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  • richardmitnick 9:10 AM on August 19, 2018 Permalink | Reply
    Tags: Jazz, , Remembering Thelonious Monk and John Coltrane   

    From Mosaic Records Jazz Gazette: “Remembering Thelonious Monk and John Coltrane” 

    From Mosaic Records Jazz Gazette , a truly important resource

    Visit The Jazz Gazette

    Remembering Thelonious Monk and John Coltrane

    1
    Nick Spitzer focuses his excellent public radio program American Routes on John Coltrane, Thelonious Monk and their brief but resonating musical relationship with help from historian Lewis Porter and T.S. Monk. -Michael Cuscuna

    See the full article here .


    five-ways-keep-your-child-safe-school-shootings
    Please help promote STEM in your local schools.


    Stem Education Coalition

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

    Advertisements
     
  • richardmitnick 10:51 PM on August 18, 2018 Permalink | Reply
    Tags: , , Jazz,   

    From ECM via Dazzle: “SPOTLIGHT ON ECM” 

    New from From ECM

    via

    1

    Dazzle
    1512 Curtis St.
    Denver, CO 80202

    Dazzle has teamed up with ECM records to present a whole month packed full of some of the iconic label’s most prominent contemporary musicians.

    2

    3

    4

    5

    Featuring Two Colorado-Based Projects:

    6

    7

    Ticket packages

    From ECM which might just be the finest recording company in the world.

    See the full article here .


    five-ways-keep-your-child-safe-school-shootings
    Please help promote STEM in your local schools.

    Stem Education Coalition

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
  • richardmitnick 12:08 PM on August 18, 2018 Permalink | Reply
    Tags: , IT DO NOT MEAN A THING, Jazz   

    From Missingduke Jazz via Ethan Iverson: “IT DO NOT MEAN A THING” 

    From Ethan Iverson

    Ethan Iverson 2016 photo by Jimmy Katz at http://www.jimmykatz.com, with permission

    Sunday, July 29, 2018
    A conversation with Ethan Iverson

    “I write for the future”

    1
    Ethan Iverson photographed by Sergio Cabanillas

    Sharing time with Ethan Iverson (Wisconsin, 1973) is a valuable fabric of thoughts and words.

    On the one hand, it is a pleasure to talk with the musician; the jazzman , pianist, composer. The peculiarity is that it also found the educator, communicator, writer. And this last facet to his publications on jazz is not he notes in The New Yorker , but especially the essential work on your blog, Do The M @ th , instead of virtual pregrinación for professionals, jazz lovers, curious and other gravitational bodies.

    See the full article here.


    five-ways-keep-your-child-safe-school-shootings

    Please help promote STEM in your local schools.

    Stem Education Coalition

    Ethan Iverson is a pianist, composer, and critic best known for his work in the avant-garde jazz trio The Bad Plus with bassist Reid Anderson and drummer Dave King.

    Iverson was born in Menomonie, Wisconsin. Before The Bad Plus, he was musical director for the Mark Morris Dance Group and a student of both Fred Hersch and Sophia Rosoff. He has worked with artists such as Billy Hart, Kurt Rosenwinkel, Tim Berne, Mark Turner, Ben Street, Lee Konitz, Albert “Tootie” Heath, Paul Motian, Larry Grenadier, Charlie Haden and Ron Carter.

    He currently studies with John Bloomfield and serves on the faculty at New England Conservatory.

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
  • richardmitnick 1:00 PM on August 17, 2018 Permalink | Reply
    Tags: Jazz, , The Jazz at Lincoln Center Orchestra Plays Miles Davis   

    From Jazz at Lincoln Center: “The Jazz at Lincoln Center Orchestra Plays Miles Davis” 

    From Jazz at Lincoln Center

    1
    Nov 8 8:00PM
    Nov 9 8:00PM
    Nov 10 8:00PM

    Tickets

    Miles Davis January 1955 Express Newspapers Getty Image

    The Jazz at Lincoln Center Orchestra with Wynton Marsalis performs Miles Davis’ groundbreaking music from the 1940s–60s. Davis’ work during these years is unparalleled in its stylistic range, impact, and enduring popularity, and this show will explore the pivotal musical moments on his quest towards innovation.

    After demonstrating Davis’ early bebop stylings, as heard in songs like “Little Willie Leaps,” the JLCO will move on to the rich, textured arrangements of Birth of the Cool, showcasing the unconventional brass instrumentation that gave it its unique sound. You will hear landmark pieces from Davis’ “first great quintet,” including his initial experiment with modal jazz in 1958’s “Milestones”—a style fleshed out further in Davis’ 1959 landmark, Kind of Blue.

    2
    Miles Davis Milestones

    Miles Davis RadioProject artist owned


    Miles Davis “Kind of Blue on Columbia”

    Davis stayed ahead of the curve throughout the 1960s, offering a preview of the sounds that would gain popularity in years to come. The JLCO will show you this progression, revisiting the “second great quintet’s” brand of swinging, avant-garde eclecticism as well as the earliest traces of Davis’ transition into electric jazz. For this last component, the JLCO will perform an expansive arrangement of “Tout de Suite”—Davis’ first work with Chick Corea and Dave Holland.

    This timeless music remains enormously popular among both hardcore jazz fans and casual listeners, and this concert will provide you with new perspective on each composition and creative breakthrough.

    Free pre-concert discussion nightly at 7pm.

    See the full article here.


    five-ways-keep-your-child-safe-school-shootings

    Please help promote STEM in your local schools.

    Stem Education Coalition

    JALC Mission Statement
    In the Spirit of Swing.

    The mission of Jazz at Lincoln Center is to entertain, enrich and expand a global community for jazz through performance, education, and advocacy. We believe jazz is a metaphor for Democracy. Because jazz is improvisational, it celebrates personal freedom and encourages individual expression. Because jazz is swinging, it dedicates that freedom to finding and maintaining common ground with others. Because jazz is rooted in the blues, it inspires us to face adversity with persistent optimism.

    History

    From our first downbeat as a summer concert series at Lincoln Center in 1987, to the fully orchestrated achievement of opening the world’s first venue designed specifically for jazz in 2004, we have celebrated this music and these landmarks with an ever-growing audience of jazz fans from around the world.

    Representing the totality of jazz music, Jazz at Lincoln Center’s mission is carried out through four elements—educational, curatorial, archival, and ceremonial—capturing, in unparalleled scope, the full spectrum of the jazz experience.

    In the mid-1980s, Lincoln Center, Inc. was looking to expand its programming efforts to attract new and younger audiences, and to fill its halls during the summer months when resident companies were performing elsewhere. Long-time jazz enthusiasts on the Lincoln Center campus and on the Lincoln Center Board recognized the need for America’s music to be represented, and lobbied to include jazz in the organization’s offerings. After four summers of successful Classical Jazz concerts, Jazz at Lincoln Center (JALC) became an official department of Lincoln Center in 1991. During its first year, JALC produced concerts throughout New York City, including Brooklyn and Harlem. By the second year, JALC had its own radio series on National Public Radio, and the Lincoln Center Jazz Orchestra (now known as the Jazz at Lincoln Center Orchestra) began touring, and recording and selling CDs. By its fourth year, the program reached international audiences with performances in Hong Kong and, the following year, in France, Austria, Italy, Turkey, Norway, Spain, England, Germany and Finland. In July 1996, JALC was inducted as the first new constituent of Lincoln Center since The School of American Ballet joined in 1987, laying the groundwork for the building of a performance facility designed specifically for the sound, function and feeling of jazz.

    “The whole space is dedicated to the feeling of swing, which is a feeling of extreme coordination,” explained Jazz at Lincoln Center’s Managing and Artistic Director Wynton Marsalis of his vision for the new home of jazz, or the “House of Swing.” “Everything is integrated: the relationship between one space and another, the relationship between the audience and the musicians, is one fluid motion, because that’s how our music is.” Under Marsalis’s direction, JALC sought out world-renowned architect Rafael Viñoly and a team of acoustic engineers to create Frederick P. Rose Hall, the world’s first performance, education and broadcast facility devoted to jazz, in New York City. As the centerpiece of a $131 million capital campaign drive, the 100,000-square-foot facility opened in fall 2004 and features three concert and performance spaces (Rose Theater, The Appel Room and Dizzy’s Club Coca-Cola) engineered for the warmth and clarity of the sound of jazz.

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
  • richardmitnick 9:31 AM on August 17, 2018 Permalink | Reply
    Tags: , , , , , Jazz   

    From Bard’s Fisher Center for the Performing Arts: “2018–19 season on sale now!” 

    From Bard’s Fisher Center for the Performing Arts

    Highlights

    Bard Fisher Center for the performing Arts

    1

    Join us for a new season of extraordinary concerts, dance, theater, and literary events.

    For ticketing please see the full article.

    Visit the Fisher Center website to explore the full 2018–19 season and order your tickets online.

    Choose three or more new season events and save 25%.

    2
    Photo by David DeNee
    Classical
    The Orchestra Now
    This group of vibrant young musicians presents its fourth season at the Fisher Center, with works by Johannes Brahms, Giuseppe Verdi, Aaron Copland, Richard Wagner, Richard Strauss, and many more.

    2
    Janet Leigh in “Psycho” (1960); Paramount Pictures and Photofest NYC

    The Bard Conservatory of Music

    This season, Conservatory highlights include an evening honoring Joan Tower, a screening of the Hitchcock classic Psycho with live orchestra, the premiere of the China Now Music Festival, the Winter Songfest, and an evening with soprano Dawn Upshaw.

    3
    Photo by Hector Perez

    Fisher Center presents
    Meshell Ndegeocello
    Saturday, October 20 at 8 pm

    The music of Meshell Ndegeocello sparked a new movement in soul music, and has earned her 10 Grammy nominations over her astounding career. Ndegeocello makes her Fisher Center debut, offering a fresh perspective and a musical refuge during these uncertain times.

    4
    “Zurich, September 2014” by Teju Cole

    Fisher Center presents
    Vijay Iyer and Teju Cole
    Blind Spot
    Friday, October 26 at 8 pm

    Vanguard jazz composer and pianist Vijay Iyer and Nigerian American writer and photographer (and Bard faculty member) Teju Cole present a powerful new collaboration. With images and text from Cole’s newly released book of the same title alongside Iyer’s live score, Blind Spot investigates humanity’s blindness to tragedy and injustice throughout history.

    4
    Photo by Brigitte Lacombe

    Fisher Center presents
    Isabella Rossellini: Link Link Circus
    Saturday, November 17 at 7:30 pm

    Award-winning actress and filmmaker Isabella Rossellini takes inspiration from the natural world in her new theatrical lecture, a vivid monologue about the brilliance of the animal kingdom.

    More at the full article.

    See the full article here.

    five-ways-keep-your-child-safe-school-shootings

    Please help promote STEM in your local schools.

    Stem Education Coalition

    About Us
    The Richard B. Fisher Center for the Performing Arts at Bard College, designed by Frank Gehry, illustrates the College’s commitment to the performing arts as a cultural and educational necessity. The Center’s adventurous programs and world-class facilities provide an outstanding environment in which to create, perform, learn, and experience. The Center bears the name of Richard B. Fisher, the former chair of Bard’s Board of Trustees. This magnificent building and the extraordinary arts experiences that take place within it are a tribute to his vision, generosity, and leadership.

    The mission of the Fisher Center is to:

    bring leading artists to the Hudson Valley to engage with the public and the College;
    produce and present adventurous and in-depth programs, including new, rare, and undiscovered works;
    support the development of new work by artists at all stages of their careers; and
    provide a home for Bard student and faculty work in the performing arts.

    Bard College seeks to inspire curiosity, a love of learning, idealism, and a commitment to the link between higher education and civic participation. The undergraduate curriculum is designed to address central, enduring questions facing succeeding generations of students. Academic disciplines are interconnected through multidisciplinary programs; a balance in the curriculum is sought between general education and individual specialization. Students pursue a rigorous course of study reflecting diverse traditions of scholarship, research, speculation, and artistic expression. They engage philosophies of human existence, theories of human behavior and society, the making of art, and the study of the humanities, science, nature, and history.

    Bard’s approach to learning focuses on the individual, primarily through small group seminars. These are structured to encourage thoughtful, critical discourse in an inclusive environment. Faculty are active in their fields and stress the connection between the contemplative life of the mind and active engagement outside the classroom. They strive to foster rigorous and free inquiry, intellectual ambition, and creativity.

    Bard acts at the intersection of education and civil society, extending liberal arts and sciences education to communities in which it has been underdeveloped, inaccessible, or absent. Through its undergraduate college, distinctive graduate programs, commitment to the fine and performing arts, civic and public engagement programs, and network of international dual-degree partnerships, early colleges, and prison education initiatives, Bard offers unique opportunities for students and faculty to study, experience, and realize the principle that higher-education institutions can and should operate in the public interest.

    The Bard College of today reflects in many ways its varied past.
    Bard was founded as St. Stephen’s College in 1860, a time of national crisis. While there are no written records of the founders’ attitude toward the Civil War, a passage from the College’s catalogue of 1943 applies also to the time of the institution’s establishment:

    “While the immediate demands in education are for the training of men for the war effort, liberal education in America must be preserved as an important value in the civilization for which the War is being fought. . . . Since education, like life itself, is a continuous process of growth and effort, the student has to be trained to comprehend and foster his own growth and direct his own efforts.”

    This philosophy molded the College during its early years and continues to inform its academic aims.

    Bard College
    30 Campus Rd,
    Annandale-On-Hudson, NY 12504

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
  • richardmitnick 10:19 AM on August 14, 2018 Permalink | Reply
    Tags: J.A.L.C., Jazz, , Spaces by Wynton Marsalis   

    From Jazz at Lincoln Center: “Spaces by Wynton Marsalis” 

    From Jazz at Lincoln Center

    1
    Lil Buck and Jared Grimes. Photo by Lawrence Sumulong

    SEP 13–15, 8pm • Rose Theater

    Wynton Marsalis’ Spaces combines modern dance with big band jazz in a playful and wildly entertaining exploration of the animal kingdom. Performed for the first time (to sold-out crowds) in 2016, this visually captivating Jazz at Lincoln Center Orchestra with Wynton Marsalis production returns to kick off our 31st season. The same two singular dance geniuses from the Spaces premiere—Lil Buck and Jared Grimes—reprise their roles, leaping, sliding, flipping, and tap dancing across the stage.

    Tickets

    See the full article here.

    five-ways-keep-your-child-safe-school-shootings

    Please help promote STEM in your local schools.

    Stem Education Coalition

    Mission Statement

    In the Spirit of Swing.

    The mission of Jazz at Lincoln Center is to entertain, enrich and expand a global community for jazz through performance, education, and advocacy. We believe jazz is a metaphor for Democracy. Because jazz is improvisational, it celebrates personal freedom and encourages individual expression. Because jazz is swinging, it dedicates that freedom to finding and maintaining common ground with others. Because jazz is rooted in the blues, it inspires us to face adversity with persistent optimism.

    History

    From our first downbeat as a summer concert series at Lincoln Center in 1987, to the fully orchestrated achievement of opening the world’s first venue designed specifically for jazz in 2004, we have celebrated this music and these landmarks with an ever-growing audience of jazz fans from around the world.

    Representing the totality of jazz music, Jazz at Lincoln Center’s mission is carried out through four elements—educational, curatorial, archival, and ceremonial—capturing, in unparalleled scope, the full spectrum of the jazz experience.

    In the mid-1980s, Lincoln Center, Inc. was looking to expand its programming efforts to attract new and younger audiences, and to fill its halls during the summer months when resident companies were performing elsewhere. Long-time jazz enthusiasts on the Lincoln Center campus and on the Lincoln Center Board recognized the need for America’s music to be represented, and lobbied to include jazz in the organization’s offerings. After four summers of successful Classical Jazz concerts, Jazz at Lincoln Center (JALC) became an official department of Lincoln Center in 1991. During its first year, JALC produced concerts throughout New York City, including Brooklyn and Harlem. By the second year, JALC had its own radio series on National Public Radio, and the Lincoln Center Jazz Orchestra (now known as the Jazz at Lincoln Center Orchestra) began touring, and recording and selling CDs. By its fourth year, the program reached international audiences with performances in Hong Kong and, the following year, in France, Austria, Italy, Turkey, Norway, Spain, England, Germany and Finland. In July 1996, JALC was inducted as the first new constituent of Lincoln Center since The School of American Ballet joined in 1987, laying the groundwork for the building of a performance facility designed specifically for the sound, function and feeling of jazz.

    “The whole space is dedicated to the feeling of swing, which is a feeling of extreme coordination,” explained Jazz at Lincoln Center’s Managing and Artistic Director Wynton Marsalis of his vision for the new home of jazz, or the “House of Swing.” “Everything is integrated: the relationship between one space and another, the relationship between the audience and the musicians, is one fluid motion, because that’s how our music is.” Under Marsalis’s direction, JALC sought out world-renowned architect Rafael Viñoly and a team of acoustic engineers to create Frederick P. Rose Hall, the world’s first performance, education and broadcast facility devoted to jazz, in New York City. As the centerpiece of a $131 million capital campaign drive, the 100,000-square-foot facility opened in fall 2004 and features three concert and performance spaces (Rose Theater, The Appel Room and Dizzy’s Club Coca-Cola) engineered for the warmth and clarity of the sound of jazz.

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
  • richardmitnick 12:10 PM on August 13, 2018 Permalink | Reply
    Tags: , , Jazz, Mark Turner   

    From ECM: “Mark Turner tenor saxophone Ethan Iverson piano” 

    New from From ECM

    From ECM which might just be the finest recording company in the world.

    1

    The initial musical connection between saxophonist Mark Turner and pianist Ethan Iverson was made in 1990s jam sessions in New York City, with both going on to individual success – Iverson in hit trio The Bad Plus and Turner as a solo leader and in such groups as the trio Fly (recording in both capacities for ECM). A decade after their first meeting, the saxophonist and pianist began an association in the Billy Hart Quartet, the two players featuring sympathetically on two widely lauded ECM albums by that band. Now with Temporary Kings – their debut on record as a duo – Turner and Iverson explore aesthetic common ground that encompasses the cool-toned intricacies of the Lennie Tristano/Warne Marsh jazz school, as well as the heightened intimacy of modernist chamber music. The album presents six originals by Iverson (such as the nostalgic solo tune Yesterday’s Bouquet) and two by Turner (including Myron’s World, which has acquired near-classic status among contemporary jazz players). There’s an off-kilter blues (Unclaimed Freight) and a strikingly melodic, almost Ravelian opening track dedicated to the Swiss town where the album was recorded (“Lugano”), plus an interpretation of Marsh’s playfully serpentine “Dixie’s Dilemma.”

    2
    All Our Reasons. Billy Hart, Ethan Iverson, Mark Turner, Ben Street

    3
    Billy Hart Quartet One Is The Other

    For the tour schedule please see the full article.

    See the full article here .


    five-ways-keep-your-child-safe-school-shootings
    Please help promote STEM in your local schools.

    Stem Education Coalition

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
  • richardmitnick 9:40 AM on August 12, 2018 Permalink | Reply
    Tags: , Jazz,   

    New from ECM: “Helsinki Songs – Trygve Seim” 

    New from ECM

    ECM might just be the finest recording company in the world.

    1

    Coming Soon (31.08.2018)

    With its overt lyricism, strong themes and a sense of perpetual melodic invention, Norwegian saxophonist Trygve Seim’s new album quickly identifies itself as a classic-in-the-making. Themes of dedication run through Seim’s Helsinki Songs album, a set of tunes composed – for the most part – in the Finnish capital, and radiating tributes in many directions. Here are songs referencing Igor Stravinsky and Jimmy Webb, pieces dedicated to each of Seim’s gifted bandmates, and tunes that tip the hat, obliquely, to Ornette Coleman and Bill Evans. The quartet plays superbly throughout, with outstanding solos from leader Seim and pianist Kristjan Randalu. Helsinki Songs was recorded in Oslo’s Rainbow Studio in January 2018 and produced by Manfred Eicher.

    Featured artists
    Trygve Seim Tenor and Soprano Saxophone
    Kristjan Randalu Piano
    Mats Eilertsen Double Bass
    Markku Ounaskari Drums

    For tour dates and information please see the full article.

    See the full article here .

    five-ways-keep-your-child-safe-school-shootings

    Please help promote STEM in your local schools.

    Stem Education Coalition

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
  • richardmitnick 8:17 AM on August 12, 2018 Permalink | Reply
    Tags: BOOKER ERVIN – THE GOOD BOOK, Jazz, John Kirby & his Orchestra,   

    From Mosaic Records Jazz Gazette: Current issue of the Gazette 

    From Mosaic Records Jazz Gazette , a truly important resource

    Visit The Jazz Gazette

    John Kirby & his Orchestra: Anitra’s Dance

    1
    It was popular for bands, especially during the ban of ASCAP material during the early 1940s, to make swing arrangements of the classics. Here is a marvelous example with the John Kirby band with arrangement by Charlie Shavers on the Edvard Grieg composition Anitra’s Dance from the Peer Gynt Suite. -Scott Wenzel

    BOOKER ERVIN – THE GOOD BOOK

    2
    BOOKER ERVIN. Mosaic images

    In a correspondence to the editorial staff at JazzProfiles, Simon Spillett put forth the following explanation about how this piece came about:

    “It was written to accompany a 2017 release on the Acrobat label – Booker Ervin: The Good Book (Acrobat ACQCD 7121) which compiled his three earliest albums – The Book Cooks, Cookin’ and That’s It! together – with sideman appearances on recordings led by Teddy Charles, Mal Waldron and Bill Barron.

    This boxed set received favourable reviews in several English jazz publications (Jazzwise, The Jazz Rag) and one nationally circulated newspaper, The Financial Times, who gave the collection a four star rating, praising Ervin’s “passion with a positive vibe”.

    Although this is essentially the same piece included in the booklet for the Acrobat box, I have corrected some minor errors and added a small amount of significant “new” information. I believe this may be the first extended essay on Ervin and his work.”

    In addition to fronting his own quartet, Simon has won several awards for his music, including the tenor saxophone category of the British Jazz Awards (2011), Jazz Journal magazine, Critic’s Choice CD of the Year (2009) and Rising Star in the BBC Jazz Awards (2007).

    Simon has his own website which you can visit via this link.

    3

    ©Simon Spillett, copyright protected; all rights reserved, used with the author’s permission.

    “I suppose I’ll go on striving until I die…Every time I play I try to play as if it’s the last time I’m ever going to blow”
    Booker Ervin, Melody Maker, January 30th 1965

    There is much more. Please visit the full article.

    See the full article here .


    five-ways-keep-your-child-safe-school-shootings
    Please help promote STEM in your local schools.


    Stem Education Coalition

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
  • richardmitnick 7:52 AM on August 12, 2018 Permalink | Reply
    Tags: Dick Cavett, Jazz, ,   

    From Mosaic Records Jazz Gazette: “Miles Davis: the Legendary 1986 Dick Cavett Appearance” 

    From Mosaic Records Jazz Gazette , a truly important resource

    Visit The Jazz Gazette


    This is very cool extended footage from a 1986 Dick Cavett Show with a wonderful interview and intense performance from Miles Davis. Incidently, drummer Vince Wilburn identified the guitarist as Garth Weber who was subbing for Robbin Ford who could not make the telecast.-Michael Cuscuna

    See the full article here .


    five-ways-keep-your-child-safe-school-shootings
    Please help promote STEM in your local schools.


    Stem Education Coalition

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
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