From LPR: “PR X: Sun Ra Arkestra performs Live Score to Space Is The Place at Lincoln Center Out of Doors”

From LPR

with Lean On Me: José James Celebrates Bill Withers & Samora Pinderhughes performs “The Transformations Suite”

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Wed August 8th, 2018

6:30PM

Lincoln Center Out of Doors (Damrosch Park)

Minimum Age: All Ages

Doors Open: 5:30PM

Show Time: 6:30PM

This is a free event presented by LPR X as part of Lincoln Center’s Out of Doors 2018 season. It will take place on Lincoln Center’s Damrosch Park (62nd Street, between Amsterdam and Columbus Avenues) More info at http://www.lincolncenter.org.

“The music is different here. The vibrations are different here.” So opens the 1972 Afrofuturist sci-fi film Space Is the Place by jazz cult-icon Sun Ra. But these words could also apply to (le) poisson rouge, the Bleecker Street club known for its diverse, open-minded programming. This cosmic evening, part of LPR’s 10th-anniversary celebrations, builds up to the Sun Ra Arkestra’s live performance of the score to the film, in which Black people create their own paradise on Saturn, transported there by music. Getting us to that place tonight are the beloved songs of Bill Withers (“Ain’t No Sunshine When She’s Gone,” “Just the Two of Us”) performed by Blue Note jazz and R&B artist José James. Jazz pianist and composer Samora Pinderhughes opens with The Transformations Suite, a musical examination of the radical history of resistance within communities of the African diaspora.

Sun Ra Arkestra official site

Lean On Me: José James Celebrates Bill Withers
Photo credit: Janette Beckman
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Celebrating the eightieth birth year of the legendary R&B singer songwriter, Blue Note recording artist José James presents “Lean On Me: José James celebrates Bill Withers.” Vetted personally by Mr. Withers himself, the show is an exploration of the deep musical catalogue that touched millions of hearts and united communities worldwide. Featuring Withers’ top ten hits as well as his soul ballads and rare grooves, James brings both a deep musical appreciation and a contemporary approach to songs such as “Ain’t No Sunshine,” “Hope She’ll Be Happier,” and “Just the Two of Us.” Fittingly, James has assembled a truly all star cast of musicians: Nate Smith on drums, Ben Williams on bass, Sullivan Fortner on keys and Brad Allen Williams on guitar.

José James on the project:

We’ve lost a lot of phenomenal musicians over the last few years. David Bowie, Sharon Jones, Leonard Cohen, Prince. That combined with the insanity of our current world events made me want to focus on our living genius and positive energy as a people. I’ve been drawn to Bill Withers’ music for years and started performing a medley of his songs in my live set. It was an organic thing that started at sound check then grew to become a massive 20 minute musical and emotional highlight of my live show. When I discovered that he was turning 80 in 2018 I thought, “What better way to bring positivity to the world while challenging the racist, fascist and sexist status quo?” His songs reflect a love for community, for unification; his music respects elders, mentors and explores male vulnerability in a way that’s missing from today’s R&B. And his catalog is vast and powerful. He’s simply one of the best living songwriters, period. “Ain’t No Sunshine,” “Lean on Me,” “Grandma’s Hands,” “Lovely Day,” “Just the Two of Us” – who wouldn’t want to sing these amazing songs? The hard part was choosing between his nine albums,but I had a lot of help from Don Was and from the band. I think we found the perfect balance between soulful ballads, the radio hits and the deep cut rare grooves.

José James on meeting Bill:

Meeting Bill Withers was one of the personal highlights of my life. We had dinner at Musso and Frank’s and sat in the Frank Sinatra booth, just down the street from the Capitol building. He’s a total genius and one of the coolest people I’ve ever met. I learned more in that one hour with him than I learned at music school or a decade’s worth of live shows. He’s seen it all and worked with the best of them, in every category. At one point he pulled out his phone and started chatting about friends he’s made in the business, moving easily between Muhammad Ali, James Brown and John Mayer. We all adore him and any songwriter worth their salt knows that Bill is up there with Paul McCartney, Stevie Wonder, Joni Mitchell, Smokey Robinson, Carole King, Leonard Cohen, Bruce Springsteen, Bob Dylan, Paul Simon, Elton John, Billy Joel – he’s in the pantheon of greats. Plus he’s an amazing singer and developed a sophisticated sound that blends funk, singer-songwriter, blues, R&B and gospel. This is where John Legend, Alicia Keys, D’angelo, people like that come from. This is home. I showed him my list of his songs and he absolutely loved it. I think he’s happy that his music still has a place in the lives and hearts of people worldwide and that we all want to celebrate his life and talent.

José James on the band:

The first time that I played with these guys I knew that we had something special. It was a session in Brooklyn and we started playing “Grandma’s Hands” – no rehearsal, just playing. It was super deep and soulful in a way that can only be described as spiritual. This is easily the best band I’ve ever played with, everything we touch is magic. The chemistry is just unbelievable. We all have a deep love and respect for Bill’s music, but we never get the chance to play like this. Most of these guys are huge stars in the Jazz world so people mainly know them for that; but trust me, this is one of the funkiest most soulful bands that you’ll ever hear. Nate Smith on drums is from Chesapeake, Virginia; Brad Allen Williams on guitar is from Memphis; Ben Williams on bass is from D.C.; and Sullivan Fortner on keys is from New Orleans. So we have a whole lot of southern American musical and cultural identity in the band. Blues, funk, R&B, jazz, rock, soul and church music .. it’s all there. I grew up in Minneapolis, which is Prince and Bob Dylan territory, so I’m bringing that storytelling aspect. And through his music Bill is one of the greatest storytellers of all time.

Lineup:

José James – vocals, guitar
Sullivan Fortner – piano, Fender Rhodes
Brad Allen Williams – guitars
Ben Williams – basses
Nate Smith – drums

Set List:

Ain’t No Sunshine
Grandma’s Hands
Who is He (And What is He to You?)
Use Me
Lean on Me
Kissing My Love
Hello Like Before
Lovely Day
Make a Smile for Me
Look to Each Other for Love
Just the Two of Us
Hope She’ll Be Happier
I Can’t Write Left-Handed
Better Off Dead

Samora Pinderhughes performs “The Transformations Suite”

Samora Abayomi Pinderhughes is a composer/pianist/vocalist, known for large multidisciplinary projects and for his use of music to examine sociopolitical issues. A graduate of Juilliard, Samora has performed in venues including the White House, MoMA, the Sundance Film Festival, and Carnegie Hall, and has toured internationally with artists including Branford Marsalis, Christian Scott, and Emily King. His album The Transformations Suite was released in October 2016 to great acclaim, recently profiled in the NY Times & NPR.

A composer for film and theatre as well, Samora is the musical director for the Public Theater’s #BARS workshop, and is a Sundance Composers Lab fellow for film scoring. He has written songs for Common, Lalah Hathaway, and more. Samora is also a member of Blackout for Human Rights, the arts & social justice collective founded by Ryan Coogler and Ava DuVernay; and was musical director for their #MLKNow and #JusticeForFlint events. He most recently scored the documentary “Whose Streets”, which opened this year’s Sundance Film Festival.

See the full article here .


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(Le) Poisson Rouge Event Tortoise at Le Poisson Rouge, 3-16-2016

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LPR prides itself in offering the highest quality eclectic programming, impeccable acoustics, and bold design. The state-of-the art performance space, engineered by the legendary John Storyk/WSDG, offers full flexibility in multiple configurations: seated, standing, in-the-round, and numerous alternative arrangements. The adjoining gallery space — The Gallery at LPR — functions as an art gallery, secondary bar, and event space. A work of art itself, the physical facilities are the embodiment of the experimental philosophy that drives the venue.

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Venue Highlights

flexible event space fits 250 fully seated, 700 fully standing, or any combination
138-capacity soundproof Gallery Bar adjacent to the main space
28’ x 21’ fixed corner stage
16’ dia. portable, trundled round stage comprised of 3 individual staging sections
23’ dia. hardwood sprung dance floor
engineering by John Storyk/WSDG (Electric Lady Studios, Jazz @ Lincoln Center)
1 downstage cinema-scale projection screen w/ 5.1 Meyer Surround Sound
2 upstage movable projection screens
Yamaha S6B 7’ concert grand piano
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furnished Green Room w/ en suite restroom

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