic status and artistic practice.

John Schaefer


For new music by living composers

newsounds.org from New York Public Radio


https://www.wnyc.org/
93.9FM
https://www.wqxr.org/
105.9FM
http://www.thegreenespace.org/

For great Jazz

88.3FM http://wbgo.org/

WPRB 103.3FM

Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


Please visit The Jazz Loft Project based on the work of Sam Stephenson
Please visit The Jazz Loft Radio project from New York Public Radio