From NEWMUSICUSA: “Sonic Temples: Music of Saariaho and Barrière”

From NEWMUSICUSA

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Kaija Saariaho and Jean-Baptiste Barrière from Stanford Arts

Monday, November 12, 2018
at 7:30 PM

Advent Lutheran Church
2504 Broadway at 93rd Street
New York, NY 10025

Free Event

Two of the world’s leading composers join Music Mondays for a program of entrancing, mystical music that envelops the listener in sound. Kaija Saariaho’s fluid, beguiling works (such as L’amour de Loin, a critical and popular success at the Met in 2016) have made her a leading voice in music today; Jean-Baptiste Barrière’s works intermingle acoustic and electronic sounds to build new sonic landscapes, as heard in a portion of his new opera, The 38th Parallel, a tale of Korean displacement and immigration. Charismatic violinist Jennifer Koh (“one of our most thoughtful and intense musicians,” New York Times), bass-baritone Davóne Tines (“immense power and fervor,” L A Times), and flutist Camilla Hoitenga (“explosive,” N Y Times) perform in what promises to be an immersive musical experience.

See the full article here .

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Please help promote STEM in your local schools.

Stem Education Coalition

At NEWMUSICUSA we see ourselves first and foremost as advocates. Our mission is to support and promote new music created in the United States. We do that in many ways, fostering connections, deepening knowledge, encouraging appreciation, and providing financial support. In recognition of the possibility and power inherent in the virtual world, we’ve worked to build a strong internet platform to serve our constituency. And that constituency is broad and diverse, from composers and performers to presenters and producers, casual listeners to die-hard fans. We’re truly committed to serving the WHOLE new music community.

As we go about our work, we make a point of not defining too precisely what we mean by new music. To define is to limit. It’s a spectacular time for musical creativity in part because so much music is being made that isn’t bound by conventional limitations of style or genre or background. The music that we hear being created in such abundance all around us is definition enough. We simply want it to flourish.

We’re fortunate to have as our legacy the history of previous decades of good works done by the American Music Center and Meet The Composer, the two great organizations that merged to form us in 2011. Their legacies have also brought a small financial endowment that mostly helps support our grantmaking. But we’re not a foundation. We depend decisively each year on the generosity of so many institutions and individuals around the country who are dedicated as we are to the advancement of new music and are devoted to supporting our work.

New Music USA is part of an international community of advocates for the arts. We’re members of the Performing Arts Alliance, the International Association of Music Information Centres, and the International Society for Contemporary Music. Those partnerships help us represent the interests of our constituents at every level.

No matter how far ranging our networks, our focus is always solidly on what brings these many constituents and communities together in the first place: the music. When someone uses our platform to listen to something new, recommend a favorite to a friend, or to seek financial assistance or information to support the creation or performance of new work, the whole community is strengthened. Together we’re helping new music reach new ears every day.
Our Vision

We envision in the United States a thriving, interconnected new music community that is available to and impactful for a broad constituency of people.
Our Mission

New Music USA supports and promotes new music created in the United States. We use the power of virtual networks and people to foster connection, deepen knowledge, encourage appreciation, and provide financial support for a diverse constituency of practitioners and appreciators, both within the United States and beyond.

Our Values
We believe in the fundamental importance of creative artists and their work.
We espouse a broad, inclusive understanding of the term “new music.”
We uphold and embrace principles of inclusivity and equitable treatment in all of our activity and across our nation’s broadly diverse population in terms of gender, race, age, location, national origin, sexual orientation, religion, socio-economic status and artistic practice.

John Schaefer


For new music by living composers

newsounds.org from New York Public Radio


https://www.wnyc.org/
93.9FM
https://www.wqxr.org/
105.9FM
http://www.thegreenespace.org/

For great Jazz

88.3FM http://wbgo.org/

WPRB 103.3FM


Please visit The Jazz Loft Project based on the work of Sam Stephenson
Please visit The Jazz Loft Radio project from New York Public Radio