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  • richardmitnick 3:18 PM on June 16, 2018 Permalink | Reply
    Tags: , Classical Music, , , , ,   

    From NEWMUSICUSA and LPR: “LPR X: Taka Kigawa” 

    From NEWMUSICUSA
    and

    From (le) poisson rouge

    1

    Monday, August 27, 2018
    at 7:00 PM

    (le) poisson rouge
    158 Bleecker Street
    New York, NY 10012

    $20—30
    Tickets

    Table Seating: $25 advance, $30 day of show
    Standing Room: $20 advance, $25 day of show

    6:30pm doors | 7:00pm show | all ages

    PROGRAM:
    I.
    Illuminated Baby (2015), Akiki Yamane (b. 1982)
    II.
    Piano Sonata (2001), Luciano Berio (1925-2003)
    III.
    Three Etudes (2014), Matt Aucoin (b. 1990)
    1. rondo which devours itself
    2. currents
    3. a sounding
    IV.
    Phasma (2002), Beat Furrer (b. 1954)

    See the full article here .


    five-ways-keep-your-child-safe-school-shootings
    Please help promote STEM in your local schools.


    Stem Education Coalition

    (le) poisson rouge

    (Le) Poisson Rouge Event Tortoise at Le Poisson Rouge, 3-16-2016

    (le) poisson rouge

    (le) poisson rouge is a multimedia art cabaret founded by musicians on the site of the historic Village Gate. Dedicated to the fusion of popular and art cultures in music, film, theater, dance, and fine art, the venue’s mission is to revive the symbiotic relationship between art and revelry; to establish a creative asylum for both artists and audiences.

    LPR prides itself in offering the highest quality eclectic programming, impeccable acoustics, and bold design. The state-of-the art performance space, engineered by the legendary John Storyk/WSDG, offers full flexibility in multiple configurations: seated, standing, in-the-round, and numerous alternative arrangements. The adjoining gallery space — The Gallery at LPR — functions as an art gallery, secondary bar, and event space. A work of art itself, the physical facilities are the embodiment of the experimental philosophy that drives the venue.

    LPR is a source you can trust for exposure to visionary work, people of character, and a consistently dynamic environment. We invite you to immerse yourself in a nightlife of true substance and vitality.

    Venue Highlights

    flexible event space fits 250 fully seated, 700 fully standing, or any combination
    138-capacity soundproof Gallery Bar adjacent to the main space
    28’ x 21’ fixed corner stage
    16’ dia. portable, trundled round stage comprised of 3 individual staging sections
    23’ dia. hardwood sprung dance floor
    engineering by John Storyk/WSDG (Electric Lady Studios, Jazz @ Lincoln Center)
    1 downstage cinema-scale projection screen w/ 5.1 Meyer Surround Sound
    2 upstage movable projection screens
    Yamaha S6B 7’ concert grand piano
    elevated VIP Box & 2 private entrances
    full catering kitchen & planning services
    furnished Green Room w/ en suite restroom

    Previous LPR Artists

    Anna Netrebko • Amon Tobin • Anthony Braxton • The Antlers • Arditti Quartet • Atoms for Peace • Battles • Beck • Bela Fleck • Bill Frisell • Brad Mehldau • Broadcast • Caroline Shaw • Cat Power • Chris Thile • Cut Copy • Dan Deacon • Daniel Barenboim and the West-Eastern Divan Orchestra • David Byrne • Dean & Britta • Death • Debbie Harry • Deerhoof • Deerhunter • Destroyer • Don DeLillo • Emanuel Ax • Erykah Badu • Fiery Furnaces • Florence & The Machine • Flying Lotus • Four Tet • Glen Hansard • Glenn Branca • Gregory Porter • Hélène Grimaud • Hilary Hahn • Hot Chip • Iggy Pop & the Stooges • J. Spaceman • Jeff Mangum • Jeremy Denk • John Adams • John Zorn • Juana Molina • Junip • Justin Vivian Bond • KD Lang • Kronos Quartet • Lady Gaga • Laurie Anderson • Liars • Little Dragon • Living Colour • Lorde • Lou Reed • Lydia Lunch • Lykke Li • Marc-André Hamelin • Marc Maron • Marc Ribot • Matt and Kim • Max Richter • Medeski Martin & Wood • Menahem Pressler • Mike Watt • Moby • Mono • Múm • Nico Muhly • No Age • Norah Jones • of Montreal • Os Mutantes • Patti Smith • Paul Simon • Philip Glass • Raekwon • Reggie Watts • Regina Spektor • RZA • Salman Rushdie • The Shins • Simone Dinnerstein • Sleigh Bells • So Percussion • Spoon • Squarepusher • Steve Reich • Terry Riley • They Might Be Giants • Throbbing Gristle • Tim Hecker • Tori Amos • Toumani Diabaté • Typhoon • Yo La Tengo • Yo-Yo Ma • Yoko Ono

    newsounds.org is an official radio partner of (Le) Poisson Rouge.

    At NEWMUSICUSA we see ourselves first and foremost as advocates. Our mission is to support and promote new music created in the United States. We do that in many ways, fostering connections, deepening knowledge, encouraging appreciation, and providing financial support. In recognition of the possibility and power inherent in the virtual world, we’ve worked to build a strong internet platform to serve our constituency. And that constituency is broad and diverse, from composers and performers to presenters and producers, casual listeners to die-hard fans. We’re truly committed to serving the WHOLE new music community.

    As we go about our work, we make a point of not defining too precisely what we mean by new music. To define is to limit. It’s a spectacular time for musical creativity in part because so much music is being made that isn’t bound by conventional limitations of style or genre or background. The music that we hear being created in such abundance all around us is definition enough. We simply want it to flourish.

    We’re fortunate to have as our legacy the history of previous decades of good works done by the American Music Center and Meet The Composer, the two great organizations that merged to form us in 2011. Their legacies have also brought a small financial endowment that mostly helps support our grantmaking. But we’re not a foundation. We depend decisively each year on the generosity of so many institutions and individuals around the country who are dedicated as we are to the advancement of new music and are devoted to supporting our work.

    New Music USA is part of an international community of advocates for the arts. We’re members of the Performing Arts Alliance, the International Association of Music Information Centres, and the International Society for Contemporary Music. Those partnerships help us represent the interests of our constituents at every level.

    No matter how far ranging our networks, our focus is always solidly on what brings these many constituents and communities together in the first place: the music. When someone uses our platform to listen to something new, recommend a favorite to a friend, or to seek financial assistance or information to support the creation or performance of new work, the whole community is strengthened. Together we’re helping new music reach new ears every day.
    Our Vision

    We envision in the United States a thriving, interconnected new music community that is available to and impactful for a broad constituency of people.
    Our Mission

    New Music USA supports and promotes new music created in the United States. We use the power of virtual networks and people to foster connection, deepen knowledge, encourage appreciation, and provide financial support for a diverse constituency of practitioners and appreciators, both within the United States and beyond.
    Our Values

    We believe in the fundamental importance of creative artists and their work.
    We espouse a broad, inclusive understanding of the term “new music.”
    We uphold and embrace principles of inclusivity and equitable treatment in all of our activity and across our nation’s broadly diverse population in terms of gender, race, age, location, national origin, sexual orientation, religion, socio-economic status and artistic practice.

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

    Advertisements
     
  • richardmitnick 9:13 PM on June 13, 2018 Permalink | Reply
    Tags: 2018 Mizzou International Composers Festival: Alarm Will Sound, , Classical Music, , ,   

    From NEWMUSICUSA: “2018 Mizzou International Composers Festival: Alarm Will Sound” 

    From NEWMUSICUSA

    1

    Alarm Will Sound Courtesy of the artists

    Thursday, July 26, 2018
    at 8:30 PM Eastern

    stream this event

    Missouri Theatre
    203 S. 9th St.
    Columbia, MO 65211

    $10—18
    Tickets

    Participants: Mizzou New Music Initiative, Alarm Will Sound, Alex Mincek, Matt Marks [ZT”L], Christopher Stark, Yi Chen, Stefan Freund

    Alarm Will Sound, “One of the most vital and original ensembles on the American music scene” (The New York Times), returns to the Mizzou International Composers Festival for the ninth time. For the opening concert of the 2018 Festival, AWS will perform music by the festival guest composers Chen Yi and Alex Mincek, as well as works by Matt Marks[ZT”L]/Stefan Freund.

    This program includes:

    Chen Yi, Sparkle (arr. by Stefan Freund)
    Alex Mincek, Chimeras*
    Matt Marks [ZT”L] and Stefan Freund, kinda asleep
    King Britt, The Intention (arr. by Christopher Stark)

    • world premiere, commissioned by Alarm Will Sound

    Alarm Will Sound was founded in 2001 by composers and performers who met as students at the Eastman School of Music in Rochester, NY. ASCAP recognized their contributions to new music with a 2006 Concert Music Award for “the virtuosity, passion and commitment with which they perform and champion the repertory for the 21st century.”

    The versatility of Alarm Will Sound allows it to take on music from a wide variety of styles. Its repertoire ranges from European to American works, from the arch-modernist to the pop-influenced. The group fosters close relationships with contemporary composers and has commissioned and premiered pieces by Steve Reich, David Lang, Anthony Gatto, Cenk Ergün, Aaron Jay Kernis, Michael Gordon, Augusta Read Thomas, Stefan Freund, Wolfgang Rihm, Payton MacDonald, John Orfe, Gavin Chuck, Dennis DeSantis and Caleb Burhans.

    As the resident ensemble of the Mizzou International Composers Festival in Columbia, Missouri, we premiere and record the works of eight emerging composers each summer. Our Alarm System initiative has expanded the new music repertoire by inviting artists from various backgrounds, such as Mira Calix, Brian Reitzell, Matt Rogers, Medeski, Martin and Wood, to make music with Alarm Will Sound.

    Alarm Will Sound may be heard on ten recordings, including our most recent, Splitting Adams, released by Cantaloupe in April 2017, and the premiere recording of Steve Reich’s Radio Rewrite. Our genre-bending, critically acclaimed Acoustica features live-performance arrangements of music by electronica guru Aphex Twin.

    In 2016, Alarm Will Sound in a co-production with Opera Theatre of St. Louis, presented the world premiere of the staged version of Donnacha Dennehy’s The Hunger at the BAM Next Wave Festival and the Touhill Performing Arts Center.

    In 2013-14, Alarm Will Sound served as artists-in-residence at the Metropolitan Museum of Art, presenting four large ensemble performances at the Met, including two site-specific productions staged in museum galleries, as well as several smaller events in collaboration with the Museum’s educational programs.

    In 2011, at Carnegie Hall, the group presented 1969, a multimedia event that uses music, images, text, and staging to tell the compelling story of great musicians—John Lennon, Karlheinz Stockhausen, Luciano Berio, and Leonard Bernstein—striving for a new music and a new world amidst the turmoil of the late 1960s.

    In 2010, the group developed and performed the Dirty Projectors’ The Getty Address in its new identity as a live performance piece at Lincoln Center, Disney Hall and the Barbican. Music that Dirty Projectors front-man David Longstreth created on a computer by meticulous and complicated sampling, looping and layering is translated and arranged for 23 musicians of both bands.

    Alarm Will Sound has been presented by Carnegie Hall, Brooklyn Academy of Music, Lincoln Center, (le) Poisson Rouge, Miller Theatre, the Kitchen, the Bang on a Can Marathon, Disney Hall, Kimmel Center, Library of Congress, the Walker Arts Center, Cal Performances, Stanford Lively Arts, Duke Performances, and the Warhol Museum. International tours include the Holland Festival, Sacrum Profanum, Moscow’s Art November, St. Petersburg’s Pro Arte Festival, and the Barbican.

    See the full article here .


    five-ways-keep-your-child-safe-school-shootings
    Please help promote STEM in your local schools.


    Stem Education Coalition

    At NEWMUSICUSA we see ourselves first and foremost as advocates. Our mission is to support and promote new music created in the United States. We do that in many ways, fostering connections, deepening knowledge, encouraging appreciation, and providing financial support. In recognition of the possibility and power inherent in the virtual world, we’ve worked to build a strong internet platform to serve our constituency. And that constituency is broad and diverse, from composers and performers to presenters and producers, casual listeners to die-hard fans. We’re truly committed to serving the WHOLE new music community.

    As we go about our work, we make a point of not defining too precisely what we mean by new music. To define is to limit. It’s a spectacular time for musical creativity in part because so much music is being made that isn’t bound by conventional limitations of style or genre or background. The music that we hear being created in such abundance all around us is definition enough. We simply want it to flourish.

    We’re fortunate to have as our legacy the history of previous decades of good works done by the American Music Center and Meet The Composer, the two great organizations that merged to form us in 2011. Their legacies have also brought a small financial endowment that mostly helps support our grantmaking. But we’re not a foundation. We depend decisively each year on the generosity of so many institutions and individuals around the country who are dedicated as we are to the advancement of new music and are devoted to supporting our work.

    New Music USA is part of an international community of advocates for the arts. We’re members of the Performing Arts Alliance, the International Association of Music Information Centres, and the International Society for Contemporary Music. Those partnerships help us represent the interests of our constituents at every level.

    No matter how far ranging our networks, our focus is always solidly on what brings these many constituents and communities together in the first place: the music. When someone uses our platform to listen to something new, recommend a favorite to a friend, or to seek financial assistance or information to support the creation or performance of new work, the whole community is strengthened. Together we’re helping new music reach new ears every day.
    Our Vision

    We envision in the United States a thriving, interconnected new music community that is available to and impactful for a broad constituency of people.
    Our Mission

    New Music USA supports and promotes new music created in the United States. We use the power of virtual networks and people to foster connection, deepen knowledge, encourage appreciation, and provide financial support for a diverse constituency of practitioners and appreciators, both within the United States and beyond.
    Our Values

    We believe in the fundamental importance of creative artists and their work.
    We espouse a broad, inclusive understanding of the term “new music.”
    We uphold and embrace principles of inclusivity and equitable treatment in all of our activity and across our nation’s broadly diverse population in terms of gender, race, age, location, national origin, sexual orientation, religion, socio-economic status and artistic practice.

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
  • richardmitnick 6:00 PM on June 11, 2018 Permalink | Reply
    Tags: Classical Music, , , Opening Night Concert   

    From NEWMUSICUSA: “Opening Night Concert” 

    From NEWMUSICUSA

    1

    Friday, July 6, 2018
    at 8:00 PM

    The Big Barn
    49 Main Street
    Putney, VT 05346

    $15—30
    Tickets

    George Frideric Handel (1685-1759) Concerto Grosso in D Major, Op.6 No.5, HWV 323 (1739)

    Zenas Hsu, YuEun Kim, Harriet Langley, Magdalena Filipczak, Brian Hong, Leonard Fu, Mélanie Clapiès, violins; Tegen Davidge, Emily Brandenburg, Yitong Guo, violas; Natasha Brofsky, Cristina Basili, cellos; Peter Walsh, double bass; Alice Chenyang Xu, harpsichord

    John Cage (1912-1992) Solos for voice from Song Books (1970)

    Lucy Shelton, voice

    John Cage Harmony 35 (Framingham/William Billings) from 44 Harmonies from Apartment House 1776 (1976)

    Morton Feldman (1926-1987) Structures for String Quartet (1951)

    Nicholas Mann, Jennifer Liu, violins; Jesse Morrison, viola; Annie Jacobs-Perkins, cello

    Anna Thorvaldsdottir (b.1977) Shades of Silence (2013)

    Magdalena Filipczak, violin; Maren Rothfritz, viola; Sarah Rommel, cello; Gilbert Kalish, amplified harpsichord

    Intermission

    György Kurtág (b.1926) from Játékok Games and J.S. Bach Transcriptions

    Marisa Gupta, Seth Knopp, piano four-hands

    George Enescu (1881-1955) Impressions d’enfance, Op.28 (1940)

    Donald Weilerstein, violin; Vivian Hornik Weilerstein, piano

    See the full article here .


    five-ways-keep-your-child-safe-school-shootings
    Please help promote STEM in your local schools.


    Stem Education Coalition

    At NEWMUSICUSA we see ourselves first and foremost as advocates. Our mission is to support and promote new music created in the United States. We do that in many ways, fostering connections, deepening knowledge, encouraging appreciation, and providing financial support. In recognition of the possibility and power inherent in the virtual world, we’ve worked to build a strong internet platform to serve our constituency. And that constituency is broad and diverse, from composers and performers to presenters and producers, casual listeners to die-hard fans. We’re truly committed to serving the WHOLE new music community.

    As we go about our work, we make a point of not defining too precisely what we mean by new music. To define is to limit. It’s a spectacular time for musical creativity in part because so much music is being made that isn’t bound by conventional limitations of style or genre or background. The music that we hear being created in such abundance all around us is definition enough. We simply want it to flourish.

    We’re fortunate to have as our legacy the history of previous decades of good works done by the American Music Center and Meet The Composer, the two great organizations that merged to form us in 2011. Their legacies have also brought a small financial endowment that mostly helps support our grantmaking. But we’re not a foundation. We depend decisively each year on the generosity of so many institutions and individuals around the country who are dedicated as we are to the advancement of new music and are devoted to supporting our work.

    New Music USA is part of an international community of advocates for the arts. We’re members of the Performing Arts Alliance, the International Association of Music Information Centres, and the International Society for Contemporary Music. Those partnerships help us represent the interests of our constituents at every level.

    No matter how far ranging our networks, our focus is always solidly on what brings these many constituents and communities together in the first place: the music. When someone uses our platform to listen to something new, recommend a favorite to a friend, or to seek financial assistance or information to support the creation or performance of new work, the whole community is strengthened. Together we’re helping new music reach new ears every day.
    Our Vision

    We envision in the United States a thriving, interconnected new music community that is available to and impactful for a broad constituency of people.
    Our Mission

    New Music USA supports and promotes new music created in the United States. We use the power of virtual networks and people to foster connection, deepen knowledge, encourage appreciation, and provide financial support for a diverse constituency of practitioners and appreciators, both within the United States and beyond.
    Our Values

    We believe in the fundamental importance of creative artists and their work.
    We espouse a broad, inclusive understanding of the term “new music.”
    We uphold and embrace principles of inclusivity and equitable treatment in all of our activity and across our nation’s broadly diverse population in terms of gender, race, age, location, national origin, sexual orientation, religion, socio-economic status and artistic practice.

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
  • richardmitnick 4:33 PM on June 11, 2018 Permalink | Reply
    Tags: Classical Music, ,   

    From Jensen Artists : “Telegraph Quartet” 

    June 11, 2018

    1
    Telegraph Quartet. No image credit found

    “soulfulness, tonal beauty and intelligent attention to detail … an incredibly valuable addition to the cultural landscape.” – San Francisco Chronicle

    ​”With precise tuning, textural variety and impassioned communication, the Telegraph players burned this masterpiece into one’s memory.” – The Strad

    ​The Telegraph Quartet (Eric Chin and Joseph Maile, violins; Pei-Ling Lin, viola; Jeremiah Shaw, cello) formed in 2013 with an equal passion for the standard chamber music repertoire and contemporary, non-standard works alike. Described by the San Francisco Chronicle as “…an incredibly valuable addition to the cultural landscape” and “powerfully adept… with a combination of brilliance and subtlety,” the Telegraph Quartet was awarded the prestigious 2016 Walter W. Naumburg Chamber Music Award and the Grand Prize at the 2014 Fischoff Chamber Music Competition. The Quartet has performed in concert halls, music festivals, and academic institutions across the United States and abroad, including New York City’s Carnegie Hall, San Francisco’s Herbst Theatre and the San Francisco Conservatory of Music’s Chamber Masters Series and at festivals including the Chautauqua Institute, Kneisel Hall Chamber Music Festival, and the Emilia Romagna Festival. The Quartet is currently on faculty at the San Francisco Conservatory of Music as their Quartet-in-Residence.

    ​Notable collaborations include projects with cellists Norman Fischer and Bonnie Hampton; violinist Ian Swensen; pianist Simone Dinnerstein; and the Henschel Quartett. A fervent champion of 20th- and 21st-century repertoire, the Telegraph Quartet co-commissioned John Harbison’s String Quartet No. 6 and gave its West Coast premiere in the fall of 2017 on San Francisco State University’s Morrison Artists Series. The Quartet gave the world premiere of Robert Sirota’s String Quartet No. 3,Wave Upon Wave at Weill Recital Hall for their Carnegie Hall debut in 2018, sponsored by the Naumburg Foundation. The Telegraph Quartet also premiered Richard Festinger’s third string quartet, Icarus in Flight, a musical representation of climate change data from the year 1880 to projected simulations of 2080. In 2018 the Quartet will release its debut album, Into the Light, featuring works by Anton Webern, Benjamin Britten, and Leon Ki­­­rchner on the Centaur label.

    ​Beyond the concert stage, the Telegraph Quartet seeks to spread its music through education and audience engagement. In the Fall of 2017, the Quartet traveled to communities and schools in mid-coast Maine with Yellow Barn’s Music Haul, a mobile performance stage that brings music outside of the concert hall to communities across the U.S. The Quartet has given master classes at the San Francisco Conservatory of Music Collegiate and Pre-College Divisions, at San Francisco State University, and abroad at the Taipei National University of the Arts and National Taiwan Normal University. Members of the Quartet hold teaching positions in chamber music and private instruction at the San Francisco Conservatory of Music’s College and Pre-College programs.

    While the Telegraph Quartet is indebted to numerous mentors and teachers, their primary musical guidance and support has come from Mark Sokol, Bonnie Hampton, and Ian Swensen, at the San Francisco Conservatory of Music. The Telegraph Quartet is based in the San Francisco Bay Area.
    Watch Telegraph perform Anton Webern’s Fünf Sätze (Five Movements), Op. 5:

    Telegraph Quartet just signed with Jensen Artists for management & PR.

    See the full article here .


    five-ways-keep-your-child-safe-school-shootings
    Please help promote STEM in your local schools.


    Stem Education Coalition

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
  • richardmitnick 11:00 AM on June 11, 2018 Permalink | Reply
    Tags: Classical Music, Great Performers 2018/19,   

    From Lincoln Center: Great Performers 2018/19 

    Lincoln Center, NYC, USA

    From Lincoln Center

    Tickets to Great Performers 2018/19 are on sale now!

    It’s time to buy your tickets to the 2018/19 Great Performers season. Now is your chance to get the best available seats to:

    the Philharmonia Orchestra led by Esa-Pekka Salonen,

    Esa-Pekka Salonen MulPix.com

    an all-Bach recital by Hilary Hahn,

    Hilary Hahn by Brandes Autographs

    Joshua Bell playing trios with Steven Isserlis and Jeremy Denk,

    Joshua Bell by Kevin Winter Getty Images Entertainment

    Steven Isserlis by Tom Miller

    Jeremy Denk by Robert Torres

    the Takács Quartet performing Schubert,

    Takács Quartet by Keith Saunders


    and many more of the world’s most renowned artists.

    Join us for another stellar season. Buy your tickets now online at http://www.LCGreatPerformers.org, by calling CenterCharge at 212.721.6500, or in person at the David Geffen and Alice Tully Hall Box Offices

    Explore the Season

    See the full article here .


    five-ways-keep-your-child-safe-school-shootings

    Please help promote STEM in your local schools.

    Stem Education Coalition

    Lincoln Center for the Performing Arts is a 16.3-acre (6.6-hectare) complex of buildings in the Lincoln Square neighborhood of the borough of Manhattan in New York City. It hosts many notable performing arts organizations, which are nationally and internationally renowned, including the New York Philharmonic, the Metropolitan Opera, the New York City Ballet and the New York City Opera.

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
  • richardmitnick 3:17 PM on June 9, 2018 Permalink | Reply
    Tags: Classical Music, , , , Samuel Blaser Trio: Taktlos   

    From NEWMUSICUSA: “Samuel Blaser Trio: Taktlos” 

    From NEWMUSICUSA

    1
    No photo credit provided

    Monday, June 18, 2018
    at 8:00 PM

    Roulette Intermedium
    509 Atlantic Ave
    Brooklyn, NY 11217

    2
    Roulette

    $20—25
    Tickets

    Samuel Blaser – Trombone
    Marc Ducret – Guitar
    Peter Bruun – Drums

    Samuel Blaser and his trio will give a rare New York performance at the Roulette. Blaser’s grounding in jazz and classical music produces tunes which develop seamlessly through wonderful interaction between the trio members. French guitarist Marc Ducret (known for his work with Tim Berne) and Danish drummer Peter Bruun (also a member of Django Bates Beloved band) complete the international line-up. The trio released a new album on legendary Swiss label HatArt to coincide with the performance.

    The Samuel Blaser Trio was founded after a downtime poolside dialogue between Samuel Blaser and Marc Ducret in Cabo Frio, Brazil. Danish drummer Peter Bruun seemed like a felicitous fit, and beginning with an inaugural gig in May of 2013 at the Jazzdor Festival in Berlin, the three players began extensive tours of Europe, Asia and South America. Blaser estimates roughly 120 concerts over the ensuing years, no meager feat considering the band had yet to cut a commercial recording.

    See the full article here .


    five-ways-keep-your-child-safe-school-shootings
    Please help promote STEM in your local schools.


    Stem Education Coalition

    At NEWMUSICUSA we see ourselves first and foremost as advocates. Our mission is to support and promote new music created in the United States. We do that in many ways, fostering connections, deepening knowledge, encouraging appreciation, and providing financial support. In recognition of the possibility and power inherent in the virtual world, we’ve worked to build a strong internet platform to serve our constituency. And that constituency is broad and diverse, from composers and performers to presenters and producers, casual listeners to die-hard fans. We’re truly committed to serving the WHOLE new music community.

    As we go about our work, we make a point of not defining too precisely what we mean by new music. To define is to limit. It’s a spectacular time for musical creativity in part because so much music is being made that isn’t bound by conventional limitations of style or genre or background. The music that we hear being created in such abundance all around us is definition enough. We simply want it to flourish.

    We’re fortunate to have as our legacy the history of previous decades of good works done by the American Music Center and Meet The Composer, the two great organizations that merged to form us in 2011. Their legacies have also brought a small financial endowment that mostly helps support our grantmaking. But we’re not a foundation. We depend decisively each year on the generosity of so many institutions and individuals around the country who are dedicated as we are to the advancement of new music and are devoted to supporting our work.

    New Music USA is part of an international community of advocates for the arts. We’re members of the Performing Arts Alliance, the International Association of Music Information Centres, and the International Society for Contemporary Music. Those partnerships help us represent the interests of our constituents at every level.

    No matter how far ranging our networks, our focus is always solidly on what brings these many constituents and communities together in the first place: the music. When someone uses our platform to listen to something new, recommend a favorite to a friend, or to seek financial assistance or information to support the creation or performance of new work, the whole community is strengthened. Together we’re helping new music reach new ears every day.
    Our Vision

    We envision in the United States a thriving, interconnected new music community that is available to and impactful for a broad constituency of people.
    Our Mission

    New Music USA supports and promotes new music created in the United States. We use the power of virtual networks and people to foster connection, deepen knowledge, encourage appreciation, and provide financial support for a diverse constituency of practitioners and appreciators, both within the United States and beyond.
    Our Values

    We believe in the fundamental importance of creative artists and their work.
    We espouse a broad, inclusive understanding of the term “new music.”
    We uphold and embrace principles of inclusivity and equitable treatment in all of our activity and across our nation’s broadly diverse population in terms of gender, race, age, location, national origin, sexual orientation, religion, socio-economic status and artistic practice.

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
  • richardmitnick 1:21 PM on June 7, 2018 Permalink | Reply
    Tags: Classical Music, ,   

    From Lincoln Center: Mostly Mozart Festival 

    Lincoln Center, NYC, USA

    From Lincoln Center

    Mostly Mozart Festival

    1

    Join us for the newly expanded Mostly Mozart Festival featuring a thrilling slate of international dance, theater, and classical music.

    Season Calendar

    About the Festival

    2

    Dance
    Available Light
    July 12–13, 2018
    Rose Theater, Jazz at Lincoln Center’s Frederick P. Rose Hall

    A mesmerizing work with choreography by Lucinda Childs, music by John Adams, and set by Frank Gehry. Learn More

    3

    Film
    Leonard Bernstein: The Gift of Music
    Sunday, July 15, 2018 at 1:00 pm
    Walter Reade Theater

    Rare documentary and performance footage of an American musical icon. Learn More

    6

    Mostly Mozart Festival Orchestra
    Bernstein MASS
    A Theater Piece for Singers, Players and Dancers
    (New York production premiere)
    July 17–18, 2018
    David Geffen Hall

    Over 200 performers bring Bernstein’s eclectic creation to life in this bold, fully staged production. Learn More

    7

    Music | Theater
    The Creation
    La Fura dels Baus
    (North American production premiere)
    July 19–20, 2018
    Rose Theater, Jazz at Lincoln Center’s Frederick P. Rose Hall

    Experience Haydn’s Enlightenment-era oratorio as an immersive theatrical experience. Learn More

    8

    Mostly Mozart Festival Orchestra
    Jupiter Symphony
    July 20–21, 2018
    Alice Tully Hall

    Conductor Thomas Dausgaard and pianist Francesco Piemontesi join the Festival Orchestra for works by Mendelssohn and Mozart. Learn More

    Much more. Visit the Calendar.

    See the full article here with links to further information .


    five-ways-keep-your-child-safe-school-shootings

    Please help promote STEM in your local schools.

    Stem Education Coalition

    Lincoln Center for the Performing Arts is a 16.3-acre (6.6-hectare) complex of buildings in the Lincoln Square neighborhood of the borough of Manhattan in New York City. It hosts many notable performing arts organizations, which are nationally and internationally renowned, including the New York Philharmonic, the Metropolitan Opera, the New York City Ballet and the New York City Opera.

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
  • richardmitnick 2:50 PM on June 6, 2018 Permalink | Reply
    Tags: , Classical Music, , ,   

    From NEWMUSICUSA: “Violist Jonah Sirota – STRONG SAD Album Release Concert” 

    From NEWMUSICUSA

    1
    Jonah Sirota. No image credit

    Sunday, June 10, 2018
    at 7:00 PM

    The Bay
    2005 Y St
    Lincoln, NE 68503

    $10—15

    Violist Jonah Sirota celebrates his debut solo album STRONG SAD with a performance featuring music from the album. Guest performers joining Sirota are organist Kurt Knecht and violist Clark Potter, as well as fellow Chiara String Quartet members violinist Rebecca Fischer, violinist Hyeyung Julie Yoon, and cellist Gregory Beaver. STRONG SAD, out June 22 on National Sawdust Tracks, features eight new elegies for the viola, by eight composers – Jonah Sirota, Paola Prestini, Nico Muhly, Valgeir Sigurðsson, Robert Sirota, A.J. McCaffrey, and Rodney Lister, and the improv duo Mondegreen (Jonah Sirota and Kurt Knecht). While some of the music on STRONG SAD may follow the more traditional function of a musical elegy, remembering lost friends and loved ones, the collection also addresses the smaller losses of day-to-day life. Sirota’s aim with STRONG SAD is to affirm that mourning need not be saved for funerals, and that sadness, when given a chance to breathe, can be the best path to deep and lasting contentment and joy.

    Also at

    Monday, June 11, 2018
    at 7:30 PM

    St. Paul’s Episcopal Church
    11 E 40th St
    Kansas City, MO 64111

    $8—15

    Tuesday, June 12, 2018
    at 8:00 PM

    Art Share LA
    801 E 4th Pl
    Los Angeles, CA 90013

    $10

    See the full article here .


    five-ways-keep-your-child-safe-school-shootings
    Please help promote STEM in your local schools.


    Stem Education Coalition

    At New Music USA, we see ourselves first and foremost as advocates. Our mission is to support and promote new music created in the United States. We do that in many ways, fostering connections, deepening knowledge, encouraging appreciation, and providing financial support. In recognition of the possibility and power inherent in the virtual world, we’ve worked to build a strong internet platform to serve our constituency. And that constituency is broad and diverse, from composers and performers to presenters and producers, casual listeners to die-hard fans. We’re truly committed to serving the WHOLE new music community.

    As we go about our work, we make a point of not defining too precisely what we mean by new music. To define is to limit. It’s a spectacular time for musical creativity in part because so much music is being made that isn’t bound by conventional limitations of style or genre or background. The music that we hear being created in such abundance all around us is definition enough. We simply want it to flourish.

    We’re fortunate to have as our legacy the history of previous decades of good works done by the American Music Center and Meet The Composer, the two great organizations that merged to form us in 2011. Their legacies have also brought a small financial endowment that mostly helps support our grantmaking. But we’re not a foundation. We depend decisively each year on the generosity of so many institutions and individuals around the country who are dedicated as we are to the advancement of new music and are devoted to supporting our work.

    New Music USA is part of an international community of advocates for the arts. We’re members of the Performing Arts Alliance, the International Association of Music Information Centres, and the International Society for Contemporary Music. Those partnerships help us represent the interests of our constituents at every level.

    No matter how far ranging our networks, our focus is always solidly on what brings these many constituents and communities together in the first place: the music. When someone uses our platform to listen to something new, recommend a favorite to a friend, or to seek financial assistance or information to support the creation or performance of new work, the whole community is strengthened. Together we’re helping new music reach new ears every day.
    Our Vision

    We envision in the United States a thriving, interconnected new music community that is available to and impactful for a broad constituency of people.
    Our Mission

    New Music USA supports and promotes new music created in the United States. We use the power of virtual networks and people to foster connection, deepen knowledge, encourage appreciation, and provide financial support for a diverse constituency of practitioners and appreciators, both within the United States and beyond.
    Our Values

    We believe in the fundamental importance of creative artists and their work.
    We espouse a broad, inclusive understanding of the term “new music.”
    We uphold and embrace principles of inclusivity and equitable treatment in all of our activity and across our nation’s broadly diverse population in terms of gender, race, age, location, national origin, sexual orientation, religion, socio-economic status and artistic practice.

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
  • richardmitnick 8:07 PM on June 5, 2018 Permalink | Reply
    Tags: Classical Music, Jessica Meyer, , , Trudy Chan   

    From NEWMUSICUSA: “Composer/Violist Jessica Meyer and pianist Trudy Chan – ‘Remember From Whence You Came'” 

    From NEWMUSICUSA

    1
    Jessica Meyer (photo Ana Pinto)

    Thursday, June 14, 2018
    at 8:00 PM

    Areté Venue and Gallery
    67 West St, #103
    Brooklyn, NY 11222

    $20
    Tickets

    Jessica Meyer will perform favorite moments from seminal works by Clarke, Brahms, and Bach to honor her trajectory from being solely a violist to a sought-after performer and composer. The centerpiece of the program will include works she has written for viola and piano and viola alone without the loop pedal she usually performs with as a soloist – including a brand new work yet to be written. The program ends with Hindemith’s gorgeous and powerful Sonata Op. 11 # 4 in its entirety as a tribute to the many violist/composers who have established themselves as innovative and creative forces.

    Ms. Meyer’s solo show has been featured at iconic venues such as BAMcafé and Joe’s Pub in NYC, the Andy Warhol Museum in Pittsburgh, and in Paris at Sunset Sunside. She is also committed to creating site-specific solo performances inspired by intriguing acoustical spaces, historic places, galleries of visual art, and unlikely concert venues that can provide a rich narrative context in relation to the surrounding community. Of her recent appearance at The TANK Center for Sonic Arts, where she wrote a solo piece on site for this destination concert venue that boasts a 20-second reverb, Alex Ross of the New Yorker said, “Meyer’s fierce-edged playing activated the Tank’s awe-inspiring properties.” Equally at home with many different styles of music, Jessica can regularly be seen performing on Baroque viola, improvising with jazz musicians, or collaborating with other performer/composers.

    Trudy Chan has been an active keyboard player since moving to New York City from Hong Kong in 2002. With the Cheah Chan Duo which she formed with vocalist Phillip Cheah in 2009, she has performed at various venues in New York City such as the Church of St. Luke in the Fields, National Opera Center, The DiMenna Center for Performing Arts, Tenri Cultural Institute, the National Museum of American Jewish History in Philadelphia, and at the Victoria Theatre in Singapore. Before emigrating to the United States, Trudy was staff accompanist for the Hong Kong Academy for Performing Arts and performed with the Hong Kong Sinfonietta as well as for Radio/TV HK. She additionally spent five summers performing at Italy’s Orvieto Musica Festival. When she is not performing, Trudy runs her boutique company, Black Tea Music, working with composers and new music performing artists.

    See the full article here .


    five-ways-keep-your-child-safe-school-shootings
    Please help promote STEM in your local schools.


    Stem Education Coalition

    At New Music USA, we see ourselves first and foremost as advocates. Our mission is to support and promote new music created in the United States. We do that in many ways, fostering connections, deepening knowledge, encouraging appreciation, and providing financial support. In recognition of the possibility and power inherent in the virtual world, we’ve worked to build a strong internet platform to serve our constituency. And that constituency is broad and diverse, from composers and performers to presenters and producers, casual listeners to die-hard fans. We’re truly committed to serving the WHOLE new music community.

    As we go about our work, we make a point of not defining too precisely what we mean by new music. To define is to limit. It’s a spectacular time for musical creativity in part because so much music is being made that isn’t bound by conventional limitations of style or genre or background. The music that we hear being created in such abundance all around us is definition enough. We simply want it to flourish.

    We’re fortunate to have as our legacy the history of previous decades of good works done by the American Music Center and Meet The Composer, the two great organizations that merged to form us in 2011. Their legacies have also brought a small financial endowment that mostly helps support our grantmaking. But we’re not a foundation. We depend decisively each year on the generosity of so many institutions and individuals around the country who are dedicated as we are to the advancement of new music and are devoted to supporting our work.

    New Music USA is part of an international community of advocates for the arts. We’re members of the Performing Arts Alliance, the International Association of Music Information Centres, and the International Society for Contemporary Music. Those partnerships help us represent the interests of our constituents at every level.

    No matter how far ranging our networks, our focus is always solidly on what brings these many constituents and communities together in the first place: the music. When someone uses our platform to listen to something new, recommend a favorite to a friend, or to seek financial assistance or information to support the creation or performance of new work, the whole community is strengthened. Together we’re helping new music reach new ears every day.
    Our Vision

    We envision in the United States a thriving, interconnected new music community that is available to and impactful for a broad constituency of people.
    Our Mission

    New Music USA supports and promotes new music created in the United States. We use the power of virtual networks and people to foster connection, deepen knowledge, encourage appreciation, and provide financial support for a diverse constituency of practitioners and appreciators, both within the United States and beyond.
    Our Values

    We believe in the fundamental importance of creative artists and their work.
    We espouse a broad, inclusive understanding of the term “new music.”
    We uphold and embrace principles of inclusivity and equitable treatment in all of our activity and across our nation’s broadly diverse population in terms of gender, race, age, location, national origin, sexual orientation, religion, socio-economic status and artistic practice.

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
  • richardmitnick 2:23 PM on June 3, 2018 Permalink | Reply
    Tags: Choral Chameleon: Mind, Classical Music, ,   

    From National Sawdust: “Choral Chameleon: Mind” 

    From National Sawdust

    1
    No image credit found

    Sunday, June 10th – 7pm
    Tickets- at the full article web page

    This program is presented by National Sawdust’s 2017/2018 Artists-in-Residence: Choral Chameleon.

    Choral Chameleon’s final installment of their 2018 3-part ‘Mind, Body, Spirit’ series concludes its exploration of the whole singer with MIND, a showcase of modern works for choir themed around the intellectual journey of a singer, one fraught with endless self-questioning, trust issues, and of course, ultra-precise technical training. Take a sweeping journey with the choir and hear many works unique to the groundbreaking ensemble. Adam Ward’s pivotal Gradus ad Parnassum for Vocal ensemble, Cello, and Narrators headlines the performance of a wide range of music from the following composers: Tomas Luis de Victoria, Mahalia Jackson, Arvo Pärt, David Conte, Louis Moyse, Kevin Cummines, Adam Ward, Rex Isenberg, and Joseph Stillwell.

    “In the weightless reading by the violinist Johnny Gandelsman, the violist William Frampton and the vocal ensemble Choral Chameleon , the music unfolded in contemplative beauty, with the juxtaposition of the instruments’ throaty individuality and the even-tempered coolness of the voices creating just enough tension to sustain interest.”
    New York Times

    See the full article here .


    five-ways-keep-your-child-safe-school-shootings

    Please help promote STEM in your local schools.

    Stem Education Coalition

    National Sawdust, is an unparalleled, artist-led, nonprofit venue, is a place for exploration and discovery. A place where emerging and established artists can share their music with serious music fans and casual listeners alike.

    In a city teeming with venues, National Sawdust is a singular space founded with an expansive vision: to provide composers and musicians across genres a home in which they can flourish, a setting where they are given unprecedented support and critical resources essential to create, and then share, their work.

    As a composer, I believe the role of an artist in the 21st century should be that of creator, educator, activist, and entrepreneur. I believe that 21st-century composers/artists need to be thinking about what impact they can have on their existing community, both locally and globally. At NS we believe in remaining flexible and true to the needs of artists. Our core mission is centered on the support of emerging artists, and on commissioning and supporting the seeds of ideas. Each year, we explore one large theme and construct programming and questions around that theme. This year, that theme is Origins. With this season, we are channeling the National Sawdust mission—empowering high-level artistry, regardless of training, genre, or fame—through multicultural artists who tell their stories through their music. Ultimately, Origins is a radical sharing of culture. We hope this cultural storytelling of the highest caliber will help bring our divided country closer together.

    We also believe the future of new art lives in education. To us, education is about giving young people and community members opportunities and tools to explore their potential for artistic and creative expression. But it is also about ensuring that artists themselves never stop learning – about their craft, about the work of their peers, about the business of the arts, about their own capacities to be educators and advocates. NS facilitates this kind of learning by bringing together artists from around the world in exciting composition- based projects, teaching opportunities, cultural exchanges, and hands-on management experience. Through this cultural synthesis artists leave lasting impressions on one another, become more versatile and resilient professionals, and create works that reflect a plural understanding of American society.

    –Paola Prestini, co-founder & Artist Director

    Space waiting

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
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