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So Percussion

From Q2 Music: “Listen Live: Dan Deacon, NOW Ensemble and Calder Quartet”

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Q2 is the 24/7 New Music Stream from New York Public Radio

Live from Merkin Concert Hall’s Ecstatic Music Festival 2012

On Tuesday, March 20 at 7:30 pm ET, Q2 Music and New Sounds Live present a live audio webcast of composer and indie heavyweight Dan Deacon from Merkin Concert Hall’s Ecstatic Music Festival. Following on last year’s collaboration with So Percussion, Dan Deacon now teams up with NOW Ensemble and the Calder Quartet to present a series of world premiere works for chamber ensembles.”

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New From Cantaloupe Records: So Percussion – Steve Mackey “It Is Time”

Cantaloupe Music is the recording arm of Bang On a Can, the original New Music DIY organization.

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So Percussion, Steve Mackey It is Time
Cantaloupe CA21076 Release 09/27/11

Songs

1 Metronome
2 Steel Drums [ MP3 ]
3 Marimba
4 Drums
5 Epilogue

It Is Time will be released on September 27, 2011. The physical release will include CD and full-length performance DVD.

It Is Time marshals the virtuosity of the individual members of So Percussion to speed, slow, warp, celebrate and mourn our perceptions of time. Each of the four sections of the piece is a mini-concerto for one of the players. First Eric Beach leads the music in a multi-percussion set up composed of metronome with delay, pump organ, bells, china cymbal on hi-hat stand and a few other assorted toys. Josh Quillen follows on steel drums, Adam Sliwinski on marimba, and Jason Treuting on drumset.


So Percussion

It Is Time was inspired by my young son Jasper (now 30 months old). As an older father (now 664 months old) I felt, for the first time in my life, saddened by the immutability of time and the finite limits to how much of It I will be able to spend with my young family. It Is Time fantasizes that we might have agency with respect to time. An African poet named Isaac Maliya wrote a poem called ?Time is Time.? The first stanza ? ?Time sits, Time stands, Time is Time? ? suggested a terse melody that became a dominant lyrical element in the piece. It is first unveiled in the Steel Drum movement but shards of it permeate much of the music.”
-Steve Mackey