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  • richardmitnick 8:03 AM on November 9, 2018 Permalink | Reply
    Tags: ICE- International Contemporary Ensemble, Miller Theatre of Columbia University,   

    From International Contemporary Ensemble: “This Week: Roulette and Miller Theatre” 


    From International Contemporary Ensemble

    Roulette Intermedium

    Roulette

    1
    100 for 100: Musical Decades of Freedom

    Sunday, November 11, 2018, 8:00 PM
    Roulette Intermedium
    509 Atlantic Ave
    Brooklyn, NY 11217
    Tickets available here

    In 2006, our tour to Krakow, Poland put the ‘international’ in International Contemporary Ensemble. This community remains dear to our heart, and so this Sunday we join Poland’s largest music publisher (PWM edition) and the Polish Cultural Institute in celebrating 100 years of Polish freedom. Steven Schick leads performances of works by five contemporary Polish composers: Agata Zubel, Paweł Mykietyn, Lidia Zielinska, Tadeusz Wielecki, and Aleksander Nowak. The celebratory culmination of the whole project will be 11 concerts in Poland and 11 concerts worldwide.

    2
    Portrait Concert: Du Yun

    Thursday, November 15, 2018, 8 PM
    Miller Theatre of Columbia University

    Miller Theatre at Columbia University


    2960 Broadway
    New York, NY 10027
    Tickets available here

    The 2017 recipient of the Pulitzer Prize in Music for her opera Angel’s Bone, Du Yun is a multifaceted artist—composer, multi-instrumentalist, performance artist, and curator. On November 15, we celebrate foundational works created over the course of 20 years of collaboration and friendship. As Lara Pellegrinelli notes, “These works provided much of the ground from which [ICE] was launched, helping to transform a bunch of her fellow Oberlin graduates into the commissioners and collaborators who reshaped the entire new music scene.”

    See the full article here .


    five-ways-keep-your-child-safe-school-shootings

    Please help promote STEM in your local schools.

    Stem Education Coalition

    The International Contemporary Ensemble (ICE) is an artist collective that is transforming the way music is created and experienced. As performer, curator, and educator, ICE explores how new music intersects with communities across the world. The ensemble’s 35 members are featured as soloists, chamber musicians, commissioners, and collaborators with the foremost musical artists of our time. Works by emerging composers have anchored ICE’s programming since its founding in 2001, and the group’s recordings and digital platforms highlight the many voices that weave music’s present.

    A recipient of the American Music Center’s Trailblazer Award and the Chamber Music America/ASCAP Award for Adventurous Programming, ICE was also named the 2014 Musical America Ensemble of the Year. The group currently serves as artists-in-residence at Lincoln Center for the Performing Arts’ Mostly Mozart Festival, and previously led a five-year residency at the Museum of Contemporary Art Chicago. ICE was featured at the Ojai Music Festival from 2015 to 2017, and at recent festivals abroad such as gmem-CNCM-marseille and Vértice at Cultura UNAM, Mexico City. Other performance stages have included the Park Avenue Armory, The Stone, ice floes at Greenland’s Diskotek Sessions, and boats on the Amazon River.

    New initiatives include OpenICE, made possible with lead funding from The Andrew W. Mellon Foundation, which offers free concerts and related programming wherever ICE performs, and enables a working process with composers to unfold in public settings. DigitICE, a free online library of over 350 streaming videos, catalogues the ensemble’s performances. ICE’s First Page program is a commissioning consortium that fosters close collaborations between performers, composers, and listeners as new music is developed. EntICE, a side-by-side education program, places ICE musicians within youth orchestras as they premiere new commissioned works together; inaugural EntICE partners include Youth Orchestra Los Angeles and The People’s Music School in Chicago. Summer activities include Ensemble Evolution at the Banff Centre for Arts and Creativity, in which young professionals perform with ICE and attend workshops on topics from interpretation to concert production. Yamaha Artist Services New York is the exclusive piano provider for ICE. Read more at iceorg.org.
    Staff

    Claire Chase, Founder*

    William McDaniel, Executive Director
    Rebekah Heller, co-Artistic Director*
    Ross Karre, co-Artistic Director and Director of digitICE.org*
    Jacob Greenberg, Director of Recordings and Digital Outreach*
    Levy Lorenzo, Engineer and Technical Director*
    Ryan Muncy, Director of Institutional Giving and co-Director, OpenICE*
    Joshua Rubin, Artistic Director Emeritus*
    Karla Brom, General Manager
    Maciej Lewandowski, Director of Production
    Bridgid Bergin, Development Associate
    Alice Teyssier, flute*

    • ICE musician

    Artists

    Bridget Kibbey, harp
    Campbell MacDonald, clarinet
    Claire Chase, flute
    Cory Smythe, piano
    Dan Peck, tuba
    Daniel Lippel, guitar
    David Bowlin, violin
    David Byrd-Marrow, horn
    Erik Carlson, violin
    Gareth Flowers, trumpet
    Jacob Greenberg, piano
    James Austin Smith, oboe
    Jennifer Curtis, violin
    Josh Modney, violin and viola
    Joshua Rubin, clarinet
    Katinka Kleijn, cello
    Kivie Cahn-Lipman, cello
    Kyle Armbrust, viola
    Levy Lorenzo, percussion
    Maiya Papach, viola
    Michael Nicolas, cello
    Mike Lormand, trombone
    Nathan Davis, percussion
    Nicholas Houfek, lighting designer
    Nicholas Masterson, oboe
    Nuiko Wadden, harp
    Peter Evans, trumpet
    Peter Tantsits, tenor
    Phyllis Chen, piano
    Randall Zigler, bass
    Rebekah Heller, bassoon
    Ross Karre, percussion
    Ryan Muncy, saxophone
    Steven Schick, Artist-in-Residence
    Tony Arnold, soprano
    Wendy Richman, viola

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

    Advertisements
     
  • richardmitnick 10:29 AM on October 31, 2018 Permalink | Reply
    Tags: CIRCUITS & CURRENTS: COLUMBIA COMPUTER MUSIC CENTER SHOWCASE, COLLECTING NATHAN DAVIS HAGOROMO ALBUM RELEASE EVENT, COLLECTING SETH CLUETT, DEEP LISTENING SESSION, ICE- International Contemporary Ensemble, NEW DISCOVERIES ON ICECOMMONS, New York Public Library for the Performing Arts   

    From International Contemporary Ensemble: “OpenICE Library Festival” 


    From International Contemporary Ensemble

    OpenICE Library Festival highlights the ongoing partnership between New York Public Library for the Performing Arts and the International Contemporary Ensemble. In free performances and inclusive discussions, NYPL and ICE explore collecting and archiving works of living composers.

    1
    New York Public Library for the Performing Arts, Astor Gallery
    40 Lincoln Center Plaza, 10023, New York, NY

    Wednesday, November 7

    2
    DEEP LISTENING SESSION
    1:00pm
    Free Ticket Reservation

    ICE members lead some of Pauline Oliveros’ “Sonic Meditations.” These inclusive and participatory works emphasize the social power of sound, inviting us to understand ourselves and our world deeply.

    3
    COLLECTING NATHAN DAVIS
    HAGOROMO ALBUM RELEASE EVENT

    7:00pm
    Free Ticket Reservation

    Inspired by Japanese Noh theater, Hagoromo is a chamber dance-opera about a fateful encounter between a poor fisherman and a fallen angel. Rebekah Heller, Claire Chase, and Nathan Davis play extended musical excerpts from the opera.

    Thursday, November 8

    4
    CIRCUITS & CURRENTS:
    COLUMBIA COMPUTER MUSIC CENTER SHOWCASE

    1:00pm
    Free Ticket Reservation

    Seth Cluett, Director of the Computer Music program at Columbia University and Nokia Bell Labs Artist in Residence, curates an interactive sound salon of boundary-breaking electronic work.

    5
    COLLECTING SETH CLUETT
    7:00pm
    Free Ticket Reservation

    A concert featuring the works of Seth Cluett and Alvin Lucier, including the New York Premiere of a state of mutual tension for wind quartet and 3D-printed instrument modifications.

    Friday, November 9

    6
    NEW DISCOVERIES ON ICECOMMONS
    1:00pm
    Free Ticket Reservation
    Curated by Ryan Muncy, this showcase of new works features NYC-based composers discovered via ICEcommons, and the animated scores of Icelandic composer Bergrún Snaebjörnsdóttir.

    See the full article here .


    five-ways-keep-your-child-safe-school-shootings

    Please help promote STEM in your local schools.

    Stem Education Coalition

    The International Contemporary Ensemble (ICE) is an artist collective that is transforming the way music is created and experienced. As performer, curator, and educator, ICE explores how new music intersects with communities across the world. The ensemble’s 35 members are featured as soloists, chamber musicians, commissioners, and collaborators with the foremost musical artists of our time. Works by emerging composers have anchored ICE’s programming since its founding in 2001, and the group’s recordings and digital platforms highlight the many voices that weave music’s present.

    A recipient of the American Music Center’s Trailblazer Award and the Chamber Music America/ASCAP Award for Adventurous Programming, ICE was also named the 2014 Musical America Ensemble of the Year. The group currently serves as artists-in-residence at Lincoln Center for the Performing Arts’ Mostly Mozart Festival, and previously led a five-year residency at the Museum of Contemporary Art Chicago. ICE was featured at the Ojai Music Festival from 2015 to 2017, and at recent festivals abroad such as gmem-CNCM-marseille and Vértice at Cultura UNAM, Mexico City. Other performance stages have included the Park Avenue Armory, The Stone, ice floes at Greenland’s Diskotek Sessions, and boats on the Amazon River.

    New initiatives include OpenICE, made possible with lead funding from The Andrew W. Mellon Foundation, which offers free concerts and related programming wherever ICE performs, and enables a working process with composers to unfold in public settings. DigitICE, a free online library of over 350 streaming videos, catalogues the ensemble’s performances. ICE’s First Page program is a commissioning consortium that fosters close collaborations between performers, composers, and listeners as new music is developed. EntICE, a side-by-side education program, places ICE musicians within youth orchestras as they premiere new commissioned works together; inaugural EntICE partners include Youth Orchestra Los Angeles and The People’s Music School in Chicago. Summer activities include Ensemble Evolution at the Banff Centre for Arts and Creativity, in which young professionals perform with ICE and attend workshops on topics from interpretation to concert production. Yamaha Artist Services New York is the exclusive piano provider for ICE. Read more at iceorg.org.
    Staff

    Claire Chase, Founder*

    William McDaniel, Executive Director
    Rebekah Heller, co-Artistic Director*
    Ross Karre, co-Artistic Director and Director of digitICE.org*
    Jacob Greenberg, Director of Recordings and Digital Outreach*
    Levy Lorenzo, Engineer and Technical Director*
    Ryan Muncy, Director of Institutional Giving and co-Director, OpenICE*
    Joshua Rubin, Artistic Director Emeritus*
    Karla Brom, General Manager
    Maciej Lewandowski, Director of Production
    Bridgid Bergin, Development Associate
    Alice Teyssier, flute*

    • ICE musician

    Artists

    Bridget Kibbey, harp
    Campbell MacDonald, clarinet
    Claire Chase, flute
    Cory Smythe, piano
    Dan Peck, tuba
    Daniel Lippel, guitar
    David Bowlin, violin
    David Byrd-Marrow, horn
    Erik Carlson, violin
    Gareth Flowers, trumpet
    Jacob Greenberg, piano
    James Austin Smith, oboe
    Jennifer Curtis, violin
    Josh Modney, violin and viola
    Joshua Rubin, clarinet
    Katinka Kleijn, cello
    Kivie Cahn-Lipman, cello
    Kyle Armbrust, viola
    Levy Lorenzo, percussion
    Maiya Papach, viola
    Michael Nicolas, cello
    Mike Lormand, trombone
    Nathan Davis, percussion
    Nicholas Houfek, lighting designer
    Nicholas Masterson, oboe
    Nuiko Wadden, harp
    Peter Evans, trumpet
    Peter Tantsits, tenor
    Phyllis Chen, piano
    Randall Zigler, bass
    Rebekah Heller, bassoon
    Ross Karre, percussion
    Ryan Muncy, saxophone
    Steven Schick, Artist-in-Residence
    Tony Arnold, soprano
    Wendy Richman, viola

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
  • richardmitnick 9:01 PM on October 30, 2018 Permalink | Reply
    Tags: , Bun Ching Lam // Tana Quartet, , Darius Jones, Elliott Sharp, ICE- International Contemporary Ensemble, , , Roulette in November   

    From Roulette: “NOVEMBER AT ROULETTE” 

    Roulette Intermedium

    From Roulette

    1
    Elliott Sharp: IrRational Music
    Thursday • November 1
    Tickets: $18 online / $25 door

    Seminal composer and multi-instrumentalist Elliott Sharp returns to Roulette to mark two important forthcoming releases: IrRational Music, Sharp’s memoir and rumination on thought, music, and art published by Terra Nova Books with Found Sound Nation, and the release of his latest album Dispersion, a collaboration with the VENI ACADEMY on Mode Records.

    Tickets

    ___________________________________________________

    2
    Darius Jones:
    For The People
    Monday • November 5
    Tickets: $18 presale / $25 door

    ___________________________________________________

    ICE-International Contemporary music Ensemble – Photograph,SquareMoose New York

    International Contemporary Ensemble:
    100 for 100 Musical Decades of Freedom
    Sunday • November 11
    Tickets: $18 presale / $25 door

    ___________________________________________________
    3
    Interpretations: Bun Ching Lam // Tana Quartet
    Wednesday • November 16
    Tickets: $20

    ___________________________________________________

    More at the full article

    See the full article here .


    five-ways-keep-your-child-safe-school-shootings

    Please help promote STEM in your local schools.

    Stem Education Coalition

    Mission

    Roulette’s mission is to support artists creating new and adventurous art in all disciplines by providing them with a venue and resources to realize their creative visions and to build an audience interested in the evolution of experimental art.

    History

    Roulette Intermedium was founded in 1978 at the height of the Downtown Experimental Arts revolution by three young composers: trombonist/composer Jim Staley, composer/producer David Weinstein, and Intermedia artist Dan Senn. The informal concerts they presented in a small loft space in TriBeCa in Manhattan soon attracted an audience and critical attention. The first donation – an unsolicited and unexpected check for $1,000 – arrived in the mail from the Foundation for Contemporary Performance Arts, suggested by noted composer, John Cage. By the mid-1980s, Roulette had emerged as “a landmark for New York’s downtown new music composers.”

    Over the next three decades, Roulette attracted a steadily growing audience and worldwide reputation as a center for musical innovation. Seminal pioneering figures who have presented their work at Roulette, oftentimes early in their careers, include Maryanne Amacher, Robert Ashley, Anthony Braxton, Simone Forti, Bill Frisell, Philip Glass, Yusef Lateef, Christian Marclay, Meredith Monk, Ikue Mori, Pauline Oliveros, Zeena Parkins, Arthur Russell, Kaija Saariaho, Wadada Leo Smith, Henry Threadgill, and John Zorn. Roulette continues to make a mark as a venue where scores of promising avant-garde artists make their first professional statements. Representatives of the latest generation of composing artists who have recently developed and presented works at Roulette include Aaron Burnette, Maria Chavez, Phyllis Chen, Jennifer Choi, Mario Diaz de Leon, Mary Halvorson, Darius Jones, Mary Kouyoumdjian, Alfredo Marin, Tristan Perich, Matana Roberts, Tyshawn Sorey, Ben Stapp, C. Spencer Yeh and many more.

    As audiences grew and rents in lower Manhattan began to rise, the staff and Board members began the search for a larger, more flexible and affordable home. On September 15th, 2011, Roulette opened a new chapter in its history when it moved into the 1928 Memorial Hall in the Downtown Brooklyn Cultural District. The new 400-seat theater allows us to expand our presentations along with our services to artists and our community; each season, we now present more than 100 music, dance, and intermedia performances. Our annual attendance now tops 60,000.

    In recent years, Roulette has effected a major transition, expanding programs, audiences and community, but it is still an artist-driven space, valued for its payment of professional guaranteed fees, its insistence on the best presentation conditions, and the provision of other critical artists’ services. Our GENERATE Program, supported for more than 30 years by the Jerome Foundation and other private and public support, awards emerging and established composers commissions and/or monetary stipends along with extensive rehearsal time in Roulette’s theater, access to audio and lighting equipment and technical staff to help them with their experiments, and full production support for performances of the work created during the residency.

    Our programming has expanded globally through Roulette’s online and television broadcast programs where audiences all over the world can explore the treasures of our archives. Roulette TV features senior figures of the avant-garde movement and their young successors.

    Roulette is one of the few surviving organizations to maintain its identity as an Artists’ Space and its commitment to bring the experimental performing arts to a wider public; its history of performances (preserved in an archive that contains nearly 3,000 hours of recordings and videos), leaves a detailed and distinguished record of almost four decades of artistic development, experimentation, and achievement.

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
  • richardmitnick 12:32 PM on October 25, 2018 Permalink | Reply
    Tags: , , , ICE- International Contemporary Ensemble,   

    From International Contemporary Ensemble: “The Stars at Night are Big and Bright…” Events 


    From International Contemporary Ensemble

    1
    Submit to ICEcommons

    Write music? Looking to program some freshly inked work? Check out ICEcommons, our open-source platform for collecting the works of today. It’s free, and you’ll be enriching the new-music community by adding to the ICEcommons database. Newly uploaded and previously submitted works will also be considered for our upcoming OpenICE show on December 2 at Constellation in Chicago, curated by Katinka Kleijn, Zach Good, and Ben Roidl-Ward. Upload your scores here!

    2

    The Fourth Biennial Rubin Institute for Music Criticism

    Friday, October 26, 2018, 8:00 PM
    Caroline H. Hume Concert Hall
    San Francisco Conservatory
    50 Oak Street
    San Francisco, CA 94012
    Free Ticket with Reservation

    Situated within the artistic and intellectual vibrancy of the San Francisco Conservatory of Music, the Stephen and Cynthia Rubin Institute for Music Criticism brings together leading music journalists, renowned musicians, and aspiring young writers.

    A 7 PM pre-concert talk with The New Yorker’s Alex Ross highlights the role of the ICEcommons database in the selection of the program. At 8 PM, ICE will perform works by Mario Diaz de Leon, Wojtek Blecharz, and Anna Thorvaldsdottir, as well as world premieres from Seth Cluett and Michele Abondonado!

    From ICE:
    Isabel Gleicher, flute
    Joshua Rubin, clarinet
    Ryan Muncy, saxophone
    Rebekah Heller, bassoon
    Ross Karre, live sound

    3
    ICE at UNT Denton
    Friday, October 26, 2018

    11:00 AM, Panel Discussion
    ICE’s organizational model
    Merrill Ellis Intermedia Theatre
    College of Music building

    7:30 PM Concert
    Winspear Performance Hall,
    Murchinson Performing Arts Center
    RESERVE $5 TICKETS HERE

    Saturday, October 27, 2018

    8:00 PM, concert
    Voertman Hall
    College of Music Building
    FREE ADMISSION

    ICE visits the University of North Texas for a series of lectures, collaborative performances, readings of student works, and coachings with student ensembles. Performances will include the world premiere of UNT faculty Joseph Klein’s An Unaware Cosmos, as well as works by Zosha Di Castri, Karola Obermuller, Bryan Jacobs, and more.

    From ICE:
    Nathan Davis, percussion
    Nuiko Wadden, harp
    Jacob Greenberg, piano
    Daniel Lippel, guitar
    Pala Garcia, violin
    Katinka Kleijn, cello

    4
    ICE at Southern Methodist University

    Sunday, October 28, 2018, 7:30 PM

    Caruth Auditorium
    SMU Meadows School of the Arts
    6101 Bishop Boulevard
    Dallas, TX, 75205
    FREE ADMISSION

    ICE’s residency at SMU is the ensemble’s Dallas debut! It includes activities with students and culminates in a concert of ICE’s repertoire favorites at Caruth Auditorium.

    5
    6

    MATA honors ICE Flutist and Founder Claire Chase at their annual Benefit Gala on November 2, 2018. Tickets can be purchased through MATA here and are tax-deductible.

    7
    Silent Voices III, our album with Brooklyn Youth Chorus, comes out this Friday, October 26. Check it out on Spotify or download it on iTunes.

    See the full article here .


    five-ways-keep-your-child-safe-school-shootings

    Please help promote STEM in your local schools.

    Stem Education Coalition

    The International Contemporary Ensemble (ICE) is an artist collective that is transforming the way music is created and experienced. As performer, curator, and educator, ICE explores how new music intersects with communities across the world. The ensemble’s 35 members are featured as soloists, chamber musicians, commissioners, and collaborators with the foremost musical artists of our time. Works by emerging composers have anchored ICE’s programming since its founding in 2001, and the group’s recordings and digital platforms highlight the many voices that weave music’s present.

    A recipient of the American Music Center’s Trailblazer Award and the Chamber Music America/ASCAP Award for Adventurous Programming, ICE was also named the 2014 Musical America Ensemble of the Year. The group currently serves as artists-in-residence at Lincoln Center for the Performing Arts’ Mostly Mozart Festival, and previously led a five-year residency at the Museum of Contemporary Art Chicago. ICE was featured at the Ojai Music Festival from 2015 to 2017, and at recent festivals abroad such as gmem-CNCM-marseille and Vértice at Cultura UNAM, Mexico City. Other performance stages have included the Park Avenue Armory, The Stone, ice floes at Greenland’s Diskotek Sessions, and boats on the Amazon River.

    New initiatives include OpenICE, made possible with lead funding from The Andrew W. Mellon Foundation, which offers free concerts and related programming wherever ICE performs, and enables a working process with composers to unfold in public settings. DigitICE, a free online library of over 350 streaming videos, catalogues the ensemble’s performances. ICE’s First Page program is a commissioning consortium that fosters close collaborations between performers, composers, and listeners as new music is developed. EntICE, a side-by-side education program, places ICE musicians within youth orchestras as they premiere new commissioned works together; inaugural EntICE partners include Youth Orchestra Los Angeles and The People’s Music School in Chicago. Summer activities include Ensemble Evolution at the Banff Centre for Arts and Creativity, in which young professionals perform with ICE and attend workshops on topics from interpretation to concert production. Yamaha Artist Services New York is the exclusive piano provider for ICE. Read more at iceorg.org.
    Staff

    Claire Chase, Founder*

    William McDaniel, Executive Director
    Rebekah Heller, co-Artistic Director*
    Ross Karre, co-Artistic Director and Director of digitICE.org*
    Jacob Greenberg, Director of Recordings and Digital Outreach*
    Levy Lorenzo, Engineer and Technical Director*
    Ryan Muncy, Director of Institutional Giving and co-Director, OpenICE*
    Joshua Rubin, Artistic Director Emeritus*
    Karla Brom, General Manager
    Maciej Lewandowski, Director of Production
    Bridgid Bergin, Development Associate
    Alice Teyssier, flute*

    • ICE musician

    Artists

    Bridget Kibbey, harp
    Campbell MacDonald, clarinet
    Claire Chase, flute
    Cory Smythe, piano
    Dan Peck, tuba
    Daniel Lippel, guitar
    David Bowlin, violin
    David Byrd-Marrow, horn
    Erik Carlson, violin
    Gareth Flowers, trumpet
    Jacob Greenberg, piano
    James Austin Smith, oboe
    Jennifer Curtis, violin
    Josh Modney, violin and viola
    Joshua Rubin, clarinet
    Katinka Kleijn, cello
    Kivie Cahn-Lipman, cello
    Kyle Armbrust, viola
    Levy Lorenzo, percussion
    Maiya Papach, viola
    Michael Nicolas, cello
    Mike Lormand, trombone
    Nathan Davis, percussion
    Nicholas Houfek, lighting designer
    Nicholas Masterson, oboe
    Nuiko Wadden, harp
    Peter Evans, trumpet
    Peter Tantsits, tenor
    Phyllis Chen, piano
    Randall Zigler, bass
    Rebekah Heller, bassoon
    Ross Karre, percussion
    Ryan Muncy, saxophone
    Steven Schick, Artist-in-Residence
    Tony Arnold, soprano
    Wendy Richman, viola

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
  • richardmitnick 1:02 PM on September 25, 2018 Permalink | Reply
    Tags: ICE and The Crossing: National Anthems, ICE- International Contemporary Ensemble, MATA Honors Claire Chase, Missy Mazzoli and Royce Vavrek,   

    From International Contemporary Ensemble: “This week ICE at Miller Theatre and peak-performances” 


    From International Contemporary Ensemble

    1
    Missy Mazzoli’s Proving Up

    Wednesday, September 26, and Friday, September 28 at 8 PM
    Miller Theatre at Columbia University
    2960 Broadway
    New York, NY 10027

    Missy Mazzoli and Royce Vavrek’s newest opera focuses on a family of homesteaders in their pursuit of the American Dream on the Nebraskan prairie. Join us as we bring one of the New York Times’s “Six Classical Works to See this Week” to Miller Theater. Limited seating still available.

    2
    3
    Photos by James Matthew Daniels. March 2018, Opera Omaha.

    4

    ICE and The Crossing: National Anthems

    Saturday, September 29 at 8 PM
    Alexander Kasser Theater at Montclair State University
    1 Normal Ave
    Montclair, NJ 07043

    Where does patriotism end and nationalism begin? Are there universal values that transcend national borders? Our string section joins The Crossing Choir once again, this time at Peak Performances in Montclair, NJ. Join Peak Performances’ executive director Jedediah Wheeler, composer David Lang, conductor Donald Nally, and the musicians to share reflections and responses immediately following the performance.

    Program:
    Ted Hearne: Consent
    Ted Hearne: What it might say
    David Lang: the national anthems
    Caroline Shaw: To the Hands

    ______________________________________________________________
    5
    7

    MATA Honors Claire Chase
    Friday, November 2, 2018 at 6:30 PM
    India House
    1 Hanover Square
    New York, NY 10004

    On November 2 in New York, ICE founder Claire Chase will be celebrated for her contributions to contemporary music at the annual MATA Honors Benefit. She joins a prestigious list of previous MATA honorees, including Philip Glass, the Kronos Quartet, Merce Cunningham, and Alan Gilbert. If you’d like to share in honoring Claire’s work, tickets for the dinner and performance are available here.

    7
    Proving Up: Album Kickstarter

    The album for Proving Up is in its final stages! Check out Missy Mazzoli’s Kickstarter, and consider contributing here.
    All donations are tax-deductible.

    8
    Based in New York City, MATA’s mission is to present, support, and commission the music of early career composers. Founded by Philip Glass, Eleonor Sandresky, and Lisa Bielawa in 1996 to address the lack of presentation opportunities for unaffiliated composers, MATA has grown into the world’s most sought-after performance opportunity for early career composers.

    See the full article here .


    five-ways-keep-your-child-safe-school-shootings

    Please help promote STEM in your local schools.

    Stem Education Coalition

    The International Contemporary Ensemble (ICE) is an artist collective that is transforming the way music is created and experienced. As performer, curator, and educator, ICE explores how new music intersects with communities across the world. The ensemble’s 35 members are featured as soloists, chamber musicians, commissioners, and collaborators with the foremost musical artists of our time. Works by emerging composers have anchored ICE’s programming since its founding in 2001, and the group’s recordings and digital platforms highlight the many voices that weave music’s present.

    A recipient of the American Music Center’s Trailblazer Award and the Chamber Music America/ASCAP Award for Adventurous Programming, ICE was also named the 2014 Musical America Ensemble of the Year. The group currently serves as artists-in-residence at Lincoln Center for the Performing Arts’ Mostly Mozart Festival, and previously led a five-year residency at the Museum of Contemporary Art Chicago. ICE was featured at the Ojai Music Festival from 2015 to 2017, and at recent festivals abroad such as gmem-CNCM-marseille and Vértice at Cultura UNAM, Mexico City. Other performance stages have included the Park Avenue Armory, The Stone, ice floes at Greenland’s Diskotek Sessions, and boats on the Amazon River.

    New initiatives include OpenICE, made possible with lead funding from The Andrew W. Mellon Foundation, which offers free concerts and related programming wherever ICE performs, and enables a working process with composers to unfold in public settings. DigitICE, a free online library of over 350 streaming videos, catalogues the ensemble’s performances. ICE’s First Page program is a commissioning consortium that fosters close collaborations between performers, composers, and listeners as new music is developed. EntICE, a side-by-side education program, places ICE musicians within youth orchestras as they premiere new commissioned works together; inaugural EntICE partners include Youth Orchestra Los Angeles and The People’s Music School in Chicago. Summer activities include Ensemble Evolution at the Banff Centre for Arts and Creativity, in which young professionals perform with ICE and attend workshops on topics from interpretation to concert production. Yamaha Artist Services New York is the exclusive piano provider for ICE. Read more at iceorg.org.
    Staff

    Claire Chase, Founder*

    William McDaniel, Executive Director
    Rebekah Heller, co-Artistic Director*
    Ross Karre, co-Artistic Director and Director of digitICE.org*
    Jacob Greenberg, Director of Recordings and Digital Outreach*
    Levy Lorenzo, Engineer and Technical Director*
    Ryan Muncy, Director of Institutional Giving and co-Director, OpenICE*
    Joshua Rubin, Artistic Director Emeritus*
    Karla Brom, General Manager
    Maciej Lewandowski, Director of Production
    Bridgid Bergin, Development Associate
    Alice Teyssier, flute*

    • ICE musician

    Artists

    Bridget Kibbey, harp
    Campbell MacDonald, clarinet
    Claire Chase, flute
    Cory Smythe, piano
    Dan Peck, tuba
    Daniel Lippel, guitar
    David Bowlin, violin
    David Byrd-Marrow, horn
    Erik Carlson, violin
    Gareth Flowers, trumpet
    Jacob Greenberg, piano
    James Austin Smith, oboe
    Jennifer Curtis, violin
    Josh Modney, violin and viola
    Joshua Rubin, clarinet
    Katinka Kleijn, cello
    Kivie Cahn-Lipman, cello
    Kyle Armbrust, viola
    Levy Lorenzo, percussion
    Maiya Papach, viola
    Michael Nicolas, cello
    Mike Lormand, trombone
    Nathan Davis, percussion
    Nicholas Houfek, lighting designer
    Nicholas Masterson, oboe
    Nuiko Wadden, harp
    Peter Evans, trumpet
    Peter Tantsits, tenor
    Phyllis Chen, piano
    Randall Zigler, bass
    Rebekah Heller, bassoon
    Ross Karre, percussion
    Ryan Muncy, saxophone
    Steven Schick, Artist-in-Residence
    Tony Arnold, soprano
    Wendy Richman, viola

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
  • richardmitnick 12:44 PM on September 13, 2018 Permalink | Reply
    Tags: a World Premiere, Anthony Cheung's "Cycles and Arrows", at 2018 Fringe Festival in Philadelphia!, ICE- International Contemporary Ensemble, In Plain Air, , , Vault Allure in Jersey City with Nokia Bell Labs   

    From International Contemporary Ensemble: “ICE at Resonant Bodies Festival TONIGHT!” and Future Events 


    From International Contemporary Ensemble

    1
    Thursday, September 13, 2018 at 7:30 pm
    Roulette Intermedium
    509 Atlantic Avenue
    Brooklyn, NY, 11217


    Roulette Intermedium


    $25 door / $20 online
    EVENT PAGE

    ICE returns to Resonant Bodies Festival, the premiere presenter for experimentally virtuosic vocalists from all sides of the concert world. Closing night of Resonant Bodies begins with German soprano Sarah Maria Sun collaborating with ICE on works by Georges Aperghis, Rebecca Saunders, Thierry Tidrow, and Màtyàs Seiber; the legendary San Francisco-based Pamela Z will perform a number of her compositions for voice and electronics; and renowned composer/soprano and 2014 Resonant Bodies Festival performer Gelsey Bell returns.

    In Plain Air, a World Premiere, at 2018 Fringe Festival in Philadelphia!

    2
    ICE in rehearsal at Christ Church (photo credit: Plate 3)

    September 22 at 1 pm
    September 22 at 3:30 pm
    September 22 at 6 pm
    September 23 at 3:30 pm
    September 23 at 6 pm

    Christ Church Philadelphia
    20 N American St., Philadelphia, PA 19106

    Tickets free at door. Limited seating available. Guaranteed seating with $2 advanced reservations using the date links above.
    IN PLAIN AIR PROJECT SITE

    Premiere performances of In Plain Air are presented by Christ Church Preservation Trust in partnership with FringeArts as part of the 2018 Fringe Festival.

    A 3,000-pipe organ, centuries-old bells as they are heard in the belfry, an orchestra of pipe whistles, community-built music boxes: the sounds of In Plain Air carry the audience through the campus and history of one the nation’s most historic sites.

    As Christ Church installed its C.B. Fisk pipe organ—the latest in a 300-year history of grand church organs within the space—it invited members of acclaimed artist collective International Contemporary Ensemble to inaugurate the new instrument with a program of original compositions featuring Parker Kitterman, organ. Composers Phyllis Chen (known for her work with hand-wound music boxes and toy pianos) and Nathan Davis (a percussionist fascinated by the mechanics of instruments) immersed themselves in the sound-making possibilities of the church’s organ, bells, and open spaces, as well as the history and public role of the venerable institution.

    The resulting multi-movement program unites the historic bell tolls of “The Nation’s Church,” the majesty of the intricately constructed organ, and the Ensemble’s characteristic focus on place and community into a one-of-a-kind sonic experience—a worthy welcome to an instrument that will continue to ring in the ears of visitors for the next 300 years.

    Chen, Davis, and International Contemporary Ensemble are in residence at Christ Church throughout 2018. Follow the project here.

    In Plain Air was commissioned by the Christ Church Preservation Trust for the International Contemporary Ensemble and Parker Kitterman.

    Major support for In Plain Air has been provided to Christ Church Preservation Trust by The Pew Center for Arts & Heritage, with additional support from Dolfinger-McMahon Foundation and Arthur Judson Foundation.

    Vault Allure in Jersey City with Nokia Bell Labs

    4
    Saturday, Sept. 15, 6:00 pm – 10:00 pm
    Riverview Park
    Historic Holland Street, Palisade Avenue at Bowers Street, Jersey City Heights
    FREE TO THE PUBLIC
    Food and drinks available for purchase

    Vault Allure’s final installation for 2018, featuring ICE with Nokia Bell Labs, is happening this Saturday! Also appearing are Seth Cluett Experiments in Art & Technology, Idan Morim Quartet, Maya & Downright Iridescent. Presented by the Statuary, Nokia Bell Labs and Riverview Neighborhood Association.

    ICE’s latest album, composer Anthony Cheung’s Cycles and Arrows, is out on New Focus Recordings! Featuring studio and live recordings from ICE, the album also includes some of our favorite chamber groups, and solo turns by Claire Chase and Maiya Papach. Go to New Focus’s purchase page for preview audio and high-quality downloads!

    5

    See the full article here .


    five-ways-keep-your-child-safe-school-shootings

    Please help promote STEM in your local schools.

    Stem Education Coalition

    The International Contemporary Ensemble (ICE) is an artist collective that is transforming the way music is created and experienced. As performer, curator, and educator, ICE explores how new music intersects with communities across the world. The ensemble’s 35 members are featured as soloists, chamber musicians, commissioners, and collaborators with the foremost musical artists of our time. Works by emerging composers have anchored ICE’s programming since its founding in 2001, and the group’s recordings and digital platforms highlight the many voices that weave music’s present.

    A recipient of the American Music Center’s Trailblazer Award and the Chamber Music America/ASCAP Award for Adventurous Programming, ICE was also named the 2014 Musical America Ensemble of the Year. The group currently serves as artists-in-residence at Lincoln Center for the Performing Arts’ Mostly Mozart Festival, and previously led a five-year residency at the Museum of Contemporary Art Chicago. ICE was featured at the Ojai Music Festival from 2015 to 2017, and at recent festivals abroad such as gmem-CNCM-marseille and Vértice at Cultura UNAM, Mexico City. Other performance stages have included the Park Avenue Armory, The Stone, ice floes at Greenland’s Diskotek Sessions, and boats on the Amazon River.

    New initiatives include OpenICE, made possible with lead funding from The Andrew W. Mellon Foundation, which offers free concerts and related programming wherever ICE performs, and enables a working process with composers to unfold in public settings. DigitICE, a free online library of over 350 streaming videos, catalogues the ensemble’s performances. ICE’s First Page program is a commissioning consortium that fosters close collaborations between performers, composers, and listeners as new music is developed. EntICE, a side-by-side education program, places ICE musicians within youth orchestras as they premiere new commissioned works together; inaugural EntICE partners include Youth Orchestra Los Angeles and The People’s Music School in Chicago. Summer activities include Ensemble Evolution at the Banff Centre for Arts and Creativity, in which young professionals perform with ICE and attend workshops on topics from interpretation to concert production. Yamaha Artist Services New York is the exclusive piano provider for ICE. Read more at iceorg.org.
    Staff

    Claire Chase, Founder*

    William McDaniel, Executive Director
    Rebekah Heller, co-Artistic Director*
    Ross Karre, co-Artistic Director and Director of digitICE.org*
    Jacob Greenberg, Director of Recordings and Digital Outreach*
    Levy Lorenzo, Engineer and Technical Director*
    Ryan Muncy, Director of Institutional Giving and co-Director, OpenICE*
    Joshua Rubin, Artistic Director Emeritus*
    Karla Brom, General Manager
    Maciej Lewandowski, Director of Production
    Bridgid Bergin, Development Associate
    Alice Teyssier, flute*

    • ICE musician

    Artists

    Bridget Kibbey, harp
    Campbell MacDonald, clarinet
    Claire Chase, flute
    Cory Smythe, piano
    Dan Peck, tuba
    Daniel Lippel, guitar
    David Bowlin, violin
    David Byrd-Marrow, horn
    Erik Carlson, violin
    Gareth Flowers, trumpet
    Jacob Greenberg, piano
    James Austin Smith, oboe
    Jennifer Curtis, violin
    Josh Modney, violin and viola
    Joshua Rubin, clarinet
    Katinka Kleijn, cello
    Kivie Cahn-Lipman, cello
    Kyle Armbrust, viola
    Levy Lorenzo, percussion
    Maiya Papach, viola
    Michael Nicolas, cello
    Mike Lormand, trombone
    Nathan Davis, percussion
    Nicholas Houfek, lighting designer
    Nicholas Masterson, oboe
    Nuiko Wadden, harp
    Peter Evans, trumpet
    Peter Tantsits, tenor
    Phyllis Chen, piano
    Randall Zigler, bass
    Rebekah Heller, bassoon
    Ross Karre, percussion
    Ryan Muncy, saxophone
    Steven Schick, Artist-in-Residence
    Tony Arnold, soprano
    Wendy Richman, viola

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
  • richardmitnick 8:42 AM on July 19, 2018 Permalink | Reply
    Tags: "The Force of Things", ICE- International Contemporary Ensemble, ,   

    From Lincoln Center- “MOSTLY MOZART FESTIVAL” and ICE 

    Lincoln Center, NYC, USA

    From Lincoln Center

    MOSTLY MOZART FESTIVAL

    1

    and


    International Contemporary Ensemble

    The Force of Things
    An Opera for Objects
    (New York premiere)

    August 6–8, 2018 Gelsey Kirkland Arts Center, Brooklyn

    Experience the Mostly Mozart Festival in Brooklyn.

    The Program
    Ashley Fure and Adam Fure: The Force of Things: An Opera for Objects (2016–17)

    How do we bear witness to a thing our bodies seem built to ignore? In Ashley Fure’s immersive music-theater piece, created with her architect brother Adam Fure and the International Contemporary Ensemble, 24 subwoofer speakers emit sound too low for humans to hear, creating a subsonic sense of ecological anxiety that ripples around the audience. Under a dense canopy of sculpted matter, tones are “made tactile, objects made audible, noise made beautiful” (New York Times). Drama is steered away from the human, time is stretched to a geologic scale, and seven live performers act as wordless harbingers of a consciousness not limited to the living.

    Related event:

    TALK | FREE

    Composers’ Forum

    Thursday, August 2, 6:00–6:45 pm

    Bruno Walter Auditorium, The New York Public Library for the Performing Arts

    International Contemporary Ensemble

    Ashley Fure, composer and co-director

    Adam Fure, architectural design

    César Alvarez, co-director

    Lucy Dhegrae and Lisa E. Harris, voice

    Ross Karre, percussion and producer

    Levy Lorenzo, percussion and engineer

    Nick Houfek, lighting

    Lilleth Glimcher, associate director

    Please visit http://www.lincolncenter.org/mostly-mozart-festival/show/the-force-of-things
    To place a ticket order

    See the full article here .


    five-ways-keep-your-child-safe-school-shootings

    Please help promote STEM in your local schools.

    Stem Education Coalition

    The International Contemporary Ensemble (ICE) is an artist collective that is transforming the way music is created and experienced. As performer, curator, and educator, ICE explores how new music intersects with communities across the world. The ensemble’s 35 members are featured as soloists, chamber musicians, commissioners, and collaborators with the foremost musical artists of our time. Works by emerging composers have anchored ICE’s programming since its founding in 2001, and the group’s recordings and digital platforms highlight the many voices that weave music’s present.

    A recipient of the American Music Center’s Trailblazer Award and the Chamber Music America/ASCAP Award for Adventurous Programming, ICE was also named the 2014 Musical America Ensemble of the Year. The group currently serves as artists-in-residence at Lincoln Center for the Performing Arts’ Mostly Mozart Festival, and previously led a five-year residency at the Museum of Contemporary Art Chicago. ICE was featured at the Ojai Music Festival from 2015 to 2017, and at recent festivals abroad such as gmem-CNCM-marseille and Vértice at Cultura UNAM, Mexico City. Other performance stages have included the Park Avenue Armory, The Stone, ice floes at Greenland’s Diskotek Sessions, and boats on the Amazon River.

    New initiatives include OpenICE, made possible with lead funding from The Andrew W. Mellon Foundation, which offers free concerts and related programming wherever ICE performs, and enables a working process with composers to unfold in public settings. DigitICE, a free online library of over 350 streaming videos, catalogues the ensemble’s performances. ICE’s First Page program is a commissioning consortium that fosters close collaborations between performers, composers, and listeners as new music is developed. EntICE, a side-by-side education program, places ICE musicians within youth orchestras as they premiere new commissioned works together; inaugural EntICE partners include Youth Orchestra Los Angeles and The People’s Music School in Chicago. Summer activities include Ensemble Evolution at the Banff Centre for Arts and Creativity, in which young professionals perform with ICE and attend workshops on topics from interpretation to concert production. Yamaha Artist Services New York is the exclusive piano provider for ICE. Read more at iceorg.org.
    Staff

    Claire Chase, Founder*

    William McDaniel, Executive Director
    Rebekah Heller, co-Artistic Director*
    Ross Karre, co-Artistic Director and Director of digitICE.org*
    Jacob Greenberg, Director of Recordings and Digital Outreach*
    Levy Lorenzo, Engineer and Technical Director*
    Ryan Muncy, Director of Institutional Giving and co-Director, OpenICE*
    Joshua Rubin, Artistic Director Emeritus*
    Karla Brom, General Manager
    Maciej Lewandowski, Director of Production
    Bridgid Bergin, Development Associate

    • ICE musician

    Artists

    Alice Teyssier, flute
    Bridget Kibbey, harp
    Campbell MacDonald, clarinet
    Claire Chase, flute
    Cory Smythe, piano
    Dan Peck, tuba
    Daniel Lippel, guitar
    David Bowlin, violin
    David Byrd-Marrow, horn
    Erik Carlson, violin
    Gareth Flowers, trumpet
    Jacob Greenberg, piano
    James Austin Smith, oboe
    Jennifer Curtis, violin
    Josh Modney, violin and viola
    Joshua Rubin, clarinet
    Katinka Kleijn, cello
    Kivie Cahn-Lipman, cello
    Kyle Armbrust, viola
    Levy Lorenzo, percussion
    Maiya Papach, viola
    Michael Nicolas, cello
    Mike Lormand, trombone
    Nathan Davis, percussion
    Nicholas Houfek, lighting designer
    Nicholas Masterson, oboe
    Nuiko Wadden, harp
    Peter Evans, trumpet
    Peter Tantsits, tenor
    Phyllis Chen, piano
    Randall Zigler, bass
    Rebekah Heller, bassoon
    Ross Karre, percussion
    Ryan Muncy, saxophone
    Steven Schick, Artist-in-Residence
    Tony Arnold, soprano
    Wendy Richman, viola

    Lincoln Center for the Performing Artsis a 16.3-acre (6.6-hectare) complex of buildings in the Lincoln Square neighborhood of the borough of Manhattan in New York City. It hosts many notable performing arts organizations, which are nationally and internationally renowned, including the New York Philharmonic, the Metropolitan Opera, the New York City Ballet and the New York City Opera.

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
  • richardmitnick 4:08 PM on June 12, 2018 Permalink | Reply
    Tags: Gelsey Bell, ICE- International Contemporary Ensemble, , Pamela Z,   

    From NEWMUSICUSA: “Closing Night – Resonant Bodies Festival NYC 2018” 

    From NEWMUSICUSA

    1

    Roulette Intermedium

    3

    4

    5
    Pamela Z. Credit: L. Barry Hetherington

    Thursday, September 13, 2018
    at 7:30 PM

    Roulette Intermedium
    509 Atlantic Ave
    Brooklyn, NY 11217

    $15—25
    Tickets

    7:30pm – Sarah Maria Sun (Germany), with ICE

    8:15pm – Pamela Z

    9:00pm – intermission

    9:20pm – Gelsey Bell

    Participants: Resonant Bodies Festival, Pamela Z, Gelsey Bell, International Contemporary Ensemble

    See the full article here .


    five-ways-keep-your-child-safe-school-shootings
    Please help promote STEM in your local schools.


    Stem Education Coalition

    At NEWMUSICUSA we see ourselves first and foremost as advocates. Our mission is to support and promote new music created in the United States. We do that in many ways, fostering connections, deepening knowledge, encouraging appreciation, and providing financial support. In recognition of the possibility and power inherent in the virtual world, we’ve worked to build a strong internet platform to serve our constituency. And that constituency is broad and diverse, from composers and performers to presenters and producers, casual listeners to die-hard fans. We’re truly committed to serving the WHOLE new music community.

    As we go about our work, we make a point of not defining too precisely what we mean by new music. To define is to limit. It’s a spectacular time for musical creativity in part because so much music is being made that isn’t bound by conventional limitations of style or genre or background. The music that we hear being created in such abundance all around us is definition enough. We simply want it to flourish.

    We’re fortunate to have as our legacy the history of previous decades of good works done by the American Music Center and Meet The Composer, the two great organizations that merged to form us in 2011. Their legacies have also brought a small financial endowment that mostly helps support our grantmaking. But we’re not a foundation. We depend decisively each year on the generosity of so many institutions and individuals around the country who are dedicated as we are to the advancement of new music and are devoted to supporting our work.

    New Music USA is part of an international community of advocates for the arts. We’re members of the Performing Arts Alliance, the International Association of Music Information Centres, and the International Society for Contemporary Music. Those partnerships help us represent the interests of our constituents at every level.

    No matter how far ranging our networks, our focus is always solidly on what brings these many constituents and communities together in the first place: the music. When someone uses our platform to listen to something new, recommend a favorite to a friend, or to seek financial assistance or information to support the creation or performance of new work, the whole community is strengthened. Together we’re helping new music reach new ears every day.
    Our Vision

    We envision in the United States a thriving, interconnected new music community that is available to and impactful for a broad constituency of people.
    Our Mission

    New Music USA supports and promotes new music created in the United States. We use the power of virtual networks and people to foster connection, deepen knowledge, encourage appreciation, and provide financial support for a diverse constituency of practitioners and appreciators, both within the United States and beyond.
    Our Values

    We believe in the fundamental importance of creative artists and their work.
    We espouse a broad, inclusive understanding of the term “new music.”
    We uphold and embrace principles of inclusivity and equitable treatment in all of our activity and across our nation’s broadly diverse population in terms of gender, race, age, location, national origin, sexual orientation, religion, socio-economic status and artistic practice.

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
  • richardmitnick 10:12 PM on May 2, 2018 Permalink | Reply
    Tags: , Cory Smythe, ICE- International Contemporary Ensemble,   

    From ICE: “ICE presents: The Music of Anna Thorvaldsdottir… 


    International Contemporary Ensemble

    …with pianist Cory Smythe and the International Contemporary Ensemble”

    Anna Thorvaldsdottír courtesy of the subject

    Cory Smythe, pianist, no image credit

    ICE-International Contemporary music Ensemble Photograph-SquareMoose New York

    Sun, May 27, 2018, 4:00 PM

    For Tickets your will have to visit the website below, as there is no link for tickets

    This performance is hosted by the International Contemporary Ensemble (ICE), one of National Sawdust’s 2017-2018 Artists-in-Residence. The residency program at National Sawdust is dedicated to incubating bold work and bold artists, devoting a pool of $450,000 of both in-kind and financial contributions among selected artists every year.

    National Sawdust

    Icelandic composer Anna Thorvaldsdóttir’s music is immersive. Inspired by landscapes, nature, and flowing, sustained sounds, it transports a listener to the vast expanse of an unfamiliar, seductive place. The International Contemporary Ensemble’s collaboration with Anna has spanned many years, including an appearance at the Ojai Music Festival. Of that performance, Alex Ross of The New Yorker wrote, “Nothing I witnessed at opera houses this past season was as dramatic.” As the Kravis Emerging Composer at the New York Philharmonic, Anna’s orchestral piece Metacosmos was premiered in April 2018, conducted by Esa-Pekka Salonen. The Philharmonic has presented chamber works by Anna at National Sawdust on their CONTACT! new-music series.

    On Sunday, May 27 at 4 PM, National Sawdust features a selection of works played by ICE which center on her unorthodox use of the piano. ICE pianist Cory Smythe, a champion and commissioner of Anna’s solo music, is in the center of National Sawdust’s stage, circled by the audience, with the audience encircled by ICE musicians, immersed in Anna’s sounds. The conductor Steven Schick, a longtime ICE collaborator, leads the ensemble. This performance forms part of ICE’s presence at National Sawdust in the 2017-18 season as Artists-in-Residence.

    The program features three solo works and one ensemble piece, all of which will be recorded for ICE’s second disc of Anna’s music on the award-winning Sono Luminus label. Trajectories, for piano and video, opens the program, followed by [one] and Scape. The three piano works involve strums and resonant scraping inside the instrument which embellish Anna’s potent harmonies. Aequilibria is an ICE specialty last heard in New York at Lincoln Center’s Mostly Mozart Festival. The piece highlights all eleven instruments as they emerge to shine from the work’s watery depths. Its glacial yet sure sense of growth is a hallmark of every piece on this varied program.

    OpenICE is made possible by the generous support of The Andrew W. Mellon Foundation, Howard Gilman Foundation, Booth Ferris Foundation, National Endowment for the Arts, A.N. and Pearl G. Barnett Family Foundation, Fan Fox and Leslie R. Samuels Foundation, Paul M. Angell Family Foundation, Aaron Copland Fund for Music, Mid-Atlantic Arts Foundation, Francis Goelet Charitable Lead Trusts, Amphion Foundation, Pacific Harmony Foundation, Ann and Gordon Getty Foundation, Alice M. Ditson Fund of Columbia University, Casement Fund, BMI Foundation, as well as public funds from the New York City Department of Cultural Affairs in partnership with the City Council, the New York State Council for the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, and the Illinois Arts Council, a state agency. Portions of this project are supported by Nokia Bell Labs. Yamaha Artist Services New York is the exclusive piano provider for ICE.

    National Sawdust, is an unparalleled, artist-led, nonprofit venue, is a place for exploration and discovery. A place where emerging and established artists can share their music with serious music fans and casual listeners alike.

    In a city teeming with venues, National Sawdust is a singular space founded with an expansive vision: to provide composers and musicians across genres a home in which they can flourish, a setting where they are given unprecedented support and critical resources essential to create, and then share, their work.

    As a composer, I believe the role of an artist in the 21st century should be that of creator, educator, activist, and entrepreneur. I believe that 21st-century composers/artists need to be thinking about what impact they can have on their existing community, both locally and globally. At NS we believe in remaining flexible and true to the needs of artists. Our core mission is centered on the support of emerging artists, and on commissioning and supporting the seeds of ideas. Each year, we explore one large theme and construct programming and questions around that theme. This year, that theme is Origins. With this season, we are channeling the National Sawdust mission—empowering high-level artistry, regardless of training, genre, or fame—through multicultural artists who tell their stories through their music. Ultimately, Origins is a radical sharing of culture. We hope this cultural storytelling of the highest caliber will help bring our divided country closer together.

    We also believe the future of new art lives in education. To us, education is about giving young people and community members opportunities and tools to explore their potential for artistic and creative expression. But it is also about ensuring that artists themselves never stop learning – about their craft, about the work of their peers, about the business of the arts, about their own capacities to be educators and advocates. NS facilitates this kind of learning by bringing together artists from around the world in exciting composition- based projects, teaching opportunities, cultural exchanges, and hands-on management experience. Through this cultural synthesis artists leave lasting impressions on one another, become more versatile and resilient professionals, and create works that reflect a plural understanding of American society.

    –Paola Prestini, co-founder & Artist Director

    Space waiting

    See the full article here .

    The International Contemporary Ensemble (ICE) is an artist collective that is transforming the way music is created and experienced. As performer, curator, and educator, ICE explores how new music intersects with communities across the world. The ensemble’s 35 members are featured as soloists, chamber musicians, commissioners, and collaborators with the foremost musical artists of our time. Works by emerging composers have anchored ICE’s programming since its founding in 2001, and the group’s recordings and digital platforms highlight the many voices that weave music’s present.

    A recipient of the American Music Center’s Trailblazer Award and the Chamber Music America/ASCAP Award for Adventurous Programming, ICE was also named the 2014 Musical America Ensemble of the Year. The group currently serves as artists-in-residence at Lincoln Center for the Performing Arts’ Mostly Mozart Festival, and previously led a five-year residency at the Museum of Contemporary Art Chicago. ICE was featured at the Ojai Music Festival from 2015 to 2017, and at recent festivals abroad such as gmem-CNCM-marseille and Vértice at Cultura UNAM, Mexico City. Other performance stages have included the Park Avenue Armory, The Stone, ice floes at Greenland’s Diskotek Sessions, and boats on the Amazon River.

    New initiatives include OpenICE, made possible with lead funding from The Andrew W. Mellon Foundation, which offers free concerts and related programming wherever ICE performs, and enables a working process with composers to unfold in public settings. DigitICE, a free online library of over 350 streaming videos, catalogues the ensemble’s performances. ICE’s First Page program is a commissioning consortium that fosters close collaborations between performers, composers, and listeners as new music is developed. EntICE, a side-by-side education program, places ICE musicians within youth orchestras as they premiere new commissioned works together; inaugural EntICE partners include Youth Orchestra Los Angeles and The People’s Music School in Chicago. Summer activities include Ensemble Evolution at the Banff Centre for Arts and Creativity, in which young professionals perform with ICE and attend workshops on topics from interpretation to concert production. Yamaha Artist Services New York is the exclusive piano provider for ICE. Read more at iceorg.org.
    Staff

    Claire Chase, Founder*

    William McDaniel, Executive Director
    Rebekah Heller, co-Artistic Director*
    Ross Karre, co-Artistic Director and Director of digitICE.org*
    Jacob Greenberg, Director of Recordings and Digital Outreach*
    Levy Lorenzo, Engineer and Technical Director*
    Ryan Muncy, Director of Institutional Giving and co-Director, OpenICE*
    Joshua Rubin, Artistic Director Emeritus*
    Karla Brom, General Manager
    Maciej Lewandowski, Director of Production
    Bridgid Bergin, Development Associate

    *ICE musician

    Artists

    Alice Teyssier, flute
    Bridget Kibbey, harp
    Campbell MacDonald, clarinet
    Claire Chase, flute
    Cory Smythe, piano
    Dan Peck, tuba
    Daniel Lippel, guitar
    David Bowlin, violin
    David Byrd-Marrow, horn
    Erik Carlson, violin
    Gareth Flowers, trumpet
    Jacob Greenberg, piano
    James Austin Smith, oboe
    Jennifer Curtis, violin
    Josh Modney, violin and viola
    Joshua Rubin, clarinet
    Katinka Kleijn, cello
    Kivie Cahn-Lipman, cello
    Kyle Armbrust, viola
    Levy Lorenzo, percussion
    Maiya Papach, viola
    Michael Nicolas, cello
    Mike Lormand, trombone
    Nathan Davis, percussion
    Nicholas Houfek, lighting designer
    Nicholas Masterson, oboe
    Nuiko Wadden, harp
    Peter Evans, trumpet
    Peter Tantsits, tenor
    Phyllis Chen, piano
    Randall Zigler, bass
    Rebekah Heller, bassoon
    Ross Karre, percussion
    Ryan Muncy, saxophone
    Steven Schick, Artist-in-Residence
    Tony Arnold, soprano
    Wendy Richman, viola

    Please help promote STEM in your local schools.

    STEM Icon

    Stem Education Coalition

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
  • richardmitnick 3:37 PM on April 26, 2018 Permalink | Reply
    Tags: , , ICE- International Contemporary Ensemble, , , The Radical 2   

    From ICE: Upcoming Events 

    International Contemporary Ensemble

    ICE Plays at Christ Church for the Franklin Institute Science Festival in Philadelphia

    1

    Friday, April 27, 3:00 – 5:00pm, special performance at 7:00pm
    Christ Church Preservation Trust
    20 North American Street
    Philadelphia, PA, 19106
    FREE EVENT — MORE INFORMATION

    Join Franklin Institute science educators, C.B. Fisk organ builders, and members of ICE as we explore the science of Christ Church’s newly installed pipe organ!

    Drop-in activities include opportunities to make and visualize musical sounds, as well as a behind-the-scenes look at the mechanical-action pipe organ. The artists of the ICE, in residence for the year-long project In Plain Air, will engage participants in setting up for a performance of composer Alvin Lucier’s Sizzles—together we’ll find locations in the Christ Church sanctuary where percussion instruments, layered with dried beans or grains, will vibrate sympathetically with the organ.

    This youth and family-focused program runs from 3:00 to 5:00pm. Participants are invited to return for a FREE public performance of Sizzles at 7:00pm.

    Major support for In Plain Air is has been provided by The Pew Center for Arts & Heritage, with additional support from Dolfinger-McMahon Foundation.

    Phyllis Chen, keyboards
    Eric Derr, Ross Karre, and Levy Lorenzo, percussion

    A Collaboration with Artist Jamilah Sabur at Bas Fisher International in Miami

    2

    Friday, May 11, 8:00pm
    Bas Fisher Invitational
    100 Northeast 11th Street
    Miami, FL, 33132
    FREE TICKET RESERVATION LINK

    Claire Chase and Ross Karre of ICE go to the renowned gallery in Miami for an intimate performance FREE alongside groundbreaking works of art!

    Beneath the rivers, there are no borders is a performance by Jamilah Sabur with music by the International Contemporary Ensemble. Divided into sequences, Sabur takes a formalist approach structuring her choreography based on the geographic spaces of the mouths of rivers in between terrestrial and marine environments. The St. Johns River in Florida is crying and calling on the São Francisco River in Brazil. With gestures occurring above the river and below, Sabur considers what it is to morph into sub-sonar soundwaves, used by sub-sonar profilers to detect reflections of waves off sediments and items on and below the seafloor. Collaborators include dancers: Roxana Barba and Grace Bishop; poet: Terri Witek; ICE; and set designer Freddy Jouwayed.

    In addition to this special collaboration, Claire Chase plays Felipe Lara’s Meditation and Calligraphy, and Ross Karre plays Pauline Oliveros’s Applebox Double!

    BFI is an artist run space dedicated to creativity, experimentation, and discourse in contemporary art. It aims to create a bridge between Miami and the International art world by curating a program that alternates between the local and the global. BFI is committed to building the Miami arts community by offering support for artist projects, in particular, WEIRD MIAMI, a platform for exhibitions and public programming that takes a behind the scenes look at the city and its artistic offerings. BFI is a not-for-profit funded primarily by grants, donations, and the sale of print editions.

    ICEcommons Presents Radical 2 | Call for New Works of Electro-Acoustic Theater

    3

    Sunday, May 6, 7:00pm
    Spectrum NYC
    70 Flushing Ave.
    Brooklyn, NY 11205

    Sullivan: Swarm for lightbots and percussion
    Aperghis: Le Corps à Corps for solo speaking percussionist
    Burkhardt: Simulcast for two speaking percussionist
    Lorenzo: Brain Change for 4 hacked joysticks
    Radical2: SD-6 for small percussion and delay pedals
    Applebaum: Aphasia for solo performer

    The Radical 2 percussion duo is teaming up with the International Contemporary Ensemble to announce a call for new works of electro-acoustic theater for two performers, to be performed in the 2018-19 season. To celebrate this open call for submissions on ICEcommons.org, Radical 2 will share a diverse program from a wide range of theater music composers such as Rick Burkhardt, Mark Applebaum, Georges Aperghis, and Radical 2 themselves as performer/composers.

    Radical 2 (Levy Lorenzo // Dennis Sullivan) is a performance duo based in Brooklyn, NY. Grounded in the tradition of contemporary classical percussion, Radical 2 extends this practice by exploring performances that incorporate theatrical vocal and dramatic techniques while deploying new prototype electronics.

    Meet Radical 2:
    Laura Steenberg – Perseus Slays the Gorgon Medusa
    Jesse Marino – Endless Shrimp

    See the full article here .

    The International Contemporary Ensemble (ICE) is an artist collective that is transforming the way music is created and experienced. As performer, curator, and educator, ICE explores how new music intersects with communities across the world. The ensemble’s 35 members are featured as soloists, chamber musicians, commissioners, and collaborators with the foremost musical artists of our time. Works by emerging composers have anchored ICE’s programming since its founding in 2001, and the group’s recordings and digital platforms highlight the many voices that weave music’s present.

    A recipient of the American Music Center’s Trailblazer Award and the Chamber Music America/ASCAP Award for Adventurous Programming, ICE was also named the 2014 Musical America Ensemble of the Year. The group currently serves as artists-in-residence at Lincoln Center for the Performing Arts’ Mostly Mozart Festival, and previously led a five-year residency at the Museum of Contemporary Art Chicago. ICE was featured at the Ojai Music Festival from 2015 to 2017, and at recent festivals abroad such as gmem-CNCM-marseille and Vértice at Cultura UNAM, Mexico City. Other performance stages have included the Park Avenue Armory, The Stone, ice floes at Greenland’s Diskotek Sessions, and boats on the Amazon River.

    New initiatives include OpenICE, made possible with lead funding from The Andrew W. Mellon Foundation, which offers free concerts and related programming wherever ICE performs, and enables a working process with composers to unfold in public settings. DigitICE, a free online library of over 350 streaming videos, catalogues the ensemble’s performances. ICE’s First Page program is a commissioning consortium that fosters close collaborations between performers, composers, and listeners as new music is developed. EntICE, a side-by-side education program, places ICE musicians within youth orchestras as they premiere new commissioned works together; inaugural EntICE partners include Youth Orchestra Los Angeles and The People’s Music School in Chicago. Summer activities include Ensemble Evolution at the Banff Centre for Arts and Creativity, in which young professionals perform with ICE and attend workshops on topics from interpretation to concert production. Yamaha Artist Services New York is the exclusive piano provider for ICE. Read more at iceorg.org.
    Staff

    Claire Chase, Founder*

    William McDaniel, Executive Director
    Rebekah Heller, co-Artistic Director*
    Ross Karre, co-Artistic Director and Director of digitICE.org*
    Jacob Greenberg, Director of Recordings and Digital Outreach*
    Levy Lorenzo, Engineer and Technical Director*
    Ryan Muncy, Director of Institutional Giving and co-Director, OpenICE*
    Joshua Rubin, Artistic Director Emeritus*
    Karla Brom, General Manager
    Maciej Lewandowski, Director of Production
    Bridgid Bergin, Development Associate

    • ICE musician

    Artists

    Alice Teyssier, flute
    Bridget Kibbey, harp
    Campbell MacDonald, clarinet
    Claire Chase, flute
    Cory Smythe, piano
    Dan Peck, tuba
    Daniel Lippel, guitar
    David Bowlin, violin
    David Byrd-Marrow, horn
    Erik Carlson, violin
    Gareth Flowers, trumpet
    Jacob Greenberg, piano
    James Austin Smith, oboe
    Jennifer Curtis, violin
    Josh Modney, violin and viola
    Joshua Rubin, clarinet
    Katinka Kleijn, cello
    Kivie Cahn-Lipman, cello
    Kyle Armbrust, viola
    Levy Lorenzo, percussion
    Maiya Papach, viola
    Michael Nicolas, cello
    Mike Lormand, trombone
    Nathan Davis, percussion
    Nicholas Houfek, lighting designer
    Nicholas Masterson, oboe
    Nuiko Wadden, harp
    Peter Evans, trumpet
    Peter Tantsits, tenor
    Phyllis Chen, piano
    Randall Zigler, bass
    Rebekah Heller, bassoon
    Ross Karre, percussion
    Ryan Muncy, saxophone
    Steven Schick, Artist-in-Residence
    Tony Arnold, soprano
    Wendy Richman, viola

    Please help promote STEM in your local schools.

    STEM Icon

    Stem Education Coalition

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
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