From NEWMUSICUSA: “BAM’s Next Wave Festival with Seán Curran Company – 1”

From NEWMUSICUSA

1
Wednesday, October 24, 2018
at 7:30 PM

Brooklyn Academy of Music
30 Lafayette Ave
Brooklyn, NY 11217

$20—35
Tickets

“Everywhere All the Time”

DONNACHA DENNEHY Surface Tension
THIRD COAST PERCUSSION Reaction Yield
DAVID SKIDMORE Torched and Wrecked

Third Coast Percussion – Photo by Rich Polk-WireImage

THIRD COAST PERCUSSION
Sean Connors Robert Dillon Peter Martin David Skidmore

Hailed by The New Yorker as “vibrant” and “superb,” Third Coast Percussion explores and expands the extraordinary sonic possibilities of the percussion repertoire, delivering exciting performances for audiences of all kinds. Since its formation in 2005, Third Coast Percussion has gained national attention with concerts and recordings that meld the energy of rock music with the precision and nuance of classical chamber works.

These “hard-grooving” musicians (New York Times) have become known for ground-breaking collaborations across a wide range of disciplines, including concerts and residency projects with engineers at the University of Notre Dame, architects at the Frank Lloyd Wright School of Architecture, astronomers at the Adler Planetarium, and more. The ensemble enhances the performances it offers with cutting edge new media, including free iPhone and iPad apps that allow audience members to create their own musical performances and take a deeper look at the music performed by Third Coast Percussion.

Third Coast Percussion is the Ensemble-in-Residence at the University of Notre Dame’s DeBartolo Performing Arts Center. They have the honor of being the first ensemble at the University of Notre Dame to create a permanent and progressive ensemble residency program at the center. The ensemble performs multiple recitals annually as part of the DeBartolo Performing Arts Center’s Presenting Series season. Third Coast Percussion assumed the position of ensemble-in-residence at Notre Dame in 2013. The ensemble champions the awe-inspiring music of John Cage, Steve Reich, George Crumb, Arvo Pärt, Gérard Grisey, Philippe Manoury, Wolfgang Rihm, Louis Andriessen, Toru Takemitsu, and Tan Dun, among others. Third Coast has also commissioned and performed world premieres by many of today’s leading composers, including Augusta Read Thomas, Timothy Andres, Glenn Kotche, David T. Little, Marcos Balter, Ted Hearne, and ensemble member David Skidmore.

Third Coast’s recent and upcoming concerts and residencies include the University of Chicago Presents, Atlas Performing Arts Center (Washington, D.C), Ensemble Music Society of Indianapolis, the Museum of Modern Art (New York), the Austin Chamber Music Festival, Millennium Park “Loops and Variations,” the Kennedy Center’s Millennium Stage, and more. Third Coast has introduced percussion to chamber music audiences in Texas, Virginia, Pennsylvania, Wisconsin, and Illinois, securing invitations to return to many of these series.

Third Coast’s passion for community outreach includes a wide range of residency offerings while on tour, in addition to a long-term residency with the Davis Square Park Community Band on Chicago’s South Side. In addition to its national performances, Third Coast Percussion’s hometown presence includes an annual Chicago series, with four to five concerts in locations around the city. The ensemble has collaborated in concert with acclaimed ensembles Eighth Blackbird, Signal, and the Garth Newel Piano Quartet, pianists Amy Briggs and Lisa Moore, cellists Nicholas Photinos and Tobias Werner, flautist Tim Munro, vocalist Ted Hearne, and video artists Luftwerk.

The members of Third Coast Percussion —Sean Connors, Robert Dillon, Peter Martin, and David Skidmore— hold degrees in music performance from Northwestern University, the Yale School of Music, the Eastman
School of Music, the New England Conservatory, and Rutgers University. Third Coast Percussion performs exclusively with Pearl/Adams Musical Instruments, Zildjian Cymbals, Remo Drumheads, and Vic Firth sticks and
mallets.

See the full article here.

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Please help promote STEM in your local schools.

Stem Education Coalition

At NEWMUSICUSA we see ourselves first and foremost as advocates. Our mission is to support and promote new music created in the United States. We do that in many ways, fostering connections, deepening knowledge, encouraging appreciation, and providing financial support. In recognition of the possibility and power inherent in the virtual world, we’ve worked to build a strong internet platform to serve our constituency. And that constituency is broad and diverse, from composers and performers to presenters and producers, casual listeners to die-hard fans. We’re truly committed to serving the WHOLE new music community.

As we go about our work, we make a point of not defining too precisely what we mean by new music. To define is to limit. It’s a spectacular time for musical creativity in part because so much music is being made that isn’t bound by conventional limitations of style or genre or background. The music that we hear being created in such abundance all around us is definition enough. We simply want it to flourish.

We’re fortunate to have as our legacy the history of previous decades of good works done by the American Music Center and Meet The Composer, the two great organizations that merged to form us in 2011. Their legacies have also brought a small financial endowment that mostly helps support our grantmaking. But we’re not a foundation. We depend decisively each year on the generosity of so many institutions and individuals around the country who are dedicated as we are to the advancement of new music and are devoted to supporting our work.

New Music USA is part of an international community of advocates for the arts. We’re members of the Performing Arts Alliance, the International Association of Music Information Centres, and the International Society for Contemporary Music. Those partnerships help us represent the interests of our constituents at every level.

No matter how far ranging our networks, our focus is always solidly on what brings these many constituents and communities together in the first place: the music. When someone uses our platform to listen to something new, recommend a favorite to a friend, or to seek financial assistance or information to support the creation or performance of new work, the whole community is strengthened. Together we’re helping new music reach new ears every day.
Our Vision

We envision in the United States a thriving, interconnected new music community that is available to and impactful for a broad constituency of people.
Our Mission

New Music USA supports and promotes new music created in the United States. We use the power of virtual networks and people to foster connection, deepen knowledge, encourage appreciation, and provide financial support for a diverse constituency of practitioners and appreciators, both within the United States and beyond.

Our Values
We believe in the fundamental importance of creative artists and their work.
We espouse a broad, inclusive understanding of the term “new music.”
We uphold and embrace principles of inclusivity and equitable treatment in all of our activity and across our nation’s broadly diverse population in terms of gender, race, age, location, national origin, sexual orientation, religion, socio-economic status and artistic practice.

John Schaefer


For new music by living composers

newsounds.org from New York Public Radio


https://www.wnyc.org/
93.9FM
https://www.wqxr.org/
105.9FM
http://www.thegreenespace.org/

For great Jazz

88.3FM http://wbgo.org/

WPRB 103.3FM


Please visit The Jazz Loft Project based on the work of Sam Stephenson
Please visit The Jazz Loft Radio project from New York Public Radio