“On Friday, February 3 at 7:30 pm ET, Q2 Music and New Sounds Live team up again for another live audio Webcast of live scores to the silent films of acclaimed American filmmaker Bill Morrison. Tonight, enjoy Michael Gordon’s riveting score to Morrison’s 2002 masterpiece, Decasia, as performed by The Oberlin Contemporary Music Ensemble at World Financial Center Winter Garden. The evening will be hosted by John Schaefer of WNYC’s New Sounds Live.
Hailed as a “stirring, haunting modern masterpiece…” by The Guardian, the 72 minute Decasia is an evocative assemblage of deteriorating, black and white video footage over which Gordon has pieced together a texture of detuned piano and out-of-phrase orchestral sonorities.”
See the full post here, including an audio of the composer speaking about the composition.
The Wordless Music Orchestra Performs Jóhannsson’s Score to Bill Morrison’s The Miners’ Hymns
Tuesday, January 31, 2012
“On Tuesday, January 31 at 7:30 pm ET, Q2 Music and New Sounds Live present a live audio Webcast of Icelandic composer Jóhann Jóhannsson’s visceral score to filmmaker Bill Morrison’s silent film, The Miners’ Hymns. The music will be performed by the Wordless Music Orchestra conducted by Guðni Franzson and introduced by New Sounds Live host, John Schaefer.
Wordless Music Orchestra conducted by Brad Lubman
The Miners’ Hymns from Bill Morrison, who Variety heralded as ‘one of the most adventurous American filmmakers,’ is a meditation on the daily lives of coal miners in the industrial city of Durham in northeast England during the early 20th century. Conceived with composer Jóhann Jóhannsson, The Miners’ Hymns contrasts archival footage, some dating back 100 years, with sweeping aerial views of a transformed modern-day Durham.
Jóhannsson’s score to the 52 minute film provides a moving account of the miners’ lives, simultaneously heroic and hardscrabble, with a rich brass and electronic-heavy texture. The music also harkens back to the colliery brass bands caught in the film’s archival footage. ”
See the full article here, including “…a taste for the film from the film’s preview and this interview with Morrison and Jóhannsson discussing their collaboration.”
Three Delayed Webcasts of The New York Philharmonic’s New-Music Series CONTACT!
Clockwise from top left: Alexandre Lunsqui (Luiz Machado), Magnus Lindberg (Sara Vuorjoki/FIMIC), HK Gruber (Lea Suzuki)
“Q2 Music is proud to announce three delayed Webcasts Wednesday, December 21 at 8 pm, Saturday December 24 at noon, and Thursday, December 29 at 8 pm of The New York Philharmonic’s CONTACT! series featuring music by HK Gruber, Magnus Lindberg, and Alexandre Lunsqui.
This final CONTACT! program of 2011 features HK Gruber’s celebrated 1978 pandemonium piece Frankenstein!!, Magnus Lindberg’s Gran Duo for woodwinds and brass, and the world premiere of Alexandre Lunsqui’s Fibers, Yarn and Wire.
These concerts will be recorded live in-concert at the Metropolitan Opera (hosted by WNYC’s John Schaefer) and Symphony Space on, respectively, December 16 and 17, and will include interviews with the composers and well as New York Philharmonic conductor, Alan Gilbert. Full audio from CONTACT! will be posted on this page for a period of two weeks following the first Webcast.
See the full post here.
Live from (Le) Poisson Rouge on June 12, 2011
Posted Friday October 28, 2011 to RSS,
Thursday, October 27, 2011
“In recent years there has been a movement towards educational institutions re-evaluating their role in preparing young musicians for a life in music. Rather than just churning out top-notch players who can play Paganini caprices in their sleep, schools are now placing higher emphasis on cultivating artists who have not only mastered their instruments but are equally comfortable teaching in the classroom, performing in casual club venues like (Le) Poisson Rouge, and taking on administrative responsibilities in creating community-based projects.
Ensemble ACJW (Noriko Okabe)
The Academy — a program of Carnegie Hall, The Juilliard School, and the Weill Music Institute, in partnership with the New York City Department of Education, is one such institution which has taken the bull by the horns and created a fellowship program to train musicians in becoming an active member of the community at large. Alongside the fellows’ performing responsibilities in Ensemble ACJW, each member of the group teaches in a New York City public school and also develops engaging community projects to further their leadership roles in the arts and culture of the city.
In this June 12 show at (Le) Poisson Rouge, Ensemble ACJW performs an adventurous and eclectic program of their own design with works by Oscar Bettison, Béla Bartók and Fréderic Chopin. In addition to their roles as ACJW fellows, Brandon Ridenour (trumpet), Nathan Schram (viola) and Hamilton Berry (cello) show off their arrangement skills in the non-traditional tunes of Thelonious Monk, Vienna Teng, Radiohead and Pink Floyd.
Don’t forget to poke around the Q2 Live Concert archive for more exciting live performances at your fingertips.
The great, mighty and awe inspiring Q2 New Music web stream is participating in the WQXR fund drive.
Q2 has a great friend in Porter Anderson
Porter has issued Q2’s first challenge grant. Here is what Porter has to say:
“ On Q2 Music and writing
The living composers of WQXR’s Q2 Music play an eloquent role in a writer’s creative process. Their work functions as collaborative leverage. Their music is made from the same day-to-day stimuli in which our writers live and work. And yet it’s not pop: it doesn’t tell you how to feel or what to think. Contemporary classical music paces a writer’s own impulses. Our composers are fortunate to have Q2. Imagine Mozart able to have his live concerts heard by a worldwide audience in real time. And writers are lucky to have Q2 as a vehicle with which to scale up our own creative efforts alongside the global reach of this 24-hour stream.
Q2’s benefits to me as a writer, journalist, and critic have been enormous. I hope to use this challenge grant to draw more of my writing colleagues to this resource, unique in the family of NPR affiliates and in the world.”
Here is a story Porter sent me about one writer friend’s experience of Q2.
Scoring the novel as it unfolds – the undercover soundtrack, by Roz Morris
Pledge your support for Q2 Music right now and every dollar you give will be doubled, thanks to Porter Anderson, who’s generously offered to match donations (up to $5000).
To take Porter up on his generous offer to match your donation, just click here .
Here is a direct link to the Q2 Pledge page
SONiC 2011 and the World Premiere of St. Carolyn by the Sea from The National’s Bryce Dessner
“On Saturday, Oct. 22 at 7 pm, the concluding night of the American Composers Orchestra’s SONiC Festival, the Winter Garden at the World Financial Center plays palatial host to the world premiere of composer-performer Bryce Dessner‘s double guitar concerto, St. Carolyn by the Sea. Featuring Bryce Dessner on guitar along with his twin brother Aaron Dessner, the SONiC-commissioned piece will be led by American Composer Orchestra conductor George Manahan and hosted by John Schaefer from WNYC’s New Sounds Live.
Q2 Music host Olivia Giovetti will also be moderating a live online chat beginning at 6:45 p.m. for the virtual community listening in on this premiere-laden, culminating concert.
Fellow under-40 composer Andrew Norman also spoke with us about the re-orchestration of his piece Unstuck, which is based on how listeners make sense of a fragmented musical world. The night’s concert also features New York premieres from Ruby Fulton, Ryan Gallagher, Suzanne Farrin as well as a world premiere by Paul Yeon Lee.”
See the full article with some interactive features here.
On October 12 at 7 p.m., Q2 Music presents a live audio Webcast of the Brooklyn Philharmonic from the Winter Garden at the World Financial Center performing music by Mos Def, Frederic Rzewski, Lev Zhurbin, David T. Little and Corey Dargel. The concert, a co-presentation of WNYC’s New Sounds Live with John Schaefer, features a preview of the orchestra’s upcoming season, the first under the energized stewardship of their new conductor, Alan Pierson.
The program features a fresh, multi-dimensional approach to vocal repertoire with the versatile hip hop-icon Mos Def joining the Brooklyn Philharmonic on stage for arrangements of his songs by composer-clarinetist Derek Bermel; Rzewski’s provocative setting of letters from Sam Melville, an inmate at the infamous Attica State Prison; 19th Century shape note singing; and the pop-art songs of singer-songwriter Corey Dargel. Additional performers include new-music stalwart Mellissa Hughes and the Brooklyn Youth Chorus.
Mos Def (arr. Derek Bermel): Life in Marvelous Times (2008) and other songs
David T. Little: excerpt from Am I Born (2011)
Lev Zhurbin: excerpt from Only Love (2008)
Frederic Rzewski: Coming Together (1972)
Corey Dargel: What Might Have Been (2010)