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  • richardmitnick 12:52 PM on September 12, 2018 Permalink | Reply
    Tags: , , Kneebody with Becca Stevens & Michael Mayo, LPR,   

    From LPR: “Kneebody with Becca Stevens & Michael Mayo” 

    From LPR

    1

    Sun September 16th, 2018

    8:00PM

    Main Space

    Minimum Age: 18+

    Doors Open: 7:00PM

    Show Time: 8:00PM

    Event Ticket: $18

    Day of Show: $25

    Tickets

    Kneebody
    2
    Photo Credit: Tarona

    Kneebody’s sound is… explosive rock energy paralleled with high-level nuanced chamber ensemble playing, with highly wrought compositions that are balanced with adventurous no-holds-barred improvising. All “sounds-like” references can be set aside; this band has created a genre and style all its own.

    Kneebody bassist Kaveh Rastegar thinks of their sound this way, “Personally, I think calling Kneebody ‘jazz’ or ‘electric jazz’ is fantastic because then we can move on from that hang up and play our music – and alter expectations of what ‘jazz’ is.”

    Kneebody is keyboardist Adam Benjamin, trumpeter Shane Endsley, electric bassist Kaveh Rastegar, saxophonist Ben Wendel and drummer Nate Wood. The band has no leader or rather, each member is the leader; they’ve developed their own musical language, inventing a unique cueing system that allows them each to change the tempo, key, style, and more in an instant.

    Kneebody draws upon influences spanning D’Angelo’s Voodoo to music by Elliot Smith, Bill Frisell, and Miles Davis. Their live shows are known for intense sonic landscapes of the Radiohead ilk, for the rhythmic bombast of a Squarepusher or Queens of the Stone Age show, and the harmonic depth and improvisational freedom experienced at a Brad Mehldau concert.

    In 2005, Kneebody released their debut self-titled album Kneebody on Dave Douglas’ Greenleaf Music Label. Low Electrical Worker followed in 2007 on the Colortone Label. A collection of 13 original songs, Low Electrical Worker was hailed by saxophonist Joshua Redman as one of his “favorite albums of 2007.” In the spring of 2009, Kneebody and vocalist Theo Bleckmann released 12 Songs of Charles Ives on the Winter & Winter label and received a Grammy Award nomination in the “classical crossover” category. 2013 saw the release of The Line for ConcordRecords. In 2015, Kneebody’s groundbreaking collaboration with electronic musician Daedelus on Kneedelus was released on Flying Lotus’ imprint Brainfeeder records to praise from critics and audiences alike. Kneebody made their Motéma Music debut album Anti-Hero in March of 2017.

    Becca Stevens
    3
    © Harald Krichel / CC BY-SA 3.0 (via Wikimedia Commons)

    Becca Stevens is an American singer, songwriter, and guitarist who draws upon elements of jazz, chamber-pop, indie-rock, and folk. She has collaborated with artists including Jacob Collier, Laura Mvula, Billy Childs, David Crosby, and many others.

    Michael Mayo
    4

    Michael Mayo began forging his musical identity long before he hit the stage. The son of two successful musicians, the Los Angeles native grew up just a little more than 20 feet from the likes of Diana Ross, Luther Vandross, Earth Wind and Fire and Stevie Wonder. This proximity helped Mayo create a musical path centered around the innovative elements of jazz.

    After receiving his Bachelors from the New England Conservatory of Music, Mayo attended the acclaimed Thelonious Monk Institute of Jazz Performance, only the third vocalist to be accepted into the 20-year-old program, where he learned from Wayne Shorter, Herbie Hancock, and Luciana Souza, among many others. Mayo, who recently moved to New York City, is a veteran international performer. His highlights include singing at the White House for First Lady Michelle Obama on International Jazz Day 2016, the Kennedy Center for both the Betty Carter Jazz Ahead program and Renée Fleming’s American Voices Festival in 2013, as well as the Panama Jazz Festival. Whether he is performing with a full big band, a rhythm section or alone with a looper pedal, Mayo’s classic vocal style commands the attention of listeners worldwide.

    See the full article here .


    five-ways-keep-your-child-safe-school-shootings


    Stem Education Coalition

    (le) poisson rouge

    (Le) Poisson Rouge Event Tortoise at Le Poisson Rouge, 3-16-2016

    LPR

    LPR is a multimedia art cabaret founded by musicians on the site of the historic Village Gate. Dedicated to the fusion of popular and art cultures in music, film, theater, dance, and fine art, the venue’s mission is to revive the symbiotic relationship between art and revelry; to establish a creative asylum for both artists and audiences.

    LPR prides itself in offering the highest quality eclectic programming, impeccable acoustics, and bold design. The state-of-the art performance space, engineered by the legendary John Storyk/WSDG, offers full flexibility in multiple configurations: seated, standing, in-the-round, and numerous alternative arrangements. The adjoining gallery space — The Gallery at LPR — functions as an art gallery, secondary bar, and event space. A work of art itself, the physical facilities are the embodiment of the experimental philosophy that drives the venue.

    LPR is a source you can trust for exposure to visionary work, people of character, and a consistently dynamic environment. We invite you to immerse yourself in a nightlife of true substance and vitality.

    Venue Highlights

    flexible event space fits 250 fully seated, 700 fully standing, or any combination
    138-capacity soundproof Gallery Bar adjacent to the main space
    28’ x 21’ fixed corner stage
    16’ dia. portable, trundled round stage comprised of 3 individual staging sections
    23’ dia. hardwood sprung dance floor
    engineering by John Storyk/WSDG (Electric Lady Studios, Jazz @ Lincoln Center)
    1 downstage cinema-scale projection screen w/ 5.1 Meyer Surround Sound
    2 upstage movable projection screens
    Yamaha S6B 7’ concert grand piano
    elevated VIP Box & 2 private entrances
    full catering kitchen & planning services
    furnished Green Room w/ en suite restroom

    Previous LPR Artists

    Anna Netrebko • Amon Tobin • Anthony Braxton • The Antlers • Arditti Quartet • Atoms for Peace • Battles • Beck • Bela Fleck • Bill Frisell • Brad Mehldau • Broadcast • Caroline Shaw • Cat Power • Chris Thile • Cut Copy • Dan Deacon • Daniel Barenboim and the West-Eastern Divan Orchestra • David Byrne • Dean & Britta • Death • Debbie Harry • Deerhoof • Deerhunter • Destroyer • Don DeLillo • Emanuel Ax • Erykah Badu • Fiery Furnaces • Florence & The Machine • Flying Lotus • Four Tet • Glen Hansard • Glenn Branca • Gregory Porter • Hélène Grimaud • Hilary Hahn • Hot Chip • Iggy Pop & the Stooges • J. Spaceman • Jeff Mangum • Jeremy Denk • John Adams • John Zorn • Juana Molina • Junip • Justin Vivian Bond • KD Lang • Kronos Quartet • Lady Gaga • Laurie Anderson • Liars • Little Dragon • Living Colour • Lorde • Lou Reed • Lydia Lunch • Lykke Li • Marc-André Hamelin • Marc Maron • Marc Ribot • Matt and Kim • Max Richter • Medeski Martin & Wood • Menahem Pressler • Mike Watt • Moby • Mono • Múm • Nico Muhly • No Age • Norah Jones • of Montreal • Os Mutantes • Patti Smith • Paul Simon • Philip Glass • Raekwon • Reggie Watts • Regina Spektor • RZA • Salman Rushdie • The Shins • Simone Dinnerstein • Sleigh Bells • So Percussion • Spoon • Squarepusher • Steve Reich • Terry Riley • They Might Be Giants • Throbbing Gristle • Tim Hecker • Tori Amos • Toumani Diabaté • Typhoon • Yo La Tengo • Yo-Yo Ma • Yoko Ono

    newsounds.org is an official radio partner of LPR

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

    Advertisements
     
  • richardmitnick 2:27 PM on September 10, 2018 Permalink | Reply
    Tags: , LPR, , , Silent Voices   

    From New Amsterdam Records: “ANNOUNCING: Brooklyn Youth Chorus’s Silent Voices” 

    New Amsterdam Records is at the heart of the New Music environment

    SUPPORT NEWAM

    From New Amsterdam Records

    1
    “Among choral groups, Brooklyn Youth Chorus stands alone.”

    • Rebecca Milzoff, New York Magazine

    ANNOUNCING:

    Brooklyn Youth Chorus’s
    Silent Voices

    feat. International Contemporary Ensemble (ICE) with works by Jeff Beal, Mary Kouyoumdjian,
    Ellis Ludwig-Leone, Paul D. Miller/DJ Spooky,
    Nico Muhly, Shara Nova, Toshi Reagon,
    Kamala Sankaram, and Caroline Shaw

    out Oct. 26 — learn more and pre-order here
    Album Release Show

    Tuesday, Nov. 6 – 7:00pm
    (Le) Poisson Rouge
    New York, NY

    (Le) Poisson Rouge


    (Le) Poisson Rouge Event Tortoise 3-16-2016


    MORE INFO & TICKETS

    New Amsterdam Records is excited to announce the upcoming sophomore album from Grammy Award-winning Brooklyn Youth Chorus, Silent Voices. Out Oct. 26, the album will be available in digital and CD formats and is now available for pre-order on Bandcamp.

    The album features a selection of works from the Chorus’s ongoing multimedia, multi-composer concert series of the same name, installments of which have been performed at the Brooklyn Academy of Music (May 2017), National Sawdust (April 2018) and PROTOTYPE Festival (Jan 2017). On the album, pieces from Jeff Beal (“House of Cards”), Ellis Ludwig-Leone (San Fermin), Mary Kouyoumdjian, Paul Miller/DJ Spooky, Nico Muhly, Shara Nova, Toshi Reagon, Kamala Sankaram, and Caroline Shaw are performed by
    Brooklyn Youth Chorus and the International Contemporary Ensemble (ICE).

    The Silent Voices project began during the Brooklyn Youth Chorus’s 25th anniversary season, born out of the desire to create music that was both topically relevant to its very own choristers, and to the time and place in which we all live. Silent Voices gives voice to those that have been silenced or marginalized, and harnesses the power of young people to be instruments of change.

    The Chorus commissioned a diverse group of innovative artists to interpret rich historical narratives and personal stories creating individual works that explore race and identity, gender and sexuality, inequity and social disparity. The series began developing prior to the 2016 election when the political prospects looked very different.

    “After the election, the importance and interpretation of the work changed—just because people’s focus on these issues of racism, sexism, immigration, minorities, and climate change became much more personal,” explains Brooklyn Youth Chorus Founder & Artistic Director Dianne Berkun Menaker.

    “All of a sudden the fear, and the divisiveness, and the categorization—who’s in and who belongs and who’s out—all had very different kinds of meanings. People were frightened, and young people were frightened. All young people are in some way also silent voices in society, because they’re so undervalued. But they in many ways are much more evolved in their thinking than many adults. This world is changing in the hands of young people, and it’s time for people to hear that.”

    The album’s libretto is drawn from personal narratives, interviews, and historical texts, including original writings by Claudia Rankine (Citizen), and passages from authors and thinkers including Michelle Alexander’s The New Jim Crow; George Savile, Marquis of Halifax’s 17th century chapbook to his daughter, The Lady’s New-Year’s Gift; and Patricia Bell-Scott’s The Firebrand and the First Lady, which draws from letters between civil rights activist Pauli Murray and First Lady Eleanor Roosevelt.

    Unifying this musically and topically broad work is the distinctively beautiful sound of the rigorously-trained singers—a chorus of culturally and socioeconomically diverse New York City young people, ages 12–18. This collection of songs and voices has empowered the young singers to use their voices to uplift others, creating music that truly matters.

    A selection of works featured on the Silent Voices album will be performed by Brooklyn Youth Chorus and ICE at NYC’s (Le) Poisson Rouge on Nov. 6, which is, appropriately, Election Day—a day that brings opportunity for Americans to address the very issues the project explores. As Brooklyn Youth Chorus members are not yet able to vote, Silent Voices is an opportunity for their voices to be heard on this critical day.

    2
    Brooklyn Youth Chorus Credit: Kathryn Tornelli

    In all of our presenting and recording activities, NewAm holds firmly to its mission to support artists whose work lies outside of traditional music industry infrastructure – whether that be classical, pop/rock/indie, jazz, world, or experimental. In pursuit of this calling, NewAm often collaborates with like-minded organizations. Our past and ongoing partnerships with the River to River Festival, Ecstatic Music Festival, Art of Elan, the Indianapolis Symphony (multi-year residency), MoMA PS 1, Liquid Music, Galapagos Artspace and National Sawdust have yielded high-profile opportunities for our artists to present their work. On the records side, we often partner with other labels in order to offer our artists the best possible representation for their projects. Partner labels have included Bedroom Community (Iceland), Nonclassical (UK), One Little Indian (UK), Sono Luminus (USA), Cantaloupe (USA) and NNA Tapes (USA).

    See the full article here .


    five-ways-keep-your-child-safe-school-shootings

    Please help promote STEM in your local schools.

    Stem Education Coalition

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
  • richardmitnick 2:44 PM on September 6, 2018 Permalink | Reply
    Tags: Cuban, Latin, LPR, Orquesta Akokán​   

    From LPR: “Orquesta Akokan” 

    From LPR

    1
    Orquesta Akokan

    Tue September 11th, 2018

    8:00PM

    Main Space

    Minimum Age: 18+

    Doors Open: 7:00PM

    Show Time: 8:00PM

    Event Ticket: $20

    Day of Show: $25

    Tickets

    Orquesta Akokán​

    Straight out of Havana, Cuba comes ​Orquesta Akokán​ – a blazing ensemble of deeply soulful mambo reminiscent of Benny Moré, Pérez Prado, and ​banda gigante​ of the 1940’s and 50’s. The album boasts all original songs recorded at the historic state-run Estudios Areito with Cuba’s finest players, young and old, led by the inimitable and dynamic singer José “Pepito” Gómez, produced by Chulo Records’ Jacob Plasse, with incendiary arrangements by Michael Eckroth. The ferocious and pedigreed wind and rhythm sections consist of musicians from storied groups including Irakere, NG La Banda, and Los Van Van. Robust, time-tested musical architectures of son cubano and mambo are honored and modernized through a synthesis of the rich compositional styles of Havana, New York, and beyond. ​This brand new project, released on Brooklyn’s Daptone Records, finds the venerable label in uncharted territory; their first Spanish language album, one recorded outside of Daptone’s studios, yet bursting with the label’s innate sense of soul, fine-tuned attention to sonic detail, and inspired songcraft that is timeless, immaculate, and utterly unique.

    See the full article here .


    five-ways-keep-your-child-safe-school-shootings


    Stem Education Coalition

    (le) poisson rouge

    (Le) Poisson Rouge Event Tortoise at Le Poisson Rouge, 3-16-2016

    LPR

    LPR is a multimedia art cabaret founded by musicians on the site of the historic Village Gate. Dedicated to the fusion of popular and art cultures in music, film, theater, dance, and fine art, the venue’s mission is to revive the symbiotic relationship between art and revelry; to establish a creative asylum for both artists and audiences.

    LPR prides itself in offering the highest quality eclectic programming, impeccable acoustics, and bold design. The state-of-the art performance space, engineered by the legendary John Storyk/WSDG, offers full flexibility in multiple configurations: seated, standing, in-the-round, and numerous alternative arrangements. The adjoining gallery space — The Gallery at LPR — functions as an art gallery, secondary bar, and event space. A work of art itself, the physical facilities are the embodiment of the experimental philosophy that drives the venue.

    LPR is a source you can trust for exposure to visionary work, people of character, and a consistently dynamic environment. We invite you to immerse yourself in a nightlife of true substance and vitality.

    Venue Highlights

    flexible event space fits 250 fully seated, 700 fully standing, or any combination
    138-capacity soundproof Gallery Bar adjacent to the main space
    28’ x 21’ fixed corner stage
    16’ dia. portable, trundled round stage comprised of 3 individual staging sections
    23’ dia. hardwood sprung dance floor
    engineering by John Storyk/WSDG (Electric Lady Studios, Jazz @ Lincoln Center)
    1 downstage cinema-scale projection screen w/ 5.1 Meyer Surround Sound
    2 upstage movable projection screens
    Yamaha S6B 7’ concert grand piano
    elevated VIP Box & 2 private entrances
    full catering kitchen & planning services
    furnished Green Room w/ en suite restroom

    Previous LPR Artists

    Anna Netrebko • Amon Tobin • Anthony Braxton • The Antlers • Arditti Quartet • Atoms for Peace • Battles • Beck • Bela Fleck • Bill Frisell • Brad Mehldau • Broadcast • Caroline Shaw • Cat Power • Chris Thile • Cut Copy • Dan Deacon • Daniel Barenboim and the West-Eastern Divan Orchestra • David Byrne • Dean & Britta • Death • Debbie Harry • Deerhoof • Deerhunter • Destroyer • Don DeLillo • Emanuel Ax • Erykah Badu • Fiery Furnaces • Florence & The Machine • Flying Lotus • Four Tet • Glen Hansard • Glenn Branca • Gregory Porter • Hélène Grimaud • Hilary Hahn • Hot Chip • Iggy Pop & the Stooges • J. Spaceman • Jeff Mangum • Jeremy Denk • John Adams • John Zorn • Juana Molina • Junip • Justin Vivian Bond • KD Lang • Kronos Quartet • Lady Gaga • Laurie Anderson • Liars • Little Dragon • Living Colour • Lorde • Lou Reed • Lydia Lunch • Lykke Li • Marc-André Hamelin • Marc Maron • Marc Ribot • Matt and Kim • Max Richter • Medeski Martin & Wood • Menahem Pressler • Mike Watt • Moby • Mono • Múm • Nico Muhly • No Age • Norah Jones • of Montreal • Os Mutantes • Patti Smith • Paul Simon • Philip Glass • Raekwon • Reggie Watts • Regina Spektor • RZA • Salman Rushdie • The Shins • Simone Dinnerstein • Sleigh Bells • So Percussion • Spoon • Squarepusher • Steve Reich • Terry Riley • They Might Be Giants • Throbbing Gristle • Tim Hecker • Tori Amos • Toumani Diabaté • Typhoon • Yo La Tengo • Yo-Yo Ma • Yoko Ono

    newsounds.org is an official radio partner of LPR

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
  • richardmitnick 2:30 PM on September 6, 2018 Permalink | Reply
    Tags: , , Johnny Gandelsman, LPR,   

    From LPR: “Gabriel Kahane ‘Book of Travelers’ with Johnny Gandelsman” 

    From LPR

    1
    Gabriel Kahane, “Book of Travelers”
    with Johnny Gandelsman

    Thu September 20th, 2018

    8:00PM

    Murmrr Ballroom

    Minimum Age: All Ages

    Doors Open: 7:00PM

    Show Time: 8:00PM

    Event Ticket: $20

    Day of Show: $25

    Tickets

    LPR Presents: Gabriel Kahane, “Book of Travelers” at Murmrr Ballroom: 17 Eastern Parkway Brooklyn NY 11238

    “[A] stunning portrait of a singular moment in America” – Rolling Stone

    “There are no gilded strings or cascading choirs to sweep you along, just stories translated into exquisite little songs… It is the rare piece of art that aims… not merely to suggest that political art is personal art but to interlock those categories inextricably.” – Pitchfork

    Gabriel Kahane

    Gabriel Kahane credit Josh Goleman

    The day after the 2016 presidential election, singer-songwriter Gabriel Kahane boarded a train at Penn Station and traveled 8,980 miles around the continental U.S. with no phone or internet access, talking to dozens of strangers in an attempt to better understand his country and fellow citizens. The resulting album, Book of Travelers, marks Gabriel’s debut for Nonesuch Records. By turns sprawling and intimate, this collection of songs is at once a prayer for empathy and reconciliation, as well as an unflinching examination of the complex and often troubled history of the United States.

    Over the last decade, Kahane has quietly established himself as a songwriter all his own, grafting a deep interest in storytelling to a keen sense of harmony and rhythm. His major label debut, The Ambassador, a study of Los Angeles seen through the lens of ten street addresses, was hailed by Rolling Stone as “one of the year’s very best albums”.

    Gabriel has collaborated with a diverse array of artists, including Paul Simon, Sufjan Stevens, Andrew Bird, Blake Mills, and Chris Thile, the front man of Punch Brothers, for whom Kahane opened forty concerts in the US in 2015 and 2016. As a composer, he has been commissioned by the American Composers Orchestra, the Brooklyn Academy of Music, Carnegie Hall, A Far Cry, the Los Angeles Philharmonic, the Oregon Symphony, and Orpheus Chamber Orchestra, with whom he toured in the spring of 2013, performing Gabriel’s Guide to the 48 States, an hour-long cycle on texts from the WPA American Guide Series. Other orchestral highlights have included solo appearances with the Los Angeles Chamber Orchestra, Colorado Symphony, St. Paul Chamber Orchestra, and The Knights, with whom Gabriel recorded his orchestral song cycle Crane Palimpsest, following a performance at Tanglewood’s Ozawa Hall.

    An avid theater Artist, Kahane has appeared twice at the BAM Next Wave Festival, in 2014 with the critically-lauded staged version of The Ambassador, directed by Tony-winner John Tiffany; and returning in 2017 with 8980: Book of Travelers, directed by Daniel Fish. He is also the composer-lyricist of the musical February House, which premiered in 2012 at the Public Theater.

    A graduate of Brown University and two-time MacDowell Colony fellow, Gabriel lives in Brooklyn, NY.

    Johnny Gandelsman
    2
    Johnny Gandelsman by Shervin Lainez

    Grammy-award winning violinist and producer Johnny Gandelsman’s musical voice reflects the artistic collaborations he has been a part of since moving to the United States in 1995. As a founding member of Brooklyn Rider and a member of the Silk Road Ensemble, Johnny has closely worked with such luminaries as Bela Fleck, Martin Hayes, Kayhan Kalhor, Yo-Yo Ma, Mark Morris, Anne Sofie Van Otter, Alim Qasimov & Fargana Qasimova, Joshua Redman, Suzanne Vega, Abigail Washburn and Damian Woetzel. He has appeared with Bono, David Byrne, Renee Fleming, Rhiannon Giddens, I’m With Her, Christian McBride, and many others.

    Gandelsman integrates a wide range of creative sensibilities into a unique style amongst today’s violinists, one that according to the Boston Globe, possesses “a balletic lightness of touch and a sense of whimsy and imagination”. Earlier this year, Johnny released his the complete Bach Sonatas and Partitas for Solo Violin. The Globe described the recording as “…sparklingly personal Bach, shorn of grandeur, lofted by a spirit of dance, and as predictable as the flight of a swallow.”

    A passionate advocate for new music, Johnny has premiered dozens of new works, including music by Lisa Bielawa, Tyondai Braxton, Daniel Cords, Christina Courtin, Bela Fleck, Gabriela Lena Frank, Bill Frisell, Osvaldo Golijov, Gonzalo Grau, Ethan Iverson, Vijay Iyer, Colin Jacobsen, Gabriel Kahane, Rubin Kodheli, Angel Lam, Ljova, Dana Lyn, Nico Muhly, Padma Newsome, Shara Nova, Edward Perez, Kyle Sanna, Gregory Saunier, Kojiro Umezaki, Caroline Shaw, Dmitri Yanov-Yanovsky, Evan Ziporyn and John Zorn.

    Johnny was born in Moscow into a family of musicians. His father Yuri is a professor of Viola at Michigan State University, his mother Janna is a pianist, and his sister Natasha is a violinist as well. He lives in Brooklyn with his partner, Amber Star, and their two kids, Julius Ivry and Raiya Leone.

    See the full article here .


    five-ways-keep-your-child-safe-school-shootings


    Stem Education Coalition

    (le) poisson rouge

    (Le) Poisson Rouge Event Tortoise at Le Poisson Rouge, 3-16-2016

    LPR

    LPR is a multimedia art cabaret founded by musicians on the site of the historic Village Gate. Dedicated to the fusion of popular and art cultures in music, film, theater, dance, and fine art, the venue’s mission is to revive the symbiotic relationship between art and revelry; to establish a creative asylum for both artists and audiences.

    LPR prides itself in offering the highest quality eclectic programming, impeccable acoustics, and bold design. The state-of-the art performance space, engineered by the legendary John Storyk/WSDG, offers full flexibility in multiple configurations: seated, standing, in-the-round, and numerous alternative arrangements. The adjoining gallery space — The Gallery at LPR — functions as an art gallery, secondary bar, and event space. A work of art itself, the physical facilities are the embodiment of the experimental philosophy that drives the venue.

    LPR is a source you can trust for exposure to visionary work, people of character, and a consistently dynamic environment. We invite you to immerse yourself in a nightlife of true substance and vitality.

    Venue Highlights

    flexible event space fits 250 fully seated, 700 fully standing, or any combination
    138-capacity soundproof Gallery Bar adjacent to the main space
    28’ x 21’ fixed corner stage
    16’ dia. portable, trundled round stage comprised of 3 individual staging sections
    23’ dia. hardwood sprung dance floor
    engineering by John Storyk/WSDG (Electric Lady Studios, Jazz @ Lincoln Center)
    1 downstage cinema-scale projection screen w/ 5.1 Meyer Surround Sound
    2 upstage movable projection screens
    Yamaha S6B 7’ concert grand piano
    elevated VIP Box & 2 private entrances
    full catering kitchen & planning services
    furnished Green Room w/ en suite restroom

    Previous LPR Artists

    Anna Netrebko • Amon Tobin • Anthony Braxton • The Antlers • Arditti Quartet • Atoms for Peace • Battles • Beck • Bela Fleck • Bill Frisell • Brad Mehldau • Broadcast • Caroline Shaw • Cat Power • Chris Thile • Cut Copy • Dan Deacon • Daniel Barenboim and the West-Eastern Divan Orchestra • David Byrne • Dean & Britta • Death • Debbie Harry • Deerhoof • Deerhunter • Destroyer • Don DeLillo • Emanuel Ax • Erykah Badu • Fiery Furnaces • Florence & The Machine • Flying Lotus • Four Tet • Glen Hansard • Glenn Branca • Gregory Porter • Hélène Grimaud • Hilary Hahn • Hot Chip • Iggy Pop & the Stooges • J. Spaceman • Jeff Mangum • Jeremy Denk • John Adams • John Zorn • Juana Molina • Junip • Justin Vivian Bond • KD Lang • Kronos Quartet • Lady Gaga • Laurie Anderson • Liars • Little Dragon • Living Colour • Lorde • Lou Reed • Lydia Lunch • Lykke Li • Marc-André Hamelin • Marc Maron • Marc Ribot • Matt and Kim • Max Richter • Medeski Martin & Wood • Menahem Pressler • Mike Watt • Moby • Mono • Múm • Nico Muhly • No Age • Norah Jones • of Montreal • Os Mutantes • Patti Smith • Paul Simon • Philip Glass • Raekwon • Reggie Watts • Regina Spektor • RZA • Salman Rushdie • The Shins • Simone Dinnerstein • Sleigh Bells • So Percussion • Spoon • Squarepusher • Steve Reich • Terry Riley • They Might Be Giants • Throbbing Gristle • Tim Hecker • Tori Amos • Toumani Diabaté • Typhoon • Yo La Tengo • Yo-Yo Ma • Yoko Ono

    newsounds.org is an official radio partner of LPR

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
  • richardmitnick 11:52 AM on August 29, 2018 Permalink | Reply
    Tags: Astor Piazzolla’s "Maria de Buenos Aires", Catalina Cuervo- soprano, LPR,   

    From LPR: “New York City Opera Presents: Maria de Buenos Aires” 

    From LPR

    1
    Catalina Cuervo, soprano Photo Credits: Anchorage Opera by Katie Behnke

    Mon October 22nd, 2018

    7:00PM

    Main Space

    Minimum Age: All Ages

    Doors Open: 6:00PM

    Show Time: 7:00PM

    Event Ticket: $55 / $10
    Tickets

    Fri October 26th, 2018

    7:00PM

    Main Space

    Minimum Age: All Ages

    Doors Open: 6:00PM

    Show Time: 7:00PM

    Event Ticket: $55 / $10
    Tickets

    Fri November 2nd, 2018

    7:00PM

    Main Space

    Minimum Age: All Ages

    Doors Open: 6:00PM

    Show Time: 7:00PM

    Event Ticket: $55 / $10
    Tickets

    Astor Piazzolla’s sultry and passionate nuevo tango fuels the surreal story of Maria, a prostitute born “one day when God was drunk.” An intimate production heightens the intensity of this allegorical drama of seduction, depravity, redemption and rebirth in Buenos Aires’ urban underbelly. The fourth installment in the company’s popular Ópera en Español series, this co-production with Atlanta Opera features soprano Catalina Cuervo, the world’s foremost interpreter of the title role. This production, conducted by Jorge Parodi and directed by Atlanta Opera General director Tomer Zvulun, has been praised by Opera News for its “undeniable authenticity.”

    A co-production with Atlanta Opera

    Music by Astor Piazzolla

    Libretto by Horacio Ferrar

    Conductor, Jorge Parodi

    Director, Tomer Zvulun

    See the full article here .


    five-ways-keep-your-child-safe-school-shootings


    Stem Education Coalition

    (le) poisson rouge

    (Le) Poisson Rouge Event Tortoise at Le Poisson Rouge, 3-16-2016

    LPR

    LPR is a multimedia art cabaret founded by musicians on the site of the historic Village Gate. Dedicated to the fusion of popular and art cultures in music, film, theater, dance, and fine art, the venue’s mission is to revive the symbiotic relationship between art and revelry; to establish a creative asylum for both artists and audiences.

    LPR prides itself in offering the highest quality eclectic programming, impeccable acoustics, and bold design. The state-of-the art performance space, engineered by the legendary John Storyk/WSDG, offers full flexibility in multiple configurations: seated, standing, in-the-round, and numerous alternative arrangements. The adjoining gallery space — The Gallery at LPR — functions as an art gallery, secondary bar, and event space. A work of art itself, the physical facilities are the embodiment of the experimental philosophy that drives the venue.

    LPR is a source you can trust for exposure to visionary work, people of character, and a consistently dynamic environment. We invite you to immerse yourself in a nightlife of true substance and vitality.

    Venue Highlights

    flexible event space fits 250 fully seated, 700 fully standing, or any combination
    138-capacity soundproof Gallery Bar adjacent to the main space
    28’ x 21’ fixed corner stage
    16’ dia. portable, trundled round stage comprised of 3 individual staging sections
    23’ dia. hardwood sprung dance floor
    engineering by John Storyk/WSDG (Electric Lady Studios, Jazz @ Lincoln Center)
    1 downstage cinema-scale projection screen w/ 5.1 Meyer Surround Sound
    2 upstage movable projection screens
    Yamaha S6B 7’ concert grand piano
    elevated VIP Box & 2 private entrances
    full catering kitchen & planning services
    furnished Green Room w/ en suite restroom

    Previous LPR Artists

    Anna Netrebko • Amon Tobin • Anthony Braxton • The Antlers • Arditti Quartet • Atoms for Peace • Battles • Beck • Bela Fleck • Bill Frisell • Brad Mehldau • Broadcast • Caroline Shaw • Cat Power • Chris Thile • Cut Copy • Dan Deacon • Daniel Barenboim and the West-Eastern Divan Orchestra • David Byrne • Dean & Britta • Death • Debbie Harry • Deerhoof • Deerhunter • Destroyer • Don DeLillo • Emanuel Ax • Erykah Badu • Fiery Furnaces • Florence & The Machine • Flying Lotus • Four Tet • Glen Hansard • Glenn Branca • Gregory Porter • Hélène Grimaud • Hilary Hahn • Hot Chip • Iggy Pop & the Stooges • J. Spaceman • Jeff Mangum • Jeremy Denk • John Adams • John Zorn • Juana Molina • Junip • Justin Vivian Bond • KD Lang • Kronos Quartet • Lady Gaga • Laurie Anderson • Liars • Little Dragon • Living Colour • Lorde • Lou Reed • Lydia Lunch • Lykke Li • Marc-André Hamelin • Marc Maron • Marc Ribot • Matt and Kim • Max Richter • Medeski Martin & Wood • Menahem Pressler • Mike Watt • Moby • Mono • Múm • Nico Muhly • No Age • Norah Jones • of Montreal • Os Mutantes • Patti Smith • Paul Simon • Philip Glass • Raekwon • Reggie Watts • Regina Spektor • RZA • Salman Rushdie • The Shins • Simone Dinnerstein • Sleigh Bells • So Percussion • Spoon • Squarepusher • Steve Reich • Terry Riley • They Might Be Giants • Throbbing Gristle • Tim Hecker • Tori Amos • Toumani Diabaté • Typhoon • Yo La Tengo • Yo-Yo Ma • Yoko Ono

    newsounds.org is an official radio partner of LPR

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
  • richardmitnick 12:34 PM on August 28, 2018 Permalink | Reply
    Tags: LPR, , ,   

    From LPR : “LPR X: Meredith Monk & Vocal Ensemble “Cellular Songs” Concert Three Nights 

    From LPR

    1
    Photo © Christine Alicino

    (Night 1)
    Sun October 14th, 2018

    8:00PM

    Main Space

    Minimum Age: 18+

    Doors Open: 7:00PM

    Show Time: 8:00PM

    Event Ticket: $35 / $25

    Tickets

    (Night 2)

    Mon October 15th, 2018

    8:00PM

    Main Space

    Minimum Age: 18+

    Doors Open: 7:00PM

    Show Time: 8:00PM

    Event Ticket: $35 / $25
    Tickets

    (Night 3)

    Tue October 16th, 2018

    8:00PM

    Main Space

    Minimum Age: 18+

    Doors Open: 7:00PM

    Show Time: 8:00PM

    Event Ticket: $35 / $25

    Tickets

    Recognized as one of the most unique and influential artists of our time, composer/performer Meredith Monk presents a concert of music from her newest work, Cellular Songs, with the women of her acclaimed Vocal Ensemble. A “deeply affecting meditation on the nature of the biological cell as a metaphor for human society” (Financial Times), Cellular Songs features some of Monk’s most adventurous and daring music for the voice to date, paired with violin, piano and keyboard. Over the course of the evening, shimmering, multi-dimensional musical forms evoke such biological processes as layering, replication, division, and mutation. Cellular Songs premiered to sold-out audiences at the Brooklyn Academy of Music in March 2018.

    Meredith Monk, voice and keyboard
    Ellen Fisher, voice
    Katie Geissinger, voice
    Allison Sniffin, voice and keyboard
    Jo Stewart, voice

    “As [Monk] sang, there was a palpable sense of love and joy between her and the audience that spoke volumes. An antidote to the troubled times we live in.”
    -Virginia Webb, Financial Times

    “[Monk] may loom even larger as the new century unfolds, and later generations will envy those who got to see her live.” –Alex Ross, The New Yorker

    See the full article here .


    five-ways-keep-your-child-safe-school-shootings


    Stem Education Coalition

    (le) poisson rouge

    (Le) Poisson Rouge Event Tortoise at Le Poisson Rouge, 3-16-2016

    LPR

    LPR is a multimedia art cabaret founded by musicians on the site of the historic Village Gate. Dedicated to the fusion of popular and art cultures in music, film, theater, dance, and fine art, the venue’s mission is to revive the symbiotic relationship between art and revelry; to establish a creative asylum for both artists and audiences.

    LPR prides itself in offering the highest quality eclectic programming, impeccable acoustics, and bold design. The state-of-the art performance space, engineered by the legendary John Storyk/WSDG, offers full flexibility in multiple configurations: seated, standing, in-the-round, and numerous alternative arrangements. The adjoining gallery space — The Gallery at LPR — functions as an art gallery, secondary bar, and event space. A work of art itself, the physical facilities are the embodiment of the experimental philosophy that drives the venue.

    LPR is a source you can trust for exposure to visionary work, people of character, and a consistently dynamic environment. We invite you to immerse yourself in a nightlife of true substance and vitality.

    Venue Highlights

    flexible event space fits 250 fully seated, 700 fully standing, or any combination
    138-capacity soundproof Gallery Bar adjacent to the main space
    28’ x 21’ fixed corner stage
    16’ dia. portable, trundled round stage comprised of 3 individual staging sections
    23’ dia. hardwood sprung dance floor
    engineering by John Storyk/WSDG (Electric Lady Studios, Jazz @ Lincoln Center)
    1 downstage cinema-scale projection screen w/ 5.1 Meyer Surround Sound
    2 upstage movable projection screens
    Yamaha S6B 7’ concert grand piano
    elevated VIP Box & 2 private entrances
    full catering kitchen & planning services
    furnished Green Room w/ en suite restroom

    Previous LPR Artists

    Anna Netrebko • Amon Tobin • Anthony Braxton • The Antlers • Arditti Quartet • Atoms for Peace • Battles • Beck • Bela Fleck • Bill Frisell • Brad Mehldau • Broadcast • Caroline Shaw • Cat Power • Chris Thile • Cut Copy • Dan Deacon • Daniel Barenboim and the West-Eastern Divan Orchestra • David Byrne • Dean & Britta • Death • Debbie Harry • Deerhoof • Deerhunter • Destroyer • Don DeLillo • Emanuel Ax • Erykah Badu • Fiery Furnaces • Florence & The Machine • Flying Lotus • Four Tet • Glen Hansard • Glenn Branca • Gregory Porter • Hélène Grimaud • Hilary Hahn • Hot Chip • Iggy Pop & the Stooges • J. Spaceman • Jeff Mangum • Jeremy Denk • John Adams • John Zorn • Juana Molina • Junip • Justin Vivian Bond • KD Lang • Kronos Quartet • Lady Gaga • Laurie Anderson • Liars • Little Dragon • Living Colour • Lorde • Lou Reed • Lydia Lunch • Lykke Li • Marc-André Hamelin • Marc Maron • Marc Ribot • Matt and Kim • Max Richter • Medeski Martin & Wood • Menahem Pressler • Mike Watt • Moby • Mono • Múm • Nico Muhly • No Age • Norah Jones • of Montreal • Os Mutantes • Patti Smith • Paul Simon • Philip Glass • Raekwon • Reggie Watts • Regina Spektor • RZA • Salman Rushdie • The Shins • Simone Dinnerstein • Sleigh Bells • So Percussion • Spoon • Squarepusher • Steve Reich • Terry Riley • They Might Be Giants • Throbbing Gristle • Tim Hecker • Tori Amos • Toumani Diabaté • Typhoon • Yo La Tengo • Yo-Yo Ma • Yoko Ono

    newsounds.org is an official radio partner of LPR

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
  • richardmitnick 2:18 PM on August 8, 2018 Permalink | Reply
    Tags: , LPR, Matthew Shipp, Shipp/Lowe/Cleaver/Ray   

    From LPR: “Matthew Shipp, Allen Lowe, Gerald Cleaver & Kevin Ray” 

    From LPR

    1
    Sat August 11th, 2018

    8:00PM

    Main Space

    Minimum Age: 18+

    Doors Open: 7:00PM

    Show Time: 8:00PM

    Event Ticket: $20

    Shipp/Lowe/Cleaver/Ray is a cooperative group that came together in 2017 as the various members realized they had an affinity for playing together.

    With his unique and recognizable style, pianist Matthew Shipp worked and recorded vigorously from the late ’80s onward, creating music in which free jazz and modern classical intertwined. He first became well known in the early ’90s as the pianist in the David S. Ware Quartet, and soon began leading his own dates – – most often including Ware bandmate and leading bassist William Parker — and recording a number of duets with a variety of musicians, from the legendary Roscoe Mitchell to violinist Mat Maneri, the latter another musician who began making a name for himself in the ’90s. Through his range of live and recorded performances and unswerving individual development, Shipp has come to be regarded as a prolific and respected voice in creative music into the new millennium.

    Born in 1960 and raised in Wilmington, Delaware, Shipp grew up around ’50s jazz recordings. He began playing piano at the young age of five, and decided to focus on jazz by the time he was 12. He played on a Fender Rhodes in rock bands while privately devouring recordings by a variety of jazz players. His first mentor was a man in his hometown named Sunyata, who was enthusiastic about a variety of subjects in addition to music. Shipp later studied music theory and improvisation under Clifford Brown’s teacher Robert “Boisey” Lawrey, as well as classical piano and bass clarinet for the school band. After one year at the University of Delaware, Shipp left and took lessons with Dennis Sandole for a short time, after which he attended the New England Conservatory of Music for two years.

    Allen Lowe is a saxophonist, guitarist, mastering engineer and music historian. He has performed and recorded as a leader with David Murray, Doc Cheatham, Marc Ribot, Matthew Shipp, Don Byron, Julius Hemphill,, Nels Cline, Ken Peplowski, Nels Cline, JD Allen, Kalaparusha, Ursula Oppens, Roswell Rudd, James Brandon Lewis, Frank Lacy, and Jimmy Knepper. He has released at least 15 compact discs under his own name, and has five new works coming out in 2018. There are entries about him in the New Grove Dictionary of Jazz and The Penguin Guide to Jazz on Compact Disc. There is a chapter on him in the book Bebop and Nothingness, by Francis Davis (Schirmer Books: 1996).

    Blues historian Frank Scott has called Lowe “a Harry Smith for the 21st century,” and New Republic music critic David Hajdu has said, of his writing and history work: “Allen is one of the most important music historians alive, an exceptional thinker who sees the entirety of American musical history with unmatched clarity. He’s unbowed as an intellectual, driven by neither vogues or ideology. His work taken as a whole is a monumental achievement. There’s no one better alive.” Greil Marcus has also praised his work, as “heroic.”

    Born May 4, 1963 and raised in Detroit, Gerald Cleaver is a product of the city’s rich music tradition. Inspired by his father, drummer John Cleaver, he began playing the drums at an early age. He also played violin in elementary school, and trumpet in junior high school and high school. As a teenager he gained invaluable experience playing with Detroit jazz masters Ali Muhammad Jackson, Lamont Hamilton, Earl Van Riper, and Pancho Hagood. While attending the University of Michigan as a music education major, he was awarded a Jazz Study Grant, from the National Endowment for the Arts, to study with drummer Victor Lewis. He graduated in 1992 and began teaching in Detroit where he worked with Rodney Whitaker, A. Spencer Barefield, Marcus Belgrave, Donald Walden, Wendell Harrison, and with visiting musicians Hank Jones, Tommy Flanagan, Barry Harris, Kenny Burrell, Frank Foster, Cecil Bridgewater, Ray Bryant, Eddie Harris, Dennis Rowland, Howard Johnson, Diana Krall and Don Byron. In 1995 he accepted an appointment as assistant professor of Jazz Studies at the University of Michigan, and in 1998 also joined the jazz faculty at Michigan State University. He moved to New York in 2002. He has performed or recorded with Franck Amsallem, Henry Threadgill, Roscoe Mitchell, Lotte Anker, Reggie Workman, Marilyn Crispell, Matt Shipp, William Parker, Craig Taborn, Kevin Mahogany, Charles Gayle, Mario Pavone, Ralph Alessi, Jacky Terrasson, Jimmy Scott, Muhal Richard Abrams, Dave Douglas, Tim Berne, Jeremy Pelt, Ellery Eskelin, David Torn and Miroslav Vitous, among others. Cleaver has released two recordings as a leader. His 2001 recording Adjust (Fresh Sound New Talent) was nominated in the Best Debut Recording category by the Jazz Journalists Association. His latest release, Gerald Cleaver’s Detroit (FSNT), is an homage to his hometown and to the late, great Detroit drummers Roy Brooks, Lawrence Williams, George Goldsmith and Richard “Pistol” Allen. Cleaver leads the bands Violet Hour, NiMbNl and Uncle June.

    As a young man casting about for direction, critically acclaimed bassist (“able to hear around corners…”, “… a wonder”) Kevin Ray drifted into the New School jazz program, where he became a protege of Reggie Workman’s; a deep relationship that abides to this day. Under Reggie’s tutelage he developed an affinity for adventurous artists such as The Art Ensemble of Chicago, Henry Threadgill, The World Saxophone Quartet, Andrew Cyrille, and others. Supporting himself in the early 90s with a straight gig managing a division at Forbes Publishing, Kevin continued to study and play. Toward the end of the decade, he came into contact with one of his spiritual mentors, Andrew Hill. “Andrew gave me the confidence to be truly serious about becoming a musician,” Ray explains. For ten years he played regularly with Hill and continued to expand his horizons by performing and recording with other outstanding artists such as John Hicks, Bobby Zankel, Oliver Lake, Greg Osby, John Stubblefield, Ray Anderson, Kelvyn Bell, Elliott Sharp, Hamiet Bluiett, Nels Cline, Ursula Oppens, Ken Peplowski, J.D. Allen, and Kalaparusha Maurice McIntyre. He has also performed in the premieres of major works by a wide range of composers, including Lee Hyla, Joe McPhee and Leroy Jenkins. In addition, since 2012, he has been a member, along with Frank Lacy and Andrew Drury, of the collective trio 1032K.

    See the full article here .


    five-ways-keep-your-child-safe-school-shootings


    Stem Education Coalition

    (le) poisson rouge

    (Le) Poisson Rouge Event Tortoise at Le Poisson Rouge, 3-16-2016

    LPR

    LPR is a multimedia art cabaret founded by musicians on the site of the historic Village Gate. Dedicated to the fusion of popular and art cultures in music, film, theater, dance, and fine art, the venue’s mission is to revive the symbiotic relationship between art and revelry; to establish a creative asylum for both artists and audiences.

    LPR prides itself in offering the highest quality eclectic programming, impeccable acoustics, and bold design. The state-of-the art performance space, engineered by the legendary John Storyk/WSDG, offers full flexibility in multiple configurations: seated, standing, in-the-round, and numerous alternative arrangements. The adjoining gallery space — The Gallery at LPR — functions as an art gallery, secondary bar, and event space. A work of art itself, the physical facilities are the embodiment of the experimental philosophy that drives the venue.

    LPR is a source you can trust for exposure to visionary work, people of character, and a consistently dynamic environment. We invite you to immerse yourself in a nightlife of true substance and vitality.

    Venue Highlights

    flexible event space fits 250 fully seated, 700 fully standing, or any combination
    138-capacity soundproof Gallery Bar adjacent to the main space
    28’ x 21’ fixed corner stage
    16’ dia. portable, trundled round stage comprised of 3 individual staging sections
    23’ dia. hardwood sprung dance floor
    engineering by John Storyk/WSDG (Electric Lady Studios, Jazz @ Lincoln Center)
    1 downstage cinema-scale projection screen w/ 5.1 Meyer Surround Sound
    2 upstage movable projection screens
    Yamaha S6B 7’ concert grand piano
    elevated VIP Box & 2 private entrances
    full catering kitchen & planning services
    furnished Green Room w/ en suite restroom

    Previous LPR Artists

    Anna Netrebko • Amon Tobin • Anthony Braxton • The Antlers • Arditti Quartet • Atoms for Peace • Battles • Beck • Bela Fleck • Bill Frisell • Brad Mehldau • Broadcast • Caroline Shaw • Cat Power • Chris Thile • Cut Copy • Dan Deacon • Daniel Barenboim and the West-Eastern Divan Orchestra • David Byrne • Dean & Britta • Death • Debbie Harry • Deerhoof • Deerhunter • Destroyer • Don DeLillo • Emanuel Ax • Erykah Badu • Fiery Furnaces • Florence & The Machine • Flying Lotus • Four Tet • Glen Hansard • Glenn Branca • Gregory Porter • Hélène Grimaud • Hilary Hahn • Hot Chip • Iggy Pop & the Stooges • J. Spaceman • Jeff Mangum • Jeremy Denk • John Adams • John Zorn • Juana Molina • Junip • Justin Vivian Bond • KD Lang • Kronos Quartet • Lady Gaga • Laurie Anderson • Liars • Little Dragon • Living Colour • Lorde • Lou Reed • Lydia Lunch • Lykke Li • Marc-André Hamelin • Marc Maron • Marc Ribot • Matt and Kim • Max Richter • Medeski Martin & Wood • Menahem Pressler • Mike Watt • Moby • Mono • Múm • Nico Muhly • No Age • Norah Jones • of Montreal • Os Mutantes • Patti Smith • Paul Simon • Philip Glass • Raekwon • Reggie Watts • Regina Spektor • RZA • Salman Rushdie • The Shins • Simone Dinnerstein • Sleigh Bells • So Percussion • Spoon • Squarepusher • Steve Reich • Terry Riley • They Might Be Giants • Throbbing Gristle • Tim Hecker • Tori Amos • Toumani Diabaté • Typhoon • Yo La Tengo • Yo-Yo Ma • Yoko Ono

    newsounds.org is an official radio partner of LPR

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
  • richardmitnick 2:57 PM on August 1, 2018 Permalink | Reply
    Tags: , , , , LPR, , ,   

    From LPR: “PR X: Sun Ra Arkestra performs Live Score to Space Is The Place at Lincoln Center Out of Doors” 

    From LPR

    with Lean On Me: José James Celebrates Bill Withers & Samora Pinderhughes performs “The Transformations Suite”

    1
    Wed August 8th, 2018

    6:30PM

    Lincoln Center Out of Doors (Damrosch Park)

    Minimum Age: All Ages

    Doors Open: 5:30PM

    Show Time: 6:30PM

    This is a free event presented by LPR X as part of Lincoln Center’s Out of Doors 2018 season. It will take place on Lincoln Center’s Damrosch Park (62nd Street, between Amsterdam and Columbus Avenues) More info at http://www.lincolncenter.org.

    “The music is different here. The vibrations are different here.” So opens the 1972 Afrofuturist sci-fi film Space Is the Place by jazz cult-icon Sun Ra. But these words could also apply to (le) poisson rouge, the Bleecker Street club known for its diverse, open-minded programming. This cosmic evening, part of LPR’s 10th-anniversary celebrations, builds up to the Sun Ra Arkestra’s live performance of the score to the film, in which Black people create their own paradise on Saturn, transported there by music. Getting us to that place tonight are the beloved songs of Bill Withers (“Ain’t No Sunshine When She’s Gone,” “Just the Two of Us”) performed by Blue Note jazz and R&B artist José James. Jazz pianist and composer Samora Pinderhughes opens with The Transformations Suite, a musical examination of the radical history of resistance within communities of the African diaspora.

    Sun Ra Arkestra official site

    Lean On Me: José James Celebrates Bill Withers
    Photo credit: Janette Beckman
    2
    Celebrating the eightieth birth year of the legendary R&B singer songwriter, Blue Note recording artist José James presents “Lean On Me: José James celebrates Bill Withers.” Vetted personally by Mr. Withers himself, the show is an exploration of the deep musical catalogue that touched millions of hearts and united communities worldwide. Featuring Withers’ top ten hits as well as his soul ballads and rare grooves, James brings both a deep musical appreciation and a contemporary approach to songs such as “Ain’t No Sunshine,” “Hope She’ll Be Happier,” and “Just the Two of Us.” Fittingly, James has assembled a truly all star cast of musicians: Nate Smith on drums, Ben Williams on bass, Sullivan Fortner on keys and Brad Allen Williams on guitar.

    José James on the project:

    We’ve lost a lot of phenomenal musicians over the last few years. David Bowie, Sharon Jones, Leonard Cohen, Prince. That combined with the insanity of our current world events made me want to focus on our living genius and positive energy as a people. I’ve been drawn to Bill Withers’ music for years and started performing a medley of his songs in my live set. It was an organic thing that started at sound check then grew to become a massive 20 minute musical and emotional highlight of my live show. When I discovered that he was turning 80 in 2018 I thought, “What better way to bring positivity to the world while challenging the racist, fascist and sexist status quo?” His songs reflect a love for community, for unification; his music respects elders, mentors and explores male vulnerability in a way that’s missing from today’s R&B. And his catalog is vast and powerful. He’s simply one of the best living songwriters, period. “Ain’t No Sunshine,” “Lean on Me,” “Grandma’s Hands,” “Lovely Day,” “Just the Two of Us” – who wouldn’t want to sing these amazing songs? The hard part was choosing between his nine albums,but I had a lot of help from Don Was and from the band. I think we found the perfect balance between soulful ballads, the radio hits and the deep cut rare grooves.

    José James on meeting Bill:

    Meeting Bill Withers was one of the personal highlights of my life. We had dinner at Musso and Frank’s and sat in the Frank Sinatra booth, just down the street from the Capitol building. He’s a total genius and one of the coolest people I’ve ever met. I learned more in that one hour with him than I learned at music school or a decade’s worth of live shows. He’s seen it all and worked with the best of them, in every category. At one point he pulled out his phone and started chatting about friends he’s made in the business, moving easily between Muhammad Ali, James Brown and John Mayer. We all adore him and any songwriter worth their salt knows that Bill is up there with Paul McCartney, Stevie Wonder, Joni Mitchell, Smokey Robinson, Carole King, Leonard Cohen, Bruce Springsteen, Bob Dylan, Paul Simon, Elton John, Billy Joel – he’s in the pantheon of greats. Plus he’s an amazing singer and developed a sophisticated sound that blends funk, singer-songwriter, blues, R&B and gospel. This is where John Legend, Alicia Keys, D’angelo, people like that come from. This is home. I showed him my list of his songs and he absolutely loved it. I think he’s happy that his music still has a place in the lives and hearts of people worldwide and that we all want to celebrate his life and talent.

    José James on the band:

    The first time that I played with these guys I knew that we had something special. It was a session in Brooklyn and we started playing “Grandma’s Hands” – no rehearsal, just playing. It was super deep and soulful in a way that can only be described as spiritual. This is easily the best band I’ve ever played with, everything we touch is magic. The chemistry is just unbelievable. We all have a deep love and respect for Bill’s music, but we never get the chance to play like this. Most of these guys are huge stars in the Jazz world so people mainly know them for that; but trust me, this is one of the funkiest most soulful bands that you’ll ever hear. Nate Smith on drums is from Chesapeake, Virginia; Brad Allen Williams on guitar is from Memphis; Ben Williams on bass is from D.C.; and Sullivan Fortner on keys is from New Orleans. So we have a whole lot of southern American musical and cultural identity in the band. Blues, funk, R&B, jazz, rock, soul and church music .. it’s all there. I grew up in Minneapolis, which is Prince and Bob Dylan territory, so I’m bringing that storytelling aspect. And through his music Bill is one of the greatest storytellers of all time.

    Lineup:

    José James – vocals, guitar
    Sullivan Fortner – piano, Fender Rhodes
    Brad Allen Williams – guitars
    Ben Williams – basses
    Nate Smith – drums

    Set List:

    Ain’t No Sunshine
    Grandma’s Hands
    Who is He (And What is He to You?)
    Use Me
    Lean on Me
    Kissing My Love
    Hello Like Before
    Lovely Day
    Make a Smile for Me
    Look to Each Other for Love
    Just the Two of Us
    Hope She’ll Be Happier
    I Can’t Write Left-Handed
    Better Off Dead

    Samora Pinderhughes performs “The Transformations Suite”

    Samora Abayomi Pinderhughes is a composer/pianist/vocalist, known for large multidisciplinary projects and for his use of music to examine sociopolitical issues. A graduate of Juilliard, Samora has performed in venues including the White House, MoMA, the Sundance Film Festival, and Carnegie Hall, and has toured internationally with artists including Branford Marsalis, Christian Scott, and Emily King. His album The Transformations Suite was released in October 2016 to great acclaim, recently profiled in the NY Times & NPR.

    A composer for film and theatre as well, Samora is the musical director for the Public Theater’s #BARS workshop, and is a Sundance Composers Lab fellow for film scoring. He has written songs for Common, Lalah Hathaway, and more. Samora is also a member of Blackout for Human Rights, the arts & social justice collective founded by Ryan Coogler and Ava DuVernay; and was musical director for their #MLKNow and #JusticeForFlint events. He most recently scored the documentary “Whose Streets”, which opened this year’s Sundance Film Festival.

    See the full article here .


    five-ways-keep-your-child-safe-school-shootings


    Stem Education Coalition

    (le) poisson rouge

    (Le) Poisson Rouge Event Tortoise at Le Poisson Rouge, 3-16-2016

    LPR

    LPR is a multimedia art cabaret founded by musicians on the site of the historic Village Gate. Dedicated to the fusion of popular and art cultures in music, film, theater, dance, and fine art, the venue’s mission is to revive the symbiotic relationship between art and revelry; to establish a creative asylum for both artists and audiences.

    LPR prides itself in offering the highest quality eclectic programming, impeccable acoustics, and bold design. The state-of-the art performance space, engineered by the legendary John Storyk/WSDG, offers full flexibility in multiple configurations: seated, standing, in-the-round, and numerous alternative arrangements. The adjoining gallery space — The Gallery at LPR — functions as an art gallery, secondary bar, and event space. A work of art itself, the physical facilities are the embodiment of the experimental philosophy that drives the venue.

    LPR is a source you can trust for exposure to visionary work, people of character, and a consistently dynamic environment. We invite you to immerse yourself in a nightlife of true substance and vitality.

    Venue Highlights

    flexible event space fits 250 fully seated, 700 fully standing, or any combination
    138-capacity soundproof Gallery Bar adjacent to the main space
    28’ x 21’ fixed corner stage
    16’ dia. portable, trundled round stage comprised of 3 individual staging sections
    23’ dia. hardwood sprung dance floor
    engineering by John Storyk/WSDG (Electric Lady Studios, Jazz @ Lincoln Center)
    1 downstage cinema-scale projection screen w/ 5.1 Meyer Surround Sound
    2 upstage movable projection screens
    Yamaha S6B 7’ concert grand piano
    elevated VIP Box & 2 private entrances
    full catering kitchen & planning services
    furnished Green Room w/ en suite restroom

    Previous LPR Artists

    Anna Netrebko • Amon Tobin • Anthony Braxton • The Antlers • Arditti Quartet • Atoms for Peace • Battles • Beck • Bela Fleck • Bill Frisell • Brad Mehldau • Broadcast • Caroline Shaw • Cat Power • Chris Thile • Cut Copy • Dan Deacon • Daniel Barenboim and the West-Eastern Divan Orchestra • David Byrne • Dean & Britta • Death • Debbie Harry • Deerhoof • Deerhunter • Destroyer • Don DeLillo • Emanuel Ax • Erykah Badu • Fiery Furnaces • Florence & The Machine • Flying Lotus • Four Tet • Glen Hansard • Glenn Branca • Gregory Porter • Hélène Grimaud • Hilary Hahn • Hot Chip • Iggy Pop & the Stooges • J. Spaceman • Jeff Mangum • Jeremy Denk • John Adams • John Zorn • Juana Molina • Junip • Justin Vivian Bond • KD Lang • Kronos Quartet • Lady Gaga • Laurie Anderson • Liars • Little Dragon • Living Colour • Lorde • Lou Reed • Lydia Lunch • Lykke Li • Marc-André Hamelin • Marc Maron • Marc Ribot • Matt and Kim • Max Richter • Medeski Martin & Wood • Menahem Pressler • Mike Watt • Moby • Mono • Múm • Nico Muhly • No Age • Norah Jones • of Montreal • Os Mutantes • Patti Smith • Paul Simon • Philip Glass • Raekwon • Reggie Watts • Regina Spektor • RZA • Salman Rushdie • The Shins • Simone Dinnerstein • Sleigh Bells • So Percussion • Spoon • Squarepusher • Steve Reich • Terry Riley • They Might Be Giants • Throbbing Gristle • Tim Hecker • Tori Amos • Toumani Diabaté • Typhoon • Yo La Tengo • Yo-Yo Ma • Yoko Ono

    newsounds.org is an official radio partner of LPR

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
  • richardmitnick 10:27 AM on July 29, 2018 Permalink | Reply
    Tags: , , , LPR, The Source   

    From LPR: “Tony Allen at LPR” 

    From LPR

    1

    Tony Allen at LPR
    Wed, August 1, 2018

    7:00 PM – 11:00 PM EDT
    7:00 pm doors, 8:00 pm show | 18+

    $20 advance | $25 day of show
    For ticketing see the full article.

    Drum legend Tony Allen has seen a childhood dream come true. He even says that when he made The Source (his debut album for Blue Note Records), it was the best recording in his whole life. Coming from Allen, that’s not a casual statement: he is 76 years old and his career goes back 50 years, not to mention recordings by the hundred. The saxophonist Yann Jankielewicz, who has been playing alongside him for nearly a decade, observes: “Tony has never played drums as well as this. He’s never had as much freedom, never had as much power as he does today.”

    The Source is the Nigerian-born Paris-based drummer’s first full-length album for Blue Note, following the tantalizing 4-track EP release A Tribute to Art Blakey and the Jazz Messengers. Blue Note is one of the most prestigious names in jazz and a label that has opened its sphere of creativity considerably wider since its renaissance in the 1980s. The Source manages to represent the label’s classic era at the same time as it symbolizes Blue Note’s innovative present. The jazz here navigates its way back to the source in Africa, creating a sound that is totally captivating.

    The best albums always tell a story. This one takes us back to the source of Allen’s art as a musician, in other words, to Nigeria in the latter half of the 20th century. Tony Oladipo Allen, who was born in Lagos in 1940, never played a traditional instrument: right from the beginning, his interest was for a distant relative of the ancestral percussion family, namely, the drum kit. He taught himself, serving his apprenticeship while working as a technician for Nigerian national radio, all the time listening to records by American masters such as Art Blakey, Max Roach and Kenny Clarke, the eminent drummers of the bebop and hard bop eras.

    His life changed totally in 1964 when he made the acquaintance of Fela Kuti, whom he would accompany for the next 15 years, first with Fela’s Koola Lobitos, an emblematic highlife band that was a model for all modern African music groups, and then when Fela led Africa 70, for which he developed a new music language: Afrobeat, which combined Yoruba rhythms and funk instruments with themes of revolution. Alongside Fela, Tony recorded some 20 albums and put his rhythm-signature to each of them. From then on, Afrobeat would propel a career that saw him pursue his own projects while collaborating with everyone from Oumou Sangare to Damon Albarn (in The Good, The Bad & The Queen).

    In early 2017, Tony began preparing The Source, the next step in the musical and spiritual voyage that he has undertaken from Africa to America and beyond. To share writing tasks and take care of the arrangements, he called on Jankielewicz, with whom he has worked since 2009 and the album Secret Agent. They began by getting together to listen to and exchange their favorite records: Lester Bowie, Charles Mingus, Art Blakey, Gil Evans… albums that served as a compass to guide them on their way, as if they were navigators of old scrutinizing a constellation.

    “Tony belongs to those musician-architects who know how to build on a drum pattern with rare precision,” says Jankielewicz. “He can hear every instrument before it makes a sound.” This particular architect’s worksite was the Midilive studio (Vogue’s former recording facility), whose walls in the suburbs of Paris contain equipment that is purely analogue. It’s a rare studio, and it’s worth underlining that the recording went onto tape and, from the sound-take to the mixing and cutting, not a single digital byte was consumed in the process. That goes some way towards explaining the exceptional texture of the sound you hear in the album.

    Surrounding Tony are some of the best musicians on a scene that is difficult to call “jazz” due to its highly changeable nature: Jankielewicz alongside saxophonists Rémi Sciuto and Jean-Jacques Elangue, trumpeter Nicolas Giraud, trombonist Daniel Zimmermann, bassist Mathias Allamane, pianist Jean-Philippe Dary, and keyboardist Vincent Taurelle… a French cast to begin with, but with the addition of guitarist Indy Dibongue from Cameroon who, like Tony, contributes an indispensable African pigment to this palette. 11 excellent players in total would finally deliver The Source, along with one notable guest: Damon Albarn, who adds an ethereal piano part to Cool Cats.

    The album sparkles in the variety of its timbres and the diversity of its colors. Each of the 11 instrumental tracks bring forward a particular instrument: Giraud’s trumpet on Bad Roads; the bass of Allamane on Crusin’; Dary’s piano inside On Fire, and Sciuto’s bari sax on Woro Dance. With Cool Cats, it’s the turn of Elangue and his tenor, while Zimmerman’s trombone is featured on Wolf Eats Wolf. And throughout, Tony’s indelible signature, a unique way of hitting skins or a cymbal, its main characteristics a caressing, almost ethereal energy, and a formidable efficiency.

    The music on The Source creates its own milieu. It shines like the African sun on Push & Pull, becomes contemplative with Tony’s Blues, then hypnotic in Life Is Beautiful, then dresses in the urban colors of dusk on Ewajo. Where is the jazz, where is the Afrobeat, in this insistent swirl of the music? Nobody knows. But nor should we ask the ocean’s calm or restless waters to differentiate between currents from the river Niger and those from the Mississippi.

    See the full article here .

    five-ways-keep-your-child-safe-school-shootings

    Please help promote STEM in your local schools.

    Stem Education Coalition

    (Le) Poisson Rouge Event Tortoise at Le Poisson Rouge, 3-16-2016

    (Le) Poisson Rouge

    (Le) Poisson Rouge is a multimedia art cabaret founded by musicians on the site of the historic Village Gate. Dedicated to the fusion of popular and art cultures in music, film, theater, dance, and fine art, the venue’s mission is to revive the symbiotic relationship between art and revelry; to establish a creative asylum for both artists and audiences.

    LPR prides itself in offering the highest quality eclectic programming, impeccable acoustics, and bold design. The state-of-the art performance space, engineered by the legendary John Storyk/WSDG, offers full flexibility in multiple configurations: seated, standing, in-the-round, and numerous alternative arrangements. The adjoining gallery space — The Gallery at LPR — functions as an art gallery, secondary bar, and event space. A work of art itself, the physical facilities are the embodiment of the experimental philosophy that drives the venue.

    LPR is a source you can trust for exposure to visionary work, people of character, and a consistently dynamic environment. We invite you to immerse yourself in a nightlife of true substance and vitality.

    Venue Highlights

    flexible event space fits 250 fully seated, 700 fully standing, or any combination
    138-capacity soundproof Gallery Bar adjacent to the main space
    28’ x 21’ fixed corner stage
    16’ dia. portable, trundled round stage comprised of 3 individual staging sections
    23’ dia. hardwood sprung dance floor
    engineering by John Storyk/WSDG (Electric Lady Studios, Jazz @ Lincoln Center)
    1 downstage cinema-scale projection screen w/ 5.1 Meyer Surround Sound
    2 upstage movable projection screens
    Yamaha S6B 7’ concert grand piano
    elevated VIP Box & 2 private entrances
    full catering kitchen & planning services
    furnished Green Room w/ en suite restroom

    Previous LPR Artists

    Anna Netrebko • Amon Tobin • Anthony Braxton • The Antlers • Arditti Quartet • Atoms for Peace • Battles • Beck • Bela Fleck • Bill Frisell • Brad Mehldau • Broadcast • Caroline Shaw • Cat Power • Chris Thile • Cut Copy • Dan Deacon • Daniel Barenboim and the West-Eastern Divan Orchestra • David Byrne • Dean & Britta • Death • Debbie Harry • Deerhoof • Deerhunter • Destroyer • Don DeLillo • Emanuel Ax • Erykah Badu • Fiery Furnaces • Florence & The Machine • Flying Lotus • Four Tet • Glen Hansard • Glenn Branca • Gregory Porter • Hélène Grimaud • Hilary Hahn • Hot Chip • Iggy Pop & the Stooges • J. Spaceman • Jeff Mangum • Jeremy Denk • John Adams • John Zorn • Juana Molina • Junip • Justin Vivian Bond • KD Lang • Kronos Quartet • Lady Gaga • Laurie Anderson • Liars • Little Dragon • Living Colour • Lorde • Lou Reed • Lydia Lunch • Lykke Li • Marc-André Hamelin • Marc Maron • Marc Ribot • Matt and Kim • Max Richter • Medeski Martin & Wood • Menahem Pressler • Mike Watt • Moby • Mono • Múm • Nico Muhly • No Age • Norah Jones • of Montreal • Os Mutantes • Patti Smith • Paul Simon • Philip Glass • Raekwon • Reggie Watts • Regina Spektor • RZA • Salman Rushdie • The Shins • Simone Dinnerstein • Sleigh Bells • So Percussion • Spoon • Squarepusher • Steve Reich • Terry Riley • They Might Be Giants • Throbbing Gristle • Tim Hecker • Tori Amos • Toumani Diabaté • Typhoon • Yo La Tengo • Yo-Yo Ma • Yoko Ono

    newsounds.org is an official radio partner of (Le) Poisson Rouge.

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
  • richardmitnick 11:31 AM on July 24, 2018 Permalink | Reply
    Tags: Banjo, Bela Fleck, LPR,   

    From LPR: “LPR X: LPR Presents Béla Fleck – The Solo Concert at Murmrr Ballroom” 

    From LPR

    1
    Sat August 4th, 2018

    8:00PM

    Murmrr Ballroom

    Minimum Age: All Ages

    Doors Open: 7:00PM

    Show Time: 8:00PM

    Event Ticket: $35 / $45 / $65

    *This event will take place at Murmrr Ballroom: 17 Eastern Parkway Brooklyn NY 11238*

    $65 Front Four Rows
    $45 Orchestra
    $35 Balcony

    Bela Fleck by Julianne G. Macie

    Just in case you aren’t familiar with BÉLA FLECK, there are many who say he’s the premiere banjo player in the world. Others claim that Béla has virtually reinvented the image and the sound of the banjo through a remarkable performing and recording career that has taken him all over the musical map and on a range of solo projects and collaborations. If you are familiar with Béla, you know that he just loves to play the banjo, and put it into unique settings.

    Born and raised in New York City, Béla began his musical career playing the guitar. In the early 1960’s, while watching the Beverly Hillbillies, the bluegrass sounds of Flatt & Scruggs flowed out of the TV set and into his young brain. Earl Scruggs’s banjo style hooked Béla’s interest immediately. “It was like sparks going off in my head” he later said.

    It wasn’t until his grandfather bought him a banjo in September of ’73, that it became his full time passion. That week, Béla entered New York City’s, High School of Music and Art. He began studies on the French horn but was soon demoted to the chorus, due his lack of musical aptitude. Since the banjo wasn’t an offered elective at Music & Art, Béla sought lessons through outside sources. Erik Darling, Marc Horowitz, and Tony Trischka stepped up and filled the job. Béla joined his first band, “Wicker’s Creek” during this period. Living in NYC, Béla was exposed to a wide variety of musical experiences.. One of the most impressive was a concert by “Return to Forever” featuring Chick Corea and Stanley Clarke. This concert encouraged further experimenting with bebop and jazz on the banjo, signs of things to come.

    Several months after high school, Béla moved to Boston to play with Jack Tottle’s Tasty Licks. While in Boston, Béla continued his jazz explorations, made two albums with Tasty Licks, and at 19 years old made his first solo banjo album Crossing the Tracks, on Rounder Records. This is where he first played with future musical partners Sam Bush and Jerry Douglas.

    After the break up of Tasty Licks, Béla spent a summer on the streets of Boston playing with bass player, Mark Schatz. Mark and Béla moved to Lexington, KY to form Spectrum, which included Jimmy Gaudreau, Glen Lawson, and Jimmy Mattingly. Spectrum toured until 1981. While in Spectrum, he and Mark traveled to California and Nashville to record his second album Natural Bridge with David Grisman, Mark O’Connor, Ricky Skaggs, Darol Anger, Mike Marshall, and other great players.

    In 1981, Béla was invited to join the progressive bluegrass band New Grass Revival, lead by Sam Bush on mandolin, fiddle and vocals. With the addition of Pat Flynn on guitar and NGR veteran John Cowan on bass and vocals, New Grass Revival took bluegrass music to new limits, exciting audiences and critics alike. Through the course of five albums, they charted new territory with their blend of bluegrass, rock and country music. The relentless national and international touring by NGR exposed Béla’s banjo playing to the bluegrass/acoustic music world.

    (During the 9 years Béla spent with NGR he continued to record a series of solo albums for Rounder, including the ground breaking 1988 album Drive. He also collaborated with Sam Bush, Jerry Douglas, Edgar Meyer and Mark O’Connor in an acoustic super group called Strength in Numbers. The MCA release, The Telluride Sessions, is also considered an evolutionary statement by the acoustic music community.

    Towards the end of the New Grass years, Béla and Howard Levy crossed paths at the Winnipeg Folk Festival. Next came a phone call from a friend who wanted to introduce him to an amazing bass player. Victor Lemonte Wooten played some licks on the phone for Béla and the second connection was made. In 1988 Dick Van Kleek, Artistic Director for the PBS Lonesome Pine Series based in Louisville, Kentucky, offered Béla a solo show.

    Béla put several musical sounds together with his banjo, a string quartet, his Macintosh computer and also the more jazz based combo. Howard and Victor signed on for the concert, but the group still lacked a drummer. The search was on for an unusual drummer/percussionist. Victor offered up his brother Roy Wooten, later to become known as FutureMan. Roy was developing the Drumitar (Drum – Guitar), it was then in its’ infancy. A midi trigger device, the drumitar allowed FutureMan to play the drums with his fingers triggering various sampled sounds. The first rehearsal held at Béla’s Nashville home was hampered by a strong thunderstorm that knocked the electricity out for hours. The four continued on with an acoustic rehearsal and the last slot on the TV show became the first performance of Béla Fleck and the Flecktones.

    Next came the self-titled CD, which Béla financed himself. The recording attracted the attention of the folks at Warner Brothers Records. It was released in 1990, dubbed a”blu-bop” mix of jazz and bluegrass, and soon became a commercially successful disc. The album was Grammy nominated, and their second recording Flight of the Cosmic Hippo followed suit. Howard Levy toured and recorded with the Flecktones till the end of 1992. After several years as a trio and touring with special guests, saxophonist Jeff Coffin joined the Tones. Famed for a non-stop touring schedule, the Flecktones have reached more than 500,000 audience members yearly from 2001 on.

    Still releasing albums and touring, the Tones have garnered a strong and faithful following among jazz and new acoustic fans. They have shared the stage with Dave Mathews Band, Sting, Bonnie Raitt and the Grateful Dead, among many others, made several appearances on The Tonight Show in the Johnny Carson days and the Jay Leno days, as well as Arsenio Hall, and Conan O’Brian. Béla also appeared on Saturday Night Live and David Letterman’s show as well.

    Although the first Flecktones albums were created live-in-the-studio, the group went on to experiment with overdubs and guest artists on later albums, with contributions from artists as diverse as Chick Corea, Bruce Hornsby, Branford Marsalis, John Medeski, Andy Statman, the Alash Group and Dave Matthews. The Flecktones went on tour with Dave Matthews Band in 1996 and 1997, and Fleck is featured on several tracks on DMB’s 1998 album Before these Crowded Streets. In 2003, Béla Fleck & the Flecktones released the landmark three-disc set Little Worlds simultaneously with a highlights disc entitled Ten From Little Worlds.

    In 2006 the band released The Hidden Land, which won the Grammy for Best Contemporary Jazz Album in 2007.

    In 2008, Jingle All The Way, the band’s holiday album was released, and in 2009 it was voted best Pop Instrumental Album at the Grammies.

    Any world-class musician born with the names Béla (for Bartok), Anton (for Dvorak) and Léos (for Janacek) would seem destined to play classical music. Already a powerfully creative force in bluegrass, jazz, pop, rock and world beat, Béla at last made the classical connection with Perpetual Motion, his critically acclaimed 2001 Sony Classical recording that went on to win a pair of Grammys, including Best Classical Crossover Album, in the 44th annual Grammy Awards.

    (Collaborating with Fleck on Perpetual Motion was his long time friend and colleague Edgar Meyer, a bassist whose virtuosity defies labels and also an acclaimed composer. In the wake of that album’s release, Fleck & Meyer came up with the idea of a banjo/bass duo, which they developed and refined during a concert tour of the US. Live recordings from that tour are the basis for their latest Sony Classical recording Music For Two which also includes a bonus DVD featuring a documentary film by Sascha Paladino (Fleck’s brother) that captures the duo’s collaboration and crafting of repertoire while on tour. Béla and Edgar also co-wrote and performed a double concerto for banjo, bass and the Nashville Symphony, which debuted in November 2003.

    The recipient of Multiple Grammy Awards going back to 1998, Béla Flecks’ total Grammy count is 14 Grammys won, and 30 nominations. He has been nominated in more different categories than any instrumentalist in Grammy history.

    See the full article here .


    five-ways-keep-your-child-safe-school-shootings


    Stem Education Coalition

    (le) poisson rouge

    (Le) Poisson Rouge Event Tortoise at Le Poisson Rouge, 3-16-2016

    LPR

    LPR is a multimedia art cabaret founded by musicians on the site of the historic Village Gate. Dedicated to the fusion of popular and art cultures in music, film, theater, dance, and fine art, the venue’s mission is to revive the symbiotic relationship between art and revelry; to establish a creative asylum for both artists and audiences.

    LPR prides itself in offering the highest quality eclectic programming, impeccable acoustics, and bold design. The state-of-the art performance space, engineered by the legendary John Storyk/WSDG, offers full flexibility in multiple configurations: seated, standing, in-the-round, and numerous alternative arrangements. The adjoining gallery space — The Gallery at LPR — functions as an art gallery, secondary bar, and event space. A work of art itself, the physical facilities are the embodiment of the experimental philosophy that drives the venue.

    LPR is a source you can trust for exposure to visionary work, people of character, and a consistently dynamic environment. We invite you to immerse yourself in a nightlife of true substance and vitality.

    Venue Highlights

    flexible event space fits 250 fully seated, 700 fully standing, or any combination
    138-capacity soundproof Gallery Bar adjacent to the main space
    28’ x 21’ fixed corner stage
    16’ dia. portable, trundled round stage comprised of 3 individual staging sections
    23’ dia. hardwood sprung dance floor
    engineering by John Storyk/WSDG (Electric Lady Studios, Jazz @ Lincoln Center)
    1 downstage cinema-scale projection screen w/ 5.1 Meyer Surround Sound
    2 upstage movable projection screens
    Yamaha S6B 7’ concert grand piano
    elevated VIP Box & 2 private entrances
    full catering kitchen & planning services
    furnished Green Room w/ en suite restroom

    Previous LPR Artists

    Anna Netrebko • Amon Tobin • Anthony Braxton • The Antlers • Arditti Quartet • Atoms for Peace • Battles • Beck • Bela Fleck • Bill Frisell • Brad Mehldau • Broadcast • Caroline Shaw • Cat Power • Chris Thile • Cut Copy • Dan Deacon • Daniel Barenboim and the West-Eastern Divan Orchestra • David Byrne • Dean & Britta • Death • Debbie Harry • Deerhoof • Deerhunter • Destroyer • Don DeLillo • Emanuel Ax • Erykah Badu • Fiery Furnaces • Florence & The Machine • Flying Lotus • Four Tet • Glen Hansard • Glenn Branca • Gregory Porter • Hélène Grimaud • Hilary Hahn • Hot Chip • Iggy Pop & the Stooges • J. Spaceman • Jeff Mangum • Jeremy Denk • John Adams • John Zorn • Juana Molina • Junip • Justin Vivian Bond • KD Lang • Kronos Quartet • Lady Gaga • Laurie Anderson • Liars • Little Dragon • Living Colour • Lorde • Lou Reed • Lydia Lunch • Lykke Li • Marc-André Hamelin • Marc Maron • Marc Ribot • Matt and Kim • Max Richter • Medeski Martin & Wood • Menahem Pressler • Mike Watt • Moby • Mono • Múm • Nico Muhly • No Age • Norah Jones • of Montreal • Os Mutantes • Patti Smith • Paul Simon • Philip Glass • Raekwon • Reggie Watts • Regina Spektor • RZA • Salman Rushdie • The Shins • Simone Dinnerstein • Sleigh Bells • So Percussion • Spoon • Squarepusher • Steve Reich • Terry Riley • They Might Be Giants • Throbbing Gristle • Tim Hecker • Tori Amos • Toumani Diabaté • Typhoon • Yo La Tengo • Yo-Yo Ma • Yoko Ono

    newsounds.org is an official radio partner of LPR

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
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