Live from Merkin Concert Hall’s Ecstatic Music Festival 2012
“On Tuesday, March 20 at 7:30 pm ET, Q2 Music and New Sounds Live present a live audio webcast of composer and indie heavyweight Dan Deacon from Merkin Concert Hall’s Ecstatic Music Festival. Following on last year’s collaboration with So Percussion, Dan Deacon now teams up with NOW Ensemble and the Calder Quartet to present a series of world premiere works for chamber ensembles.”
KEITH JARRETT – SOLO PIANO
“An Evening of Piano Improvisations
Wednesday, January 25, 2012 – 8:00 PM
Stern Auditorium/Perelman Stage
Keith Jarrett returns to New York’s Carnegie Hall on Wednesday, January 25, 2012 at 8:00 PM to perform one his rare solo piano concerts. The concert will feature an entire evening of solo piano improvisations.”
See the full post here.
While you are at it, check out these wonderful interviews of Keith Jarrett at WNYC.
A Conversation with Keith Jarrett – John Schaefer, New Sounds PGM 56 April 13, 1987
Recorded at Keith’s home in New Jersey
On Friday, December 2, 2011, New York Public Radio celebrated JS-30, 30 years of John Schaefer at WNYC. It was 30 years ago that John’s New Sounds program got going. In 2002, WNYC, moving away from daytime music programming to talk, called on John to keep music as a subject in the afternoon with Soundcheck.
You can view the video, just under 2 hours, here at the Soundcheck page for December 15, 2011. I hope you enjoy it.
“As New Composers Flourish, Where Will They Be Heard?”
This article is copyright protected, so just a couple of notes.
“…the world of young, inventive and often populist composers is exploding…These young composers may hold the key to classical music’s future, and the future they create might not be what you expect. Increasingly they have come to consider the machinations of the big-ticket musical organizations — and debates about how to get them to accommodate new music — as beside the point….”
This article is an in depth look at the new serious music universe. This universe includes the new composers themselves, their record labels (or the lack of them) and the venues which they find amenable to their musical pursuits. Among the labels mentioned are “…New Amsterdam, Cantaloupe and Tzadik, all composer run and stylistically freewheeling….” To this list, I might add Innova, from American Composers Forum, St Paul, MN.
Among the venues we find Le Poisson Rouge, Cornelia Street Café, Galapagos, The Stone, Issue Project Room, Roulette, all in New York City. Composers noted in the article include Nico Muhly, Missy Mazzoli, Du Yun, Judd Greenstein, Caleb Burhans, and Bryce Dessner. The only groups I saw noted were ETHEL and Victoire. But others which might have been included are ACME, ICE, yMusic, eighth blackbird, and itsnotyouitsme.
Not at all mentioned in the article (if I missed it, I hope that someone will correct me), is New York Public Radio’s 24/7 New Music web stream Q2. This stream takes these and other composers and musicians out to a wide world, with an international listenership. A stand-out at Q2 is the work of Nadia Sirota. She hosts a four hour program which includes several themes, e.g, Hope Springs Atonal. Her program streams at noon and midnight. Two other standout focused programs are Hammered! which is concerned with keyboard music, and The New Canon.Also important to the success of what has been called “New Music” are two programs on WNYC, New York Public Radio’s original outlet service. For thirty years, John Schaefer has been bringing new composer to the public on the nightly program New Sounds. For a somewhat shorter time, we have been able to hear them on John’s other program, Soundcheck.
Something that I personally would like to see added into the mix for New Music would be the advent of long form music videocast. The best examples I can cite for this are three videos produced by and for ICE, which were made available at Q2. Just to give one example, the music of Steve Lehman in a 46 minute video can be found here. I just actually searched this up also at Google Video here. Both of these examples are free to the public.But, I would personally like to see these videos made available at the music groups’ web sites, based upon a membership fee for a user id and password, and then some sort of fee, maybe $5 or $10 as a “ticket” price. This would greatly universalize the availability of musical experience to populations living no where near to actual concert events. To whit: ICE just did a heavily promoted concert in Chicago. But, I am in New Jersey. I might be very interested in that musical experience. So, if it were made available from a videocast archive, and if I was registered with ICE, I could pay a small “ticket” price and have that experience.
This is a huge and important article. The items I note as missing from the article do not in any way diminish its thesis or importance. See the full article here.
Composer Ben Frost, Brian Eno, & host John Schaefer ((WNYC/Caryn Havlik))
If Brian Eno is your guy, you are in good company.
Thanks, John, for 30 great years. I just caught PGM 2067, the 20th anniversary show, on my Zune. It used to be a lot of work to get those shows, recording them. Now, with RSS feeds to tell us what is going on, and downloads, it is a snap.
JS-30: CELEBRATING THREE DECADES OF JOHN SCHAEFER
Friday, December 2 at 8 PM
Come celebrate Soundcheck and New Sounds host John Schaefer, as he marks 30 years on the air at WNYC.
Join us for an evening of live music with special guests and heartfelt memories, emceed by Grammy Award-winning singer Angelique Kidjo. With special guests Laurie Anderson, ETHEL String Quartet, Simone Dinnerstein and others.
Tickets: $30 at thegreenespace.org
Includes access to the after-party
On October 12 at 7 p.m., Q2 Music presents a live audio Webcast of the Brooklyn Philharmonic from the Winter Garden at the World Financial Center performing music by Mos Def, Frederic Rzewski, Lev Zhurbin, David T. Little and Corey Dargel. The concert, a co-presentation of WNYC’s New Sounds Live with John Schaefer, features a preview of the orchestra’s upcoming season, the first under the energized stewardship of their new conductor, Alan Pierson.
The program features a fresh, multi-dimensional approach to vocal repertoire with the versatile hip hop-icon Mos Def joining the Brooklyn Philharmonic on stage for arrangements of his songs by composer-clarinetist Derek Bermel; Rzewski’s provocative setting of letters from Sam Melville, an inmate at the infamous Attica State Prison; 19th Century shape note singing; and the pop-art songs of singer-songwriter Corey Dargel. Additional performers include new-music stalwart Mellissa Hughes and the Brooklyn Youth Chorus.
Mos Def (arr. Derek Bermel): Life in Marvelous Times (2008) and other songs
David T. Little: excerpt from Am I Born (2011)
Lev Zhurbin: excerpt from Only Love (2008)
Frederic Rzewski: Coming Together (1972)
Corey Dargel: What Might Have Been (2010)