From NEWMUSICBOX: “The Collaborative Studio: Roles and Expectations”

New Music USA


From NEWMUSICBOX

December 4, 2018
Andrew Rodriguez

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For many classical/new music projects, the recording process is seen as a conclusion—the culmination of hours of rehearsal and preparation. Instead, your time in the studio can be utilized as another collaborative opportunity to further refine a project and prepare the work for a life both within and beyond a performance. On multiple occasions I have entered a studio feeling fully prepared to record the tracks as I had written and known them for months, only to be enlightened to new possibilities and ideas from a producer or engineer. The recording studio is its own creative space that provides a new perspective not only from the process of recording, but also from the team involved in that process. Taking advantage of this unique environment can be liberating and has the potential to elevate a project to another level that may have been previously unknown.

My background as a musician began like it does for many other people: playing in bands with friends. I was a guitarist in a variety of different rock, metal, and hardcore bands as a teenager, and was fortunate enough to get the opportunity to record three albums with one of those bands. It was then that I had my first experience working with an experienced producer. Over the course of those three albums, I absorbed as much knowledge as I could about the studio experience—everything from workflow, expectations on both the performing and producing end, studio techniques, and any secrets of the trade that I could remember. These experiences stuck with me because I enjoyed the process of working in a studio, although at the time I couldn’t imagine that I would do anything other than write and perform the music. Eventually, in college, I began composing concert music, which provided me not only with a new skill set, but a fresh perspective on music entirely. The communal aspect of music-making disappeared as I continued to compose, but I was suddenly involved in all determinant aspects of how a piece would sound and be performed. These varying experiences would eventually coalesce to inform my role as a producer, a new step in my development as a musician.

See the full article here.


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Stem Education Coalition

At NEWMUSICUSA, we see ourselves first and foremost as advocates. Our mission is to support and promote new music created in the United States. We do that in many ways, fostering connections, deepening knowledge, encouraging appreciation, and providing financial support. In recognition of the possibility and power inherent in the virtual world, we’ve worked to build a strong internet platform to serve our constituency. And that constituency is broad and diverse, from composers and performers to presenters and producers, casual listeners to die-hard fans. We’re truly committed to serving the WHOLE new music community.

As we go about our work, we make a point of not defining too precisely what we mean by new music. To define is to limit. It’s a spectacular time for musical creativity in part because so much music is being made that isn’t bound by conventional limitations of style or genre or background. The music that we hear being created in such abundance all around us is definition enough. We simply want it to flourish.

We’re fortunate to have as our legacy the history of previous decades of good works done by the American Music Center and Meet The Composer, the two great organizations that merged to form us in 2011. Their legacies have also brought a small financial endowment that mostly helps support our grantmaking. But we’re not a foundation. We depend decisively each year on the generosity of so many institutions and individuals around the country who are dedicated as we are to the advancement of new music and are devoted to supporting our work.

New Music USA is part of an international community of advocates for the arts. We’re members of the Performing Arts Alliance, the International Association of Music Information Centres, and the International Society for Contemporary Music. Those partnerships help us represent the interests of our constituents at every level.

John Schaefer


For new music by living composers

newsounds.org from New York Public Radio


https://www.wnyc.org/
93.9FM
https://www.wqxr.org/
105.9FM
http://www.thegreenespace.org/

For great Jazz

88.3FM http://wbgo.org/

WPRB 103.3FM


Please visit The Jazz Loft Project based on the work of Sam Stephenson
Please visit The Jazz Loft Radio project from New York Public Radio