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  • richardmitnick 8:34 PM on October 9, 2018 Permalink | Reply
    Tags: , , , So Percussion   

    From NEWMUSICUSA: “Sō at the Howland Chamber Music Circle (Beacon, NY)” 

    From NEWMUSICUSA

    1
    Sunday, October 21, 2018
    at 4:00 PM

    Howland Cultural Center
    477 Main St.
    Beacon, NY 12508

    $10—30
    Tickets

    Living Room Music Show

    Water, Wine, Brandy, Brine Viet Cuong (1990-)

    Living Room Music John Cage (1912-1992)

    Taxidermy Caroline Shaw (1982-)

    Four + Nine Eric Cha-Beach (member of Sō since ‘07)

    Tuning Meditation Pauline Oliveros (1932-2016)

    Selections from Amid the Noise Jason Treuting (founding member of Sō)

    Credo in US John Cage (1912-1992)

    The “artist”

    Adam Sliwinski has been a member of Sō Percussion since 2002. Adam is particularly interested in keyboard instruments, especially marimba and piano.

    Eric Cha-Beach has been a member of Sō Percussion since 2007-A consummate percussionist he loves to learn new instruments like the musical saw integrating them into diverse setups

    Jason Treuting is a founding member of Sō Percussion- Jason has pioneered an innovative drum set practice within the new music sphere. He is also a composer.

    Josh Quillen has been a member of Sō Percussion since 2006- Josh is an expert Steel Drum artist having studied in Trinidad and immersed himself in Steel Band culture.

    Our Mission:

    Sō Percussion is a percussion-based music organization that creates and presents new collaborative works to adventurous and curious audiences and educational initiatives to engaged students, while providing meaningful service to its communities, in order to exemplify the power of music to unite people and forge deep social bonds.
    Our Vision:

    To create a new model of egalitarian artistic collaboration that respects history, champions innovation and curiosity, and creates an essential social bond through service to our audiences and our communities.
    Ensemble Bio:

    Sō is: Eric Cha-Beach, Josh Quillen, Adam Sliwinski, and Jason Treuting

    With innovative multi-genre original productions, sensational interpretations of modern classics, and an “exhilarating blend of precision and anarchy, rigor and bedlam,” (The New Yorker), Sō Percussion has redefined the scope and vital role of the modern percussion ensemble.

    Sō’s repertoire ranges from “classics” of the 20th century, by John Cage, Steve Reich, and Iannis Xenakis, et al, to commissioning and advocating works by contemporary composers such as Caroline Shaw, David Lang, Steve Mackey, and Paul Lansky, to distinctively modern collaborations with artists who work outside the classical concert hall, including vocalist Shara Nova, electronic duo Matmos, the groundbreaking Dan Deacon, legendary drummer Bobby Previte, jam band kings Medeski, Martin, and Wood, Wilco’s Glenn Kotche, choreographer Shen Wei, and composer and leader of The National, Bryce Dessner, among many others.

    Sō Percussion also composes and performs their own works, ranging from standard concert pieces to immersive multi-genre programs – including Imaginary City, Where (we) Live, and A Gun Show, which was presented in a multi-performance presentation as part of BAM’s 2016 Next Wave Festival. In these concert-length programs, Sō Percussion employs a distinctively 21st century synthesis of original music, artistic collaboration, theatrical production values and visual art, into a powerful exploration of their own unique and personal creative experiences.

    Rooted in the belief that music is an essential facet of human life, a social bond, and an effective tool in creating agency and citizenship, Sō Percussion enthusiastically pursues a growing range of social and community outreach. Examples include their Brooklyn Bound presentations of younger composers; commitments to purchasing offsets to compensate for carbon-heavy activities such as touring travel; and leading their SōSI students in an annual food-packing drive, yielding up to 25,000 meals, for the Crisis Center of Mercer County through the organization EndHungerNE.

    Sō Percussion is the Edward T. Cone Ensemble-in-Residence at Princeton University, where they offer educational work and present an annual series of concerts. They are also Co-Directors of the percussion department at the Bard College-Conservatory of Music, and run the annual Sō Percussion Summer Institute (SōSI, now in its ninth year), providing college-age composers and percussionists an immersive exposure to collaboration and project development.

    One of the first things any group needs is a name. When our group was founded in 1999, we cast far and wide among our friends and family for suggestions. The winner was this simple, short word offered by Jenise Treuting, Jason’s sister.

    Jenise has been living and working in Japan as an English-Japanese translator for 20 years. The word “Sō” was punchy, enigmatic, and memorable.

    “The Sō in Sō Percussion comes from 奏, the second character in the compound Japanese word 演奏 (ensou), to perform music. By itself, so means “to play an instrument.” But it can also mean “to be successful,” “to determine a direction and move forward,” and “to present to the gods or ruler.” Scholars have suggested that the latter comes from the character’s etymology, which included the element “to offer with both hands.” 奏 is a bold, straightforward character, but lends itself to calligraphy with a certain energy that gives so a springy, delicate look.”

    – Jenise Treuting

    In the current season, Sō performs the New York premiere of David Lang’s man made with Louis Langrée and the Mostly Mozart Festival Orchestra; tours a new work by Caroline Shaw with Dawn Upshaw and Gil Kalish to the Kennedy Center, San Francisco Performances, UCLA, Penn State, and elsewhere; returns to Carnegie Hall with the JACK Quartet in a program of new works by Donnacha Dennehy and Dan Trueman; tours the United Kingdon with its original production exploring the community and culture of English coal mining country, From Out a Darker Sea; and more.

    Recent highlights include an acclaimed Trilogy portrait at the Lincoln Center Festival; appearances at Bonnaroo, the Eaux Claires Festival, MassMoCA, and TED 2016; international tours to Poland and Ireland; performances of man made with Gustavo Dudamel and the LA Phil; Bryce Dessner’s Music for Wood and Strings at the Barbican in London; and an original score for a live performance and broadcast of WNYC’s Radiolab with Jad Abumrad and Robert Krulwich at BAM.

    See the full article here .

    five-ways-keep-your-child-safe-school-shootings

    Please help promote STEM in your local schools.

    Stem Education Coalition

    At NEWMUSICUSA we see ourselves first and foremost as advocates. Our mission is to support and promote new music created in the United States. We do that in many ways, fostering connections, deepening knowledge, encouraging appreciation, and providing financial support. In recognition of the possibility and power inherent in the virtual world, we’ve worked to build a strong internet platform to serve our constituency. And that constituency is broad and diverse, from composers and performers to presenters and producers, casual listeners to die-hard fans. We’re truly committed to serving the WHOLE new music community.

    As we go about our work, we make a point of not defining too precisely what we mean by new music. To define is to limit. It’s a spectacular time for musical creativity in part because so much music is being made that isn’t bound by conventional limitations of style or genre or background. The music that we hear being created in such abundance all around us is definition enough. We simply want it to flourish.

    We’re fortunate to have as our legacy the history of previous decades of good works done by the American Music Center and Meet The Composer, the two great organizations that merged to form us in 2011. Their legacies have also brought a small financial endowment that mostly helps support our grantmaking. But we’re not a foundation. We depend decisively each year on the generosity of so many institutions and individuals around the country who are dedicated as we are to the advancement of new music and are devoted to supporting our work.

    New Music USA is part of an international community of advocates for the arts. We’re members of the Performing Arts Alliance, the International Association of Music Information Centres, and the International Society for Contemporary Music. Those partnerships help us represent the interests of our constituents at every level.

    No matter how far ranging our networks, our focus is always solidly on what brings these many constituents and communities together in the first place: the music. When someone uses our platform to listen to something new, recommend a favorite to a friend, or to seek financial assistance or information to support the creation or performance of new work, the whole community is strengthened. Together we’re helping new music reach new ears every day.
    Our Vision

    We envision in the United States a thriving, interconnected new music community that is available to and impactful for a broad constituency of people.
    Our Mission

    New Music USA supports and promotes new music created in the United States. We use the power of virtual networks and people to foster connection, deepen knowledge, encourage appreciation, and provide financial support for a diverse constituency of practitioners and appreciators, both within the United States and beyond.

    Our Values
    We believe in the fundamental importance of creative artists and their work.
    We espouse a broad, inclusive understanding of the term “new music.”
    We uphold and embrace principles of inclusivity and equitable treatment in all of our activity and across our nation’s broadly diverse population in terms of gender, race, age, location, national origin, sexual orientation, religion, socio-economic status and artistic practice.

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

    Advertisements
     
  • richardmitnick 12:37 PM on September 17, 2018 Permalink | Reply
    Tags: , So Percussion, So Percussion marks 5th year in residence at Princeton with a free concert, WHYY   

    From Princeton University Department of Music and via WHYY: “So Percussion marks 5th year in residence at Princeton with a free concert” 

    Princeton University
    From Princeton University Department of Music

    and

    Sō Percussion

    via

    1

    WHYY

    September 14, 2018
    Kimberly Haas

    Sō Percussion in performance by Vartoogian-FrontRowPhotos

    Princeton University went beyond the usual suspects when it selected the quartet Sō Percussion as their Edward T. Cone Performers in Residence in 2014.

    “The idea of a music ensemble in residence traditionally has meant a string quartet, reaching back into the classical tradition to play Beethoven and Bartok and things like that,” said So Percussion member Adam Slawinski. “Instead, when we started here, the idea was that Princeton has a large community of composers making new works of music, and because we didn’t have much repertoire to begin with, what we do is to generate new repertoire and forge relationships with composers.”

    In addition to working with composers in the graduate program, Princeton asked the ensemble to interact with the entire school community.

    “They said they want every student touched by the arts,” said founding member Jason Treuting. “So we’ve looked for ways to work with students at all different levels, not just music majors.” Those efforts range from the formation of a steel band and working with the Princeton Laptop Orchestra, to teaching classes that explore the intersection of music, dance and visual arts.

    Members of the group pride themselves on being much more than four drummers. “We write our own music. We commission and collaborate with musicians who aren’t necessarily in the classical fold,” said Sliwinski.

    Contemporary music icon Steve Reich wrote “Mallet Quartet” for them and three co-commissioning ensembles in 2009.

    “We grew up idolizing Steve Reich,” said Treuting. “In a lot of ways, it was what drew us to do what we do.” For other works, they’ve cast a wide net, with commissions ranging from jazz pianist Vijay Iyer to Bryce Dessner, guitarist with the rock band The National. Those two works will appear on an eclectic program for this evening’s concert.

    “We’re musically omnivorous, and the program really reflects who we are,” said Treuting. “We’re including some of the lineage we come from, like Iannis Xenakis and Pauline Oliveros, plus pieces written by two members of our group. And we’re also focusing on our commissioning work, with new works by Puerto Rican composer Angélica Negrón and Joan Tower, who wrote it for her 80th birthday.”

    Sō Percussion will mark the beginning of their fifth year as Performers in Residence at Princeton University with a free concert Friday at 7:30 p.m. in Richardson Auditorium Hall.

    The “artist”

    Adam Sliwinski has been a member of Sō Percussion since 2002. Adam is particularly interested in keyboard instruments, especially marimba and piano.

    Eric Cha-Beach has been a member of Sō Percussion since 2007-A consummate percussionist he loves to learn new instruments like the musical saw integrating them into diverse setups

    Jason Treuting is a founding member of Sō Percussion- Jason has pioneered an innovative drum set practice within the new music sphere. He is also a composer.

    Josh Quillen has been a member of Sō Percussion since 2006- Josh is an expert Steel Drum artist having studied in Trinidad and immersed himself in Steel Band culture.

    Our Mission:

    Sō Percussion is a percussion-based music organization that creates and presents new collaborative works to adventurous and curious audiences and educational initiatives to engaged students, while providing meaningful service to its communities, in order to exemplify the power of music to unite people and forge deep social bonds.
    Our Vision:

    To create a new model of egalitarian artistic collaboration that respects history, champions innovation and curiosity, and creates an essential social bond through service to our audiences and our communities.
    Ensemble Bio:

    Sō is: Eric Cha-Beach, Josh Quillen, Adam Sliwinski, and Jason Treuting

    With innovative multi-genre original productions, sensational interpretations of modern classics, and an “exhilarating blend of precision and anarchy, rigor and bedlam,” (The New Yorker), Sō Percussion has redefined the scope and vital role of the modern percussion ensemble.

    Sō’s repertoire ranges from “classics” of the 20th century, by John Cage, Steve Reich, and Iannis Xenakis, et al, to commissioning and advocating works by contemporary composers such as Caroline Shaw, David Lang, Steve Mackey, and Paul Lansky, to distinctively modern collaborations with artists who work outside the classical concert hall, including vocalist Shara Nova, electronic duo Matmos, the groundbreaking Dan Deacon, legendary drummer Bobby Previte, jam band kings Medeski, Martin, and Wood, Wilco’s Glenn Kotche, choreographer Shen Wei, and composer and leader of The National, Bryce Dessner, among many others.

    Sō Percussion also composes and performs their own works, ranging from standard concert pieces to immersive multi-genre programs – including Imaginary City, Where (we) Live, and A Gun Show, which was presented in a multi-performance presentation as part of BAM’s 2016 Next Wave Festival. In these concert-length programs, Sō Percussion employs a distinctively 21st century synthesis of original music, artistic collaboration, theatrical production values and visual art, into a powerful exploration of their own unique and personal creative experiences.

    Rooted in the belief that music is an essential facet of human life, a social bond, and an effective tool in creating agency and citizenship, Sō Percussion enthusiastically pursues a growing range of social and community outreach. Examples include their Brooklyn Bound presentations of younger composers; commitments to purchasing offsets to compensate for carbon-heavy activities such as touring travel; and leading their SōSI students in an annual food-packing drive, yielding up to 25,000 meals, for the Crisis Center of Mercer County through the organization EndHungerNE.

    Sō Percussion is the Edward T. Cone Ensemble-in-Residence at Princeton University, where they offer educational work and present an annual series of concerts. They are also Co-Directors of the percussion department at the Bard College-Conservatory of Music, and run the annual Sō Percussion Summer Institute (SōSI, now in its ninth year), providing college-age composers and percussionists an immersive exposure to collaboration and project development.

    One of the first things any group needs is a name. When our group was founded in 1999, we cast far and wide among our friends and family for suggestions. The winner was this simple, short word offered by Jenise Treuting, Jason’s sister.

    Jenise has been living and working in Japan as an English-Japanese translator for 20 years. The word “Sō” was punchy, enigmatic, and memorable.

    “The Sō in Sō Percussion comes from 奏, the second character in the compound Japanese word 演奏 (ensou), to perform music. By itself, so means “to play an instrument.” But it can also mean “to be successful,” “to determine a direction and move forward,” and “to present to the gods or ruler.” Scholars have suggested that the latter comes from the character’s etymology, which included the element “to offer with both hands.” 奏 is a bold, straightforward character, but lends itself to calligraphy with a certain energy that gives so a springy, delicate look.”

    – Jenise Treuting

    About Princeton: Overview

    Princeton University is a vibrant community of scholarship and learning that stands in the nation’s service and in the service of all nations. Chartered in 1746, Princeton is the fourth-oldest college in the United States. Princeton is an independent, coeducational, nondenominational institution that provides undergraduate and graduate instruction in the humanities, social sciences, natural sciences and engineering.

    As a world-renowned research university, Princeton seeks to achieve the highest levels of distinction in the discovery and transmission of knowledge and understanding. At the same time, Princeton is distinctive among research universities in its commitment to undergraduate teaching.

    Today, more than 1,100 faculty members instruct approximately 5,200 undergraduate students and 2,600 graduate students. The University’s generous financial aid program ensures that talented students from all economic backgrounds can afford a Princeton education.

    Princeton Shield

    See the full article here .

    five-ways-keep-your-child-safe-school-shootings

    Please help promote STEM in your local schools.

    Stem Education Coalition

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
  • richardmitnick 10:12 PM on September 10, 2018 Permalink | Reply
    Tags: , , , So Percussion   

    From Princeton University Department of Music: “Sō Percussion” 

    Princeton University
    From Princeton University Department of Music

    Sō Percussion
    Edward T. Cone Performers-in-Residence
    Friday, Sep. 14, 2018 7:30 pm
    Add to Calendar
    Richardson Auditorium in Alexander Hall

    Program

    With guest artists TODD MEEHAN and DOUG PERKINS, percussion
    Eric Cha-Beach

    Four and Nine
    Juri Seo

    VV
    Joan Tower

    Small Plus
    Vijay Iyer

    TORQUE
    Jason Treuting

    Nine Numbers 6 (World Premiere)
    ANGÉLICA NEGRÓN

    gone
    Pauline Oliveros

    Tuning Meditation
    Iannis Xenakis

    Peaux
    Event Info

    Sō Percussion open their fifth year as Princeton University’s Edward T. Cone Performers-in-Residence with an exciting, eclectic, and diverse program, free and open to all. From the intimate virtuosity of Princeton faculty Juri Seo’s vv, to the massive force of Iannis Xenakis’ Pleiades; from Angélica Negrón’s popping percussion robots, to Vijay Iyer’s mind-bending mallet quartet TORQUE; and from the playful mischief of Joan Tower to the sonic puzzles of Jason Treuting — this concert encapsulates the freshness and innovation of the current crop of music being written for Sō Percussion.

    FREE TICKETS:

    Tickets will only become available on Thursday, September 13, 2018 at 10AM online and in person during box office hours at the Frist Campus Center and Lewis Arts complex box offices.

    Tickets will only become available on Thursday, September 13, 2018 at 10AM online and in person during box office hours at the Frist Campus Center and Lewis Arts complex box offices.

    Remaining tickets will be available one hour before each concert at the venue.

    About the Artist:

    With innovative multi-genre original productions, sensational interpretations of modern classics, and an “exhilarating blend of precision and anarchy, rigor and bedlam,” (The New Yorker), Sō Percussion has redefined the scope and role of the modern percussion ensemble.

    Their repertoire ranges from “classics” of the 20th century, by John Cage, Steve Reich, and Iannis Xenakis, et al, to commissioning and advocating works by contemporary composers such as David Lang, Steve Mackey, and Paul Lansky, to distinctively modern collaborations with artists who work outside the classical concert hall, including vocalist Shara Nova, electronic duo Matmos, the groundbreaking Dan Deacon, legendary drummer Bobby Previte, jam band kings Medeski, Martin, and Wood, Wilco’s Glenn Kotche, choreographer Shen Wei, and composer and leader of The National, Bryce Dessner, among many others.

    Sō Percussion also composes and performs their own works, ranging from standard concert pieces to immersive multi-genre programs – including Imaginary City, Where (we) Live, and their newest endeavor, A Gun Show, which will be performed throughout the current season, most notably in a multi-performance presentation as part of BAM’s 2016 Next Wave Festival. In these concert-length programs, Sō Percussion employs a distinctively 21st century synthesis of original music, artistic collaboration, theatrical production values and visual art, into a powerful exploration of their own unique and personal creative experiences.

    The “artist”

    Adam Sliwinski has been a member of Sō Percussion since 2002. Adam is particularly interested in keyboard instruments, especially marimba and piano.

    Eric Cha-Beach has been a member of Sō Percussion since 2007-A consummate percussionist he loves to learn new instruments like the musical saw integrating them into diverse setups

    Jason Treuting is a founding member of Sō Percussion- Jason has pioneered an innovative drum set practice within the new music sphere. He is also a composer.

    Josh Quillen has been a member of Sō Percussion since 2006- Josh is an expert Steel Drum artist having studied in Trinidad and immersed himself in Steel Band culture.

    Our Mission:

    Sō Percussion is a percussion-based music organization that creates and presents new collaborative works to adventurous and curious audiences and educational initiatives to engaged students, while providing meaningful service to its communities, in order to exemplify the power of music to unite people and forge deep social bonds.
    Our Vision:

    To create a new model of egalitarian artistic collaboration that respects history, champions innovation and curiosity, and creates an essential social bond through service to our audiences and our communities.
    Ensemble Bio:

    Sō is: Eric Cha-Beach, Josh Quillen, Adam Sliwinski, and Jason Treuting

    With innovative multi-genre original productions, sensational interpretations of modern classics, and an “exhilarating blend of precision and anarchy, rigor and bedlam,” (The New Yorker), Sō Percussion has redefined the scope and vital role of the modern percussion ensemble.

    Sō’s repertoire ranges from “classics” of the 20th century, by John Cage, Steve Reich, and Iannis Xenakis, et al, to commissioning and advocating works by contemporary composers such as Caroline Shaw, David Lang, Steve Mackey, and Paul Lansky, to distinctively modern collaborations with artists who work outside the classical concert hall, including vocalist Shara Nova, electronic duo Matmos, the groundbreaking Dan Deacon, legendary drummer Bobby Previte, jam band kings Medeski, Martin, and Wood, Wilco’s Glenn Kotche, choreographer Shen Wei, and composer and leader of The National, Bryce Dessner, among many others.

    Sō Percussion also composes and performs their own works, ranging from standard concert pieces to immersive multi-genre programs – including Imaginary City, Where (we) Live, and A Gun Show, which was presented in a multi-performance presentation as part of BAM’s 2016 Next Wave Festival. In these concert-length programs, Sō Percussion employs a distinctively 21st century synthesis of original music, artistic collaboration, theatrical production values and visual art, into a powerful exploration of their own unique and personal creative experiences.

    Rooted in the belief that music is an essential facet of human life, a social bond, and an effective tool in creating agency and citizenship, Sō Percussion enthusiastically pursues a growing range of social and community outreach. Examples include their Brooklyn Bound presentations of younger composers; commitments to purchasing offsets to compensate for carbon-heavy activities such as touring travel; and leading their SōSI students in an annual food-packing drive, yielding up to 25,000 meals, for the Crisis Center of Mercer County through the organization EndHungerNE.

    Sō Percussion is the Edward T. Cone Ensemble-in-Residence at Princeton University, where they offer educational work and present an annual series of concerts. They are also Co-Directors of the percussion department at the Bard College-Conservatory of Music, and run the annual Sō Percussion Summer Institute (SōSI, now in its ninth year), providing college-age composers and percussionists an immersive exposure to collaboration and project development.

    One of the first things any group needs is a name. When our group was founded in 1999, we cast far and wide among our friends and family for suggestions. The winner was this simple, short word offered by Jenise Treuting, Jason’s sister.

    Jenise has been living and working in Japan as an English-Japanese translator for 20 years. The word “Sō” was punchy, enigmatic, and memorable.

    “The Sō in Sō Percussion comes from 奏, the second character in the compound Japanese word 演奏 (ensou), to perform music. By itself, so means “to play an instrument.” But it can also mean “to be successful,” “to determine a direction and move forward,” and “to present to the gods or ruler.” Scholars have suggested that the latter comes from the character’s etymology, which included the element “to offer with both hands.” 奏 is a bold, straightforward character, but lends itself to calligraphy with a certain energy that gives so a springy, delicate look.”

    – Jenise Treuting

    See the full article here .

    five-ways-keep-your-child-safe-school-shootings

    Please help promote STEM in your local schools.

    Stem Education Coalition

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

    Please help promote STEM in your local schools.

    STEM Icon

    Stem Education Coalition
    Princeton University Campus

    About Princeton: Overview

    Princeton University is a vibrant community of scholarship and learning that stands in the nation’s service and in the service of all nations. Chartered in 1746, Princeton is the fourth-oldest college in the United States. Princeton is an independent, coeducational, nondenominational institution that provides undergraduate and graduate instruction in the humanities, social sciences, natural sciences and engineering.

    As a world-renowned research university, Princeton seeks to achieve the highest levels of distinction in the discovery and transmission of knowledge and understanding. At the same time, Princeton is distinctive among research universities in its commitment to undergraduate teaching.

    Today, more than 1,100 faculty members instruct approximately 5,200 undergraduate students and 2,600 graduate students. The University’s generous financial aid program ensures that talented students from all economic backgrounds can afford a Princeton education.

    Princeton Shield

     
  • richardmitnick 11:10 AM on September 2, 2018 Permalink | Reply
    Tags: Drumming at 50, NEXUS, , So Percussion,   

    From Sō Percussion: “DRUMMING at 50” 

    So Percussion in performance

    From Sō Percussion

    Video Recording of Steve Reich’s DRUMMING with NEXUS, Sō Percussion, and Friends.

    Hello friends,

    Nexus and Sō Percussion are so excited to join together to make a historical video recording of Steve Reich’s Drumming. It is such a rare opportunity to gather up two of the world’s best percussion groups to celebrate Drumming turning 50 years old. This fabulous team includes Nexus, Sō, Yumi Tamashiro, Daisy Press, Beth Meyers, and Alex Sopp. We are asking you to join us in this historical event by contributing what you can to make this project come to life! We need money to cover the cost of making the video recording (video, audio, and record label production).

    1
    Nexus. Silvia pasquetto

    As some of you might know, Russell Hartenberger and Bob Becker are both original members in Steve Reich and Musicians–a group which Reich himself performed in, premiered the majority of the Reich repertoire, and toured the world together for decades. Russell and Bob learned Drumming directly from Reich and for us who have heard them in concerts, we can attest to that fact that they have perfected the art of phasing! The earlier renditions of Drumming were mostly taught by rote; Russell and Bob were among the most important figures for establishing the piece as a part of the percussion repertoire and have carried the torch of imparting wisdom on this work in the past five decades.

    NEXUS, a Canadian cultural icon, is Bob Becker, Bill Cahn, Russell Hartenberger, and Gary Kvistad. Described by the New York Times as the “high priests of percussion”, NEXUS is “widely recognized as one of the most influential percussion ensembles to have emerged in the post-war period”.

    With innovative multi-genre original productions, sensational interpretations of modern classics, and an “exhilarating blend of precision and anarchy, rigor and bedlam,” (The New Yorker), Sō Percussion has redefined the scope and vital role of the modern percussion ensemble.

    Together, this world-class line up is going to make history and we invite you to be part of this history making project. Your donation is what makes this possible.
    Risks and challenges

    We have already filmed the project and editing is under way. We have the commitment from Cantaloupe Records to release the album as part of a larger recording project; this is of course wonderful, but the actual cost of production is not covered by the agreement.

    We are slightly worried that no one will own DVD players by the time this DVD is ready to be released so we are also looking at other formats of release to make sure that people are able to view the recording when it hits the market.

    Since this project involves 12 players, video team, and audio team, the cost of making this recording is higher than just making an audio recording. We are hoping that we can raise enough money to cover costs.

    See the full article here .

    five-ways-keep-your-child-safe-school-shootings

    Please help promote STEM in your local schools.

    Stem Education Coalition

    The “artist”

    Adam Sliwinski has been a member of Sō Percussion since 2002. Adam is particularly interested in keyboard instruments, especially marimba and piano.

    Eric Cha-Beach has been a member of Sō Percussion since 2007-A consummate percussionist he loves to learn new instruments like the musical saw integrating them into diverse setups

    Jason Treuting is a founding member of Sō Percussion- Jason has pioneered an innovative drum set practice within the new music sphere. He is also a composer.

    Josh Quillen has been a member of Sō Percussion since 2006- Josh is an expert Steel Drum artist having studied in Trinidad and immersed himself in Steel Band culture.

    Our Mission:

    Sō Percussion is a percussion-based music organization that creates and presents new collaborative works to adventurous and curious audiences and educational initiatives to engaged students, while providing meaningful service to its communities, in order to exemplify the power of music to unite people and forge deep social bonds.
    Our Vision:

    To create a new model of egalitarian artistic collaboration that respects history, champions innovation and curiosity, and creates an essential social bond through service to our audiences and our communities.
    Ensemble Bio:

    Sō is: Eric Cha-Beach, Josh Quillen, Adam Sliwinski, and Jason Treuting

    With innovative multi-genre original productions, sensational interpretations of modern classics, and an “exhilarating blend of precision and anarchy, rigor and bedlam,” (The New Yorker), Sō Percussion has redefined the scope and vital role of the modern percussion ensemble.

    Sō’s repertoire ranges from “classics” of the 20th century, by John Cage, Steve Reich, and Iannis Xenakis, et al, to commissioning and advocating works by contemporary composers such as Caroline Shaw, David Lang, Steve Mackey, and Paul Lansky, to distinctively modern collaborations with artists who work outside the classical concert hall, including vocalist Shara Nova, electronic duo Matmos, the groundbreaking Dan Deacon, legendary drummer Bobby Previte, jam band kings Medeski, Martin, and Wood, Wilco’s Glenn Kotche, choreographer Shen Wei, and composer and leader of The National, Bryce Dessner, among many others.

    Sō Percussion also composes and performs their own works, ranging from standard concert pieces to immersive multi-genre programs – including Imaginary City, Where (we) Live, and A Gun Show, which was presented in a multi-performance presentation as part of BAM’s 2016 Next Wave Festival. In these concert-length programs, Sō Percussion employs a distinctively 21st century synthesis of original music, artistic collaboration, theatrical production values and visual art, into a powerful exploration of their own unique and personal creative experiences.

    Rooted in the belief that music is an essential facet of human life, a social bond, and an effective tool in creating agency and citizenship, Sō Percussion enthusiastically pursues a growing range of social and community outreach. Examples include their Brooklyn Bound presentations of younger composers; commitments to purchasing offsets to compensate for carbon-heavy activities such as touring travel; and leading their SōSI students in an annual food-packing drive, yielding up to 25,000 meals, for the Crisis Center of Mercer County through the organization EndHungerNE.

    Sō Percussion is the Edward T. Cone Ensemble-in-Residence at Princeton University, where they offer educational work and present an annual series of concerts. They are also Co-Directors of the percussion department at the Bard College-Conservatory of Music, and run the annual Sō Percussion Summer Institute (SōSI, now in its ninth year), providing college-age composers and percussionists an immersive exposure to collaboration and project development.

    One of the first things any group needs is a name. When our group was founded in 1999, we cast far and wide among our friends and family for suggestions. The winner was this simple, short word offered by Jenise Treuting, Jason’s sister.

    Jenise has been living and working in Japan as an English-Japanese translator for 20 years. The word “Sō” was punchy, enigmatic, and memorable.

    “The Sō in Sō Percussion comes from 奏, the second character in the compound Japanese word 演奏 (ensou), to perform music. By itself, so means “to play an instrument.” But it can also mean “to be successful,” “to determine a direction and move forward,” and “to present to the gods or ruler.” Scholars have suggested that the latter comes from the character’s etymology, which included the element “to offer with both hands.” 奏 is a bold, straightforward character, but lends itself to calligraphy with a certain energy that gives so a springy, delicate look.”

    – Jenise Treuting

    John Schaefer

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
  • richardmitnick 11:50 AM on August 27, 2018 Permalink | Reply
    Tags: , , So Percussion, Sō at the New College of Florida   

    From NewMusicUSA: “Sō Percussion at the New College of Florida” 

    From NewMusicUSA

    Sō Percussion in performance byVartoogian-FrontRowPhotos

    Saturday, October 6, 2018
    at 8:00 PM

    Club Sudakoff
    5800 Bay Shore Rd.
    Sarasota, FL 34243

    $0—15
    Tickets

    This quartet of master percussionists will challenge expectations. Their performance will include Bryce Dessner’s Music for Wood and Strings and Pulitzer Prize winner Caroline Shaw’s Taxidermy, both Sō Percussion commissions. These four performers are ground-breaking musicians who challenge themselves and their commissioned composers to reach new heights of inventiveness.

    Our Mission:

    Sō Percussion is a percussion-based music organization that creates and presents new collaborative works to adventurous and curious audiences and educational initiatives to engaged students, while providing meaningful service to its communities, in order to exemplify the power of music to unite people and forge deep social bonds.
    Our Vision:

    To create a new model of egalitarian artistic collaboration that respects history, champions innovation and curiosity, and creates an essential social bond through service to our audiences and our communities.

    With innovative multi-genre original productions, sensational interpretations of modern classics, and an “exhilarating blend of precision and anarchy, rigor and bedlam,” (The New Yorker), Sō Percussion has redefined the scope and vital role of the modern percussion ensemble.

    Sō’s repertoire ranges from “classics” of the 20th century, by John Cage, Steve Reich, and Iannis Xenakis, et al, to commissioning and advocating works by contemporary composers such as Caroline Shaw, David Lang, Steve Mackey, and Paul Lansky, to distinctively modern collaborations with artists who work outside the classical concert hall, including vocalist Shara Nova, electronic duo Matmos, the groundbreaking Dan Deacon, legendary drummer Bobby Previte, jam band kings Medeski, Martin, and Wood, Wilco’s Glenn Kotche, choreographer Shen Wei, and composer and leader of The National, Bryce Dessner, among many others.

    Sō Percussion also composes and performs their own works, ranging from standard concert pieces to immersive multi-genre programs – including Imaginary City, Where (we) Live, and A Gun Show, which was presented in a multi-performance presentation as part of BAM’s 2016 Next Wave Festival. In these concert-length programs, Sō Percussion employs a distinctively 21st century synthesis of original music, artistic collaboration, theatrical production values and visual art, into a powerful exploration of their own unique and personal creative experiences.

    Rooted in the belief that music is an essential facet of human life, a social bond, and an effective tool in creating agency and citizenship, Sō Percussion enthusiastically pursues a growing range of social and community outreach. Examples include their Brooklyn Bound presentations of younger composers; commitments to purchasing offsets to compensate for carbon-heavy activities such as touring travel; and leading their SōSI students in an annual food-packing drive, yielding up to 25,000 meals, for the Crisis Center of Mercer County through the organization EndHungerNE.

    Sō Percussion is the Edward T. Cone Ensemble-in-Residence at Princeton University, where they offer educational work and present an annual series of concerts. They are also Co-Directors of the percussion department at the Bard College-Conservatory of Music, and run the annual Sō Percussion Summer Institute (SōSI, now in its ninth year), providing college-age composers and percussionists an immersive exposure to collaboration and project development.

    One of the first things any group needs is a name. When our group was founded in 1999, we cast far and wide among our friends and family for suggestions. The winner was this simple, short word offered by Jenise Treuting, Jason’s sister.

    See the full article here .

    five-ways-keep-your-child-safe-school-shootings

    Please help promote STEM in your local schools.

    Stem Education Coalition

    The “artist”

    Adam Sliwinski has been a member of Sō Percussion since 2002. Adam is particularly interested in keyboard instruments, especially marimba and piano.

    Eric Cha-Beach has been a member of Sō Percussion since 2007-A consummate percussionist he loves to learn new instruments like the musical saw integrating them into diverse setups

    Jason Treuting is a founding member of Sō Percussion- Jason has pioneered an innovative drum set practice within the new music sphere. He is also a composer.

    Josh Quillen has been a member of Sō Percussion since 2006- Josh is an expert Steel Drum artist having studied in Trinidad and immersed himself in Steel Band culture.

    Our Mission:

    Sō Percussion is a percussion-based music organization that creates and presents new collaborative works to adventurous and curious audiences and educational initiatives to engaged students, while providing meaningful service to its communities, in order to exemplify the power of music to unite people and forge deep social bonds.
    Our Vision:

    To create a new model of egalitarian artistic collaboration that respects history, champions innovation and curiosity, and creates an essential social bond through service to our audiences and our communities.
    Ensemble Bio:

    Sō is: Eric Cha-Beach, Josh Quillen, Adam Sliwinski, and Jason Treuting

    With innovative multi-genre original productions, sensational interpretations of modern classics, and an “exhilarating blend of precision and anarchy, rigor and bedlam,” (The New Yorker), Sō Percussion has redefined the scope and vital role of the modern percussion ensemble.

    Sō’s repertoire ranges from “classics” of the 20th century, by John Cage, Steve Reich, and Iannis Xenakis, et al, to commissioning and advocating works by contemporary composers such as Caroline Shaw, David Lang, Steve Mackey, and Paul Lansky, to distinctively modern collaborations with artists who work outside the classical concert hall, including vocalist Shara Nova, electronic duo Matmos, the groundbreaking Dan Deacon, legendary drummer Bobby Previte, jam band kings Medeski, Martin, and Wood, Wilco’s Glenn Kotche, choreographer Shen Wei, and composer and leader of The National, Bryce Dessner, among many others.

    Sō Percussion also composes and performs their own works, ranging from standard concert pieces to immersive multi-genre programs – including Imaginary City, Where (we) Live, and A Gun Show, which was presented in a multi-performance presentation as part of BAM’s 2016 Next Wave Festival. In these concert-length programs, Sō Percussion employs a distinctively 21st century synthesis of original music, artistic collaboration, theatrical production values and visual art, into a powerful exploration of their own unique and personal creative experiences.

    Rooted in the belief that music is an essential facet of human life, a social bond, and an effective tool in creating agency and citizenship, Sō Percussion enthusiastically pursues a growing range of social and community outreach. Examples include their Brooklyn Bound presentations of younger composers; commitments to purchasing offsets to compensate for carbon-heavy activities such as touring travel; and leading their SōSI students in an annual food-packing drive, yielding up to 25,000 meals, for the Crisis Center of Mercer County through the organization EndHungerNE.

    Sō Percussion is the Edward T. Cone Ensemble-in-Residence at Princeton University, where they offer educational work and present an annual series of concerts. They are also Co-Directors of the percussion department at the Bard College-Conservatory of Music, and run the annual Sō Percussion Summer Institute (SōSI, now in its ninth year), providing college-age composers and percussionists an immersive exposure to collaboration and project development.

    One of the first things any group needs is a name. When our group was founded in 1999, we cast far and wide among our friends and family for suggestions. The winner was this simple, short word offered by Jenise Treuting, Jason’s sister.

    Jenise has been living and working in Japan as an English-Japanese translator for 20 years. The word “Sō” was punchy, enigmatic, and memorable.

    “The Sō in Sō Percussion comes from 奏, the second character in the compound Japanese word 演奏 (ensou), to perform music. By itself, so means “to play an instrument.” But it can also mean “to be successful,” “to determine a direction and move forward,” and “to present to the gods or ruler.” Scholars have suggested that the latter comes from the character’s etymology, which included the element “to offer with both hands.” 奏 is a bold, straightforward character, but lends itself to calligraphy with a certain energy that gives so a springy, delicate look.”

    – Jenise Treuting

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
  • richardmitnick 9:35 AM on August 26, 2018 Permalink | Reply
    Tags: , , , , Nostalgic Synchronic, , QQQ, , Shara Nova, So Percussion,   

    From New Amsterdam Records: “NewAm Fundraising Concert” 

    New Amsterdam Records is at the heart of the New Music environment

    SUPPORT NEWAM

    From New Amsterdam Records

    NewAm Fundraising Concert:

    6

    Saturday, Sept. 8 – 2pm
    175 Hun Road, Princeton, NJ 08540

    Featuring performances from
    Nostalgic Synchronic
    1
    Dan Trueman Princeton, New Jersey

    The Hands Free
    3
    KEPR

    Mary Halvorson and

    Mary Halvorson by Amani Willett

    QQQ,
    4
    https://unsplash.com/search/photos/qqq

    Sō Percussion

    So Percussion in performance byVartoogian-FrontRowPhotos

    and (just added!)
    Shara Nova of My Brightest Diamond
    5
    photographer: Joe Lencioni.

    Join us in Princeton, NJ on September 8 for an intimate outdoor concert featuring performances by New Amsterdam artists.

    All ages are welcome, and light fare and an open bar will be provided.

    Established on principles of community, artistic diversity, and stylistic freedom, New Amsterdam Records is a 501(c)(3) non-profit artist services organization dedicated to supporting the projects and careers of boundary-breaking artists.

    We need your help to fulfill this mission.

    Tickets to the event are by suggestion donation, but guests are invited to pay whatever they are able.

    Proceeds help support New Amsterdam artists, composers, and students.

    If you can’t make it, you can still directly support our mission with a donation. Any amount helps.

    Thank you so much – we cannot do it without you!

    RSVP or DONATE

    In all of our presenting and recording activities, NewAm holds firmly to its mission to support artists whose work lies outside of traditional music industry infrastructure – whether that be classical, pop/rock/indie, jazz, world, or experimental. In pursuit of this calling, NewAm often collaborates with like-minded organizations. Our past and ongoing partnerships with the River to River Festival, Ecstatic Music Festival, Art of Elan, the Indianapolis Symphony (multi-year residency), MoMA PS 1, Liquid Music, Galapagos Artspace and National Sawdust have yielded high-profile opportunities for our artists to present their work. On the records side, we often partner with other labels in order to offer our artists the best possible representation for their projects. Partner labels have included Bedroom Community (Iceland), Nonclassical (UK), One Little Indian (UK), Sono Luminus (USA), Cantaloupe (USA) and NNA Tapes (USA).

    See the full article here .


    five-ways-keep-your-child-safe-school-shootings

    Please help promote STEM in your local schools.

    Stem Education Coalition

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
  • richardmitnick 1:04 PM on August 24, 2018 Permalink | Reply
    Tags: , , So Percussion, W H E R E W E A R E G O I N G   

    From Sō Percussion: “W H E R E W E A R E G O I N G” 

    So Percussion in performance byVartoogian-FrontRowPhotos


    From Sō Percussion

    S Ō P E R C U S S I O N

    W H E R E W E A R E G O I N G

    1

    Moving from one concert season to the next can offer a good opportunity to assess and review the recent past, and to consider how it may indicate where we are heading now.

    Sō’s Adam Sliwinski has explored the elements and themes of the last year in a beautifully comprehensive essay; we’ve shared selections below, and encourage you to explore the entire piece when you have a chance.

    INTRODUCTION

    “Close your eyes and imagine a percussion quartet — what do you see?”

    Jason often asks audiences to do this at Sō Percussion’s concerts. In some ways it seems absurd, because we (a percussion quartet) are standing right in front of them. In other ways it is not. The broad and heterogeneous nature of percussion suggests many possible images. Do they see drums? Mallet instruments? Found sounds? The percussion ensemble has expanded so much that we cannot contain it within a single picture. It is whatever we need it to be.

    This situation is unique to percussion. Ask the same audience to picture a string quartet, brass quintet, or solo pianist — the image would be clearer. But our art form extends beyond choosing sounds. Percussion music is no longer only about noises and rhythms. It is not even about percussion.

    Because we’re constantly working on truly new music, the direction it takes depends largely on the collaborators we seek. Sometimes a composer is already familiar with percussion and builds upon previous ideas. Other times, they write for percussion for the first time because their voice suits the medium. In other cases, the energy of the collaboration molds the instruments to serve new ideas.

    Our recent and coming work extends and searches beyond the realm of percussion chamber music. It now represents a mature art form which enables a subtle and rich realization of human musical experience. We are finding stories to tell and songs to sing, and along the way the word “percussion” in our name stands for an ideal of the widest universe of possibilities.

    That ideal also includes a larger universe of human perspectives. We are taking a particularly close look at how we can help serve and create more equitable communities, where gender balance, acknowledgement of Indigenous communities, ethnic diversity, and economic equality matter.

    Songs, stories, and structures animate the music of Sō Percussion’s present and future. We no longer need or want to locate ourselves as part of a tiny niche of classical music. Nearly twenty years after our first rehearsal, we are limited only by our imaginations – and by gear.

    There is still a lot of gear.

    UPCOMING HIGHLIGHTS include:

    August 27, 2018 Ravinia Festival with Dawn Upshaw and Gilbert Kalish

    September 16, 2018 Bard Celebrates Joan Tower

    September 14, 2018 Princeton University Season Opener

    Click here to see more of our concert season.

    See the full article here .

    five-ways-keep-your-child-safe-school-shootings

    Please help promote STEM in your local schools.

    Stem Education Coalition

    The “artist”

    Adam Sliwinski has been a member of Sō Percussion since 2002. Adam is particularly interested in keyboard instruments, especially marimba and piano.

    Eric Cha-Beach has been a member of Sō Percussion since 2007-A consummate percussionist he loves to learn new instruments like the musical saw integrating them into diverse setups

    Jason Treuting is a founding member of Sō Percussion- Jason has pioneered an innovative drum set practice within the new music sphere. He is also a composer.

    Josh Quillen has been a member of Sō Percussion since 2006- Josh is an expert Steel Drum artist having studied in Trinidad and immersed himself in Steel Band culture.

    Our Mission:

    Sō Percussion is a percussion-based music organization that creates and presents new collaborative works to adventurous and curious audiences and educational initiatives to engaged students, while providing meaningful service to its communities, in order to exemplify the power of music to unite people and forge deep social bonds.
    Our Vision:

    To create a new model of egalitarian artistic collaboration that respects history, champions innovation and curiosity, and creates an essential social bond through service to our audiences and our communities.
    Ensemble Bio:

    Sō is: Eric Cha-Beach, Josh Quillen, Adam Sliwinski, and Jason Treuting

    With innovative multi-genre original productions, sensational interpretations of modern classics, and an “exhilarating blend of precision and anarchy, rigor and bedlam,” (The New Yorker), Sō Percussion has redefined the scope and vital role of the modern percussion ensemble.

    Sō’s repertoire ranges from “classics” of the 20th century, by John Cage, Steve Reich, and Iannis Xenakis, et al, to commissioning and advocating works by contemporary composers such as Caroline Shaw, David Lang, Steve Mackey, and Paul Lansky, to distinctively modern collaborations with artists who work outside the classical concert hall, including vocalist Shara Nova, electronic duo Matmos, the groundbreaking Dan Deacon, legendary drummer Bobby Previte, jam band kings Medeski, Martin, and Wood, Wilco’s Glenn Kotche, choreographer Shen Wei, and composer and leader of The National, Bryce Dessner, among many others.

    Sō Percussion also composes and performs their own works, ranging from standard concert pieces to immersive multi-genre programs – including Imaginary City, Where (we) Live, and A Gun Show, which was presented in a multi-performance presentation as part of BAM’s 2016 Next Wave Festival. In these concert-length programs, Sō Percussion employs a distinctively 21st century synthesis of original music, artistic collaboration, theatrical production values and visual art, into a powerful exploration of their own unique and personal creative experiences.

    Rooted in the belief that music is an essential facet of human life, a social bond, and an effective tool in creating agency and citizenship, Sō Percussion enthusiastically pursues a growing range of social and community outreach. Examples include their Brooklyn Bound presentations of younger composers; commitments to purchasing offsets to compensate for carbon-heavy activities such as touring travel; and leading their SōSI students in an annual food-packing drive, yielding up to 25,000 meals, for the Crisis Center of Mercer County through the organization EndHungerNE.

    Sō Percussion is the Edward T. Cone Ensemble-in-Residence at Princeton University, where they offer educational work and present an annual series of concerts. They are also Co-Directors of the percussion department at the Bard College-Conservatory of Music, and run the annual Sō Percussion Summer Institute (SōSI, now in its ninth year), providing college-age composers and percussionists an immersive exposure to collaboration and project development.

    One of the first things any group needs is a name. When our group was founded in 1999, we cast far and wide among our friends and family for suggestions. The winner was this simple, short word offered by Jenise Treuting, Jason’s sister.

    Jenise has been living and working in Japan as an English-Japanese translator for 20 years. The word “Sō” was punchy, enigmatic, and memorable.

    “The Sō in Sō Percussion comes from 奏, the second character in the compound Japanese word 演奏 (ensou), to perform music. By itself, so means “to play an instrument.” But it can also mean “to be successful,” “to determine a direction and move forward,” and “to present to the gods or ruler.” Scholars have suggested that the latter comes from the character’s etymology, which included the element “to offer with both hands.” 奏 is a bold, straightforward character, but lends itself to calligraphy with a certain energy that gives so a springy, delicate look.”

    – Jenise Treuting

    John Schaefer


    For new music by living composers

     
  • richardmitnick 5:16 AM on August 24, 2018 Permalink | Reply
    Tags: , Gilbert Kalish piano, , , Ravinia Festival, So Percussion, soprano,   

    From Ravinia Festival: Sō Percussion, Dawn Upshaw, Gilbert Kalish 

    2

    Ravinia Festival

    So Percussion in performance by Vartoogian/FrontRowPhotos

    Dawn Upshaw Photo by Brooke Irish.

    2
    Pianist Gilbert Kalish (Lilian Finckel photo)

    Sō Percussion via the artist

    200 Ravinia Park Road, Ravinia Park, Gurnee, IL

    Dawn Upshaw, soprano
    Gilbert Kalish, piano
    Sō Percussion
    Martin Theatre
    Monday, August 27, 2018 4:30 PM
    Donor Gates Open 5:00 PM Public Gates Open
    Concert Starts 7:30 PM

    Tickets: $60 / $40
    Lawn: $10

    Reserved seats
    Lawn tickets

    See the full article here .

    five-ways-keep-your-child-safe-school-shootings

    Please help promote STEM in your local schools.

    Stem Education Coalition

    On Sō Percussion
    The “artist”

    Adam Sliwinski has been a member of Sō Percussion since 2002. Adam is particularly interested in keyboard instruments, especially marimba and piano.

    Eric Cha-Beach has been a member of Sō Percussion since 2007-A consummate percussionist he loves to learn new instruments like the musical saw integrating them into diverse setups

    Jason Treuting is a founding member of Sō Percussion- Jason has pioneered an innovative drum set practice within the new music sphere. He is also a composer.

    Josh Quillen has been a member of Sō Percussion since 2006- Josh is an expert Steel Drum artist having studied in Trinidad and immersed himself in Steel Band culture.

    Our Mission:

    Sō Percussion is a percussion-based music organization that creates and presents new collaborative works to adventurous and curious audiences and educational initiatives to engaged students, while providing meaningful service to its communities, in order to exemplify the power of music to unite people and forge deep social bonds.
    Our Vision:

    To create a new model of egalitarian artistic collaboration that respects history, champions innovation and curiosity, and creates an essential social bond through service to our audiences and our communities.
    Ensemble Bio:

    Sō is: Eric Cha-Beach, Josh Quillen, Adam Sliwinski, and Jason Treuting

    With innovative multi-genre original productions, sensational interpretations of modern classics, and an “exhilarating blend of precision and anarchy, rigor and bedlam,” (The New Yorker), Sō Percussion has redefined the scope and vital role of the modern percussion ensemble.

    Sō’s repertoire ranges from “classics” of the 20th century, by John Cage, Steve Reich, and Iannis Xenakis, et al, to commissioning and advocating works by contemporary composers such as Caroline Shaw, David Lang, Steve Mackey, and Paul Lansky, to distinctively modern collaborations with artists who work outside the classical concert hall, including vocalist Shara Nova, electronic duo Matmos, the groundbreaking Dan Deacon, legendary drummer Bobby Previte, jam band kings Medeski, Martin, and Wood, Wilco’s Glenn Kotche, choreographer Shen Wei, and composer and leader of The National, Bryce Dessner, among many others.

    Sō Percussion also composes and performs their own works, ranging from standard concert pieces to immersive multi-genre programs – including Imaginary City, Where (we) Live, and A Gun Show, which was presented in a multi-performance presentation as part of BAM’s 2016 Next Wave Festival. In these concert-length programs, Sō Percussion employs a distinctively 21st century synthesis of original music, artistic collaboration, theatrical production values and visual art, into a powerful exploration of their own unique and personal creative experiences.

    Rooted in the belief that music is an essential facet of human life, a social bond, and an effective tool in creating agency and citizenship, Sō Percussion enthusiastically pursues a growing range of social and community outreach. Examples include their Brooklyn Bound presentations of younger composers; commitments to purchasing offsets to compensate for carbon-heavy activities such as touring travel; and leading their SōSI students in an annual food-packing drive, yielding up to 25,000 meals, for the Crisis Center of Mercer County through the organization EndHungerNE.

    Sō Percussion is the Edward T. Cone Ensemble-in-Residence at Princeton University, where they offer educational work and present an annual series of concerts. They are also Co-Directors of the percussion department at the Bard College-Conservatory of Music, and run the annual Sō Percussion Summer Institute (SōSI, now in its ninth year), providing college-age composers and percussionists an immersive exposure to collaboration and project development.

    One of the first things any group needs is a name. When our group was founded in 1999, we cast far and wide among our friends and family for suggestions. The winner was this simple, short word offered by Jenise Treuting, Jason’s sister.

    Jenise has been living and working in Japan as an English-Japanese translator for 20 years. The word “Sō” was punchy, enigmatic, and memorable.

    “The Sō in Sō Percussion comes from 奏, the second character in the compound Japanese word 演奏 (ensou), to perform music. By itself, so means “to play an instrument.” But it can also mean “to be successful,” “to determine a direction and move forward,” and “to present to the gods or ruler.” Scholars have suggested that the latter comes from the character’s etymology, which included the element “to offer with both hands.” 奏 is a bold, straightforward character, but lends itself to calligraphy with a certain energy that gives so a springy, delicate look.”

    – Jenise Treuting

    John Schaefer


    For new music by living composers

     
  • richardmitnick 10:57 PM on July 18, 2018 Permalink | Reply
    Tags: , , So Percussion, TENTH Year of the Sō Percussion Summer Institute July 15-29 2018 Princeton NJ USA   

    From Sō Percussion: “Photos from our TENTH Year of the Sō Percussion Summer Institute, July 15-29, 2018 

    So Percussion in performance

    From Sō Percussion

    Photos from our TENTH Year of the Sō Percussion Summer Institute, July 15-29, 2018

    1
    SoSI students working with Director of Composition Andrea Mazzariello. Photo Andrea Tafelski
    Processed with VSCO with a4 preset — with Andrea Mazzariello in Princeton, New Jersey.

    2
    Photo Andrea Tafelski, Processed with VSCO with kk1 preset — in Princeton, New Jersey.

    3
    Photo Andrea Tafelski, Processed with VSCO with a9 preset — in Princeton, New Jersey.

    4
    SoSI Student Composer Lucy Hollier with Director of Composition Andrea Mazzariello

    Photo Andrea Tafelski, Processed with VSCO with a10 preset — with Andrea Mazzariello in Princeton, New Jersey.

    5
    Adam Sliwinski, seeking truth!
    Photo Andrea Tafelski, Processed with VSCO with e7 preset — with Adam Sliwinski in Princeton, New Jersey.

    6
    Eric Cha-Beach in a reflective moment.
    Photo Andrea Tafelski, Processed with VSCO with a10 preset — with Eric Bradley Cha-Beach in Princeton, New Jersey.

    7
    Sō working with SōSI composer Lucy Hollier.
    Photo Andrea Tafelski, Processed with VSCO with e7 preset — in Princeton, New Jersey.

    8
    Sō working with SōSI composer Margaret Kogos.
    Photo Andrea Tafelski, Processed with VSCO with e7 preset — in Princeton, New Jersey.

    9
    SōSI students in action, Day 3.
    Photo Andrea Tafelski, Processed with VSCO with h2 preset — in Princeton, New Jersey.

    See the full article here .

    five-ways-keep-your-child-safe-school-shootings

    Please help promote STEM in your local schools.

    Stem Education Coalition

    The “artist”

    Adam Sliwinski has been a member of Sō Percussion since 2002. Adam is particularly interested in keyboard instruments, especially marimba and piano.

    Eric Cha-Beach has been a member of Sō Percussion since 2007-A consummate percussionist he loves to learn new instruments like the musical saw integrating them into diverse setups

    Jason Treuting is a founding member of Sō Percussion- Jason has pioneered an innovative drum set practice within the new music sphere. He is also a composer.

    Josh Quillen has been a member of Sō Percussion since 2006- Josh is an expert Steel Drum artist having studied in Trinidad and immersed himself in Steel Band culture.

    Our Mission:

    Sō Percussion is a percussion-based music organization that creates and presents new collaborative works to adventurous and curious audiences and educational initiatives to engaged students, while providing meaningful service to its communities, in order to exemplify the power of music to unite people and forge deep social bonds.
    Our Vision:

    To create a new model of egalitarian artistic collaboration that respects history, champions innovation and curiosity, and creates an essential social bond through service to our audiences and our communities.
    Ensemble Bio:

    Sō is: Eric Cha-Beach, Josh Quillen, Adam Sliwinski, and Jason Treuting

    With innovative multi-genre original productions, sensational interpretations of modern classics, and an “exhilarating blend of precision and anarchy, rigor and bedlam,” (The New Yorker), Sō Percussion has redefined the scope and vital role of the modern percussion ensemble.

    Sō’s repertoire ranges from “classics” of the 20th century, by John Cage, Steve Reich, and Iannis Xenakis, et al, to commissioning and advocating works by contemporary composers such as Caroline Shaw, David Lang, Steve Mackey, and Paul Lansky, to distinctively modern collaborations with artists who work outside the classical concert hall, including vocalist Shara Nova, electronic duo Matmos, the groundbreaking Dan Deacon, legendary drummer Bobby Previte, jam band kings Medeski, Martin, and Wood, Wilco’s Glenn Kotche, choreographer Shen Wei, and composer and leader of The National, Bryce Dessner, among many others.

    Sō Percussion also composes and performs their own works, ranging from standard concert pieces to immersive multi-genre programs – including Imaginary City, Where (we) Live, and A Gun Show, which was presented in a multi-performance presentation as part of BAM’s 2016 Next Wave Festival. In these concert-length programs, Sō Percussion employs a distinctively 21st century synthesis of original music, artistic collaboration, theatrical production values and visual art, into a powerful exploration of their own unique and personal creative experiences.

    Rooted in the belief that music is an essential facet of human life, a social bond, and an effective tool in creating agency and citizenship, Sō Percussion enthusiastically pursues a growing range of social and community outreach. Examples include their Brooklyn Bound presentations of younger composers; commitments to purchasing offsets to compensate for carbon-heavy activities such as touring travel; and leading their SōSI students in an annual food-packing drive, yielding up to 25,000 meals, for the Crisis Center of Mercer County through the organization EndHungerNE.

    Sō Percussion is the Edward T. Cone Ensemble-in-Residence at Princeton University, where they offer educational work and present an annual series of concerts. They are also Co-Directors of the percussion department at the Bard College-Conservatory of Music, and run the annual Sō Percussion Summer Institute (SōSI, now in its ninth year), providing college-age composers and percussionists an immersive exposure to collaboration and project development.

    One of the first things any group needs is a name. When our group was founded in 1999, we cast far and wide among our friends and family for suggestions. The winner was this simple, short word offered by Jenise Treuting, Jason’s sister.

    Jenise has been living and working in Japan as an English-Japanese translator for 20 years. The word “Sō” was punchy, enigmatic, and memorable.

    “The Sō in Sō Percussion comes from 奏, the second character in the compound Japanese word 演奏 (ensou), to perform music. By itself, so means “to play an instrument.” But it can also mean “to be successful,” “to determine a direction and move forward,” and “to present to the gods or ruler.” Scholars have suggested that the latter comes from the character’s etymology, which included the element “to offer with both hands.” 奏 is a bold, straightforward character, but lends itself to calligraphy with a certain energy that gives so a springy, delicate look.”

    – Jenise Treuting

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
  • richardmitnick 5:57 PM on May 14, 2018 Permalink | Reply
    Tags: , , Benefit and Night of Awesomeness, , , So Percussion   

    From Sō Percussion: ” S Ō P E R C U S S I O N VIP Benefit and Night of Awesomeness” 

    So Percussion in performance


    From Sō Percussion
    and

    From (Le) Poisson Rouge

    Thursday, June 7 at (le) Poisson Rouge

    We hope you can join us on Thursday, June 7 for our annual VIP Benefit and a truly spectacular NIGHT OF AWESOMENESS, offering a lineup of incredible performers and performances.

    The VIP portion begins at 6:30pm, and includes dinner, drinks, a special performance by Sō, and a celebration of the incredible Sara Coffey, our Benefit Honoree! Tickets are $300 per person, and help support our mission and operations.

    THEN, at 8:30pm, doors open to the public for the NIGHT OF AWESOMENESS (included in the VIP ticket, or available for $20 per person).

    Purchase tickets to Sō Benefit/Night of Awesomeness.

    What is a “Night of Awesomeness?”
    It is a variety show of our favorite music and people. It has no consistent theme other than “awesomeness,” which is arbitrated by what we like. Some of the most fascinating people we’ve ever known and worked with have agreed to join us for this party, offering performances ranging from hard-hitting contemporary classical music to toe-tappers and show stoppers.

    “Night of Awesomeness” includes:

    Balún, with Angelica Negrón, a wonderful artist whom we’ve known for a number of years. Angelica will be writing a new work for Sō Percussion this summer, and Balún grew out of the indie scene in San Juan, Puerto Rico.

    Grey Mcmurray is featured on our studio album Where (we) Live. His guitar mastery and sensitive composition makes him an enthralling figure in our scene.

    Damsel is a unique neo-folk duo whose songwriting style borrows from bluegrass, folk, contemporary classical, and many other influences.

    Sandbox Percussion represents the next generation of frighteningly gifted chamber music groups, a wave that has followed our work.

    Dither Quartet is the ensemble-in-residence for this year’s Sō Percussion/New Music USA residency program. We share the kinship of “four-of-the-same” groups. We have worked with many of the same composers from the New York and Brooklyn scenes.

    Bobby Previte wrote Terminals, one of the most sprawling and ambitious pieces we’ve ever played. Having made his way in the jazz and experimental “downtown” scenes, he also retains a love for the percussion ensemble tradition of John Cage.

    Shara Nova, aka My Brightest Diamond, is a true force of nature. We are delighted that she agreed to take a break from her tour with tune-yards to join us! Our collaborative project Timeline has toured to Carnegie Hall, The University of Texas at Austin, UCLA Live, and other venues. She travels between the indie rock and classical worlds with grace, glory, and tremendous joy!

    ~ ~ ~ ~

    This is going to be an incredibly special night, and we really, really hope that you can join us there!

    Thursday, June 7, 2018
    at (le) Poisson Rouge
    158 Bleecker Street, New York, NY 10012
    (Map/Directions)

    VIP Tickets ($300/person, including NoA) and Night of Awesomeness Tickets ($20/person) available for purchase here.

    3

    (Le) Poisson Rouge Event Tortoise at Le Poisson Rouge, 3-16-2016

    (Le) Poisson Rouge

    (Le) Poisson Rouge is a multimedia art cabaret founded by musicians on the site of the historic Village Gate. Dedicated to the fusion of popular and art cultures in music, film, theater, dance, and fine art, the venue’s mission is to revive the symbiotic relationship between art and revelry; to establish a creative asylum for both artists and audiences.

    LPR prides itself in offering the highest quality eclectic programming, impeccable acoustics, and bold design. The state-of-the art performance space, engineered by the legendary John Storyk/WSDG, offers full flexibility in multiple configurations: seated, standing, in-the-round, and numerous alternative arrangements. The adjoining gallery space — The Gallery at LPR — functions as an art gallery, secondary bar, and event space. A work of art itself, the physical facilities are the embodiment of the experimental philosophy that drives the venue.

    LPR is a source you can trust for exposure to visionary work, people of character, and a consistently dynamic environment. We invite you to immerse yourself in a nightlife of true substance and vitality.

    Venue Highlights

    flexible event space fits 250 fully seated, 700 fully standing, or any combination
    138-capacity soundproof Gallery Bar adjacent to the main space
    28’ x 21’ fixed corner stage
    16’ dia. portable, trundled round stage comprised of 3 individual staging sections
    23’ dia. hardwood sprung dance floor
    engineering by John Storyk/WSDG (Electric Lady Studios, Jazz @ Lincoln Center)
    1 downstage cinema-scale projection screen w/ 5.1 Meyer Surround Sound
    2 upstage movable projection screens
    Yamaha S6B 7’ concert grand piano
    elevated VIP Box & 2 private entrances
    full catering kitchen & planning services
    furnished Green Room w/ en suite restroom

    Previous LPR Artists

    Anna Netrebko • Amon Tobin • Anthony Braxton • The Antlers • Arditti Quartet • Atoms for Peace • Battles • Beck • Bela Fleck • Bill Frisell • Brad Mehldau • Broadcast • Caroline Shaw • Cat Power • Chris Thile • Cut Copy • Dan Deacon • Daniel Barenboim and the West-Eastern Divan Orchestra • David Byrne • Dean & Britta • Death • Debbie Harry • Deerhoof • Deerhunter • Destroyer • Don DeLillo • Emanuel Ax • Erykah Badu • Fiery Furnaces • Florence & The Machine • Flying Lotus • Four Tet • Glen Hansard • Glenn Branca • Gregory Porter • Hélène Grimaud • Hilary Hahn • Hot Chip • Iggy Pop & the Stooges • J. Spaceman • Jeff Mangum • Jeremy Denk • John Adams • John Zorn • Juana Molina • Junip • Justin Vivian Bond • KD Lang • Kronos Quartet • Lady Gaga • Laurie Anderson • Liars • Little Dragon • Living Colour • Lorde • Lou Reed • Lydia Lunch • Lykke Li • Marc-André Hamelin • Marc Maron • Marc Ribot • Matt and Kim • Max Richter • Medeski Martin & Wood • Menahem Pressler • Mike Watt • Moby • Mono • Múm • Nico Muhly • No Age • Norah Jones • of Montreal • Os Mutantes • Patti Smith • Paul Simon • Philip Glass • Raekwon • Reggie Watts • Regina Spektor • RZA • Salman Rushdie • The Shins • Simone Dinnerstein • Sleigh Bells • So Percussion • Spoon • Squarepusher • Steve Reich • Terry Riley • They Might Be Giants • Throbbing Gristle • Tim Hecker • Tori Amos • Toumani Diabaté • Typhoon • Yo La Tengo • Yo-Yo Ma • Yoko Ono

    newsounds.org is an official radio partner of (Le) Poisson Rouge.

    The “artist”

    Adam Sliwinski has been a member of Sō Percussion since 2002. Adam is particularly interested in keyboard instruments, especially marimba and piano.

    Eric Cha-Beach has been a member of Sō Percussion since 2007-A consummate percussionist he loves to learn new instruments like the musical saw integrating them into diverse setups

    Jason Treuting is a founding member of Sō Percussion- Jason has pioneered an innovative drum set practice within the new music sphere. He is also a composer.

    Josh Quillen has been a member of Sō Percussion since 2006- Josh is an expert Steel Drum artist having studied in Trinidad and immersed himself in Steel Band culture.

    Our Mission:

    Sō Percussion is a percussion-based music organization that creates and presents new collaborative works to adventurous and curious audiences and educational initiatives to engaged students, while providing meaningful service to its communities, in order to exemplify the power of music to unite people and forge deep social bonds.
    Our Vision:

    To create a new model of egalitarian artistic collaboration that respects history, champions innovation and curiosity, and creates an essential social bond through service to our audiences and our communities.
    Ensemble Bio:

    Sō is: Eric Cha-Beach, Josh Quillen, Adam Sliwinski, and Jason Treuting

    With innovative multi-genre original productions, sensational interpretations of modern classics, and an “exhilarating blend of precision and anarchy, rigor and bedlam,” (The New Yorker), Sō Percussion has redefined the scope and vital role of the modern percussion ensemble.

    Sō’s repertoire ranges from “classics” of the 20th century, by John Cage, Steve Reich, and Iannis Xenakis, et al, to commissioning and advocating works by contemporary composers such as Caroline Shaw, David Lang, Steve Mackey, and Paul Lansky, to distinctively modern collaborations with artists who work outside the classical concert hall, including vocalist Shara Nova, electronic duo Matmos, the groundbreaking Dan Deacon, legendary drummer Bobby Previte, jam band kings Medeski, Martin, and Wood, Wilco’s Glenn Kotche, choreographer Shen Wei, and composer and leader of The National, Bryce Dessner, among many others.

    Sō Percussion also composes and performs their own works, ranging from standard concert pieces to immersive multi-genre programs – including Imaginary City, Where (we) Live, and A Gun Show, which was presented in a multi-performance presentation as part of BAM’s 2016 Next Wave Festival. In these concert-length programs, Sō Percussion employs a distinctively 21st century synthesis of original music, artistic collaboration, theatrical production values and visual art, into a powerful exploration of their own unique and personal creative experiences.

    Rooted in the belief that music is an essential facet of human life, a social bond, and an effective tool in creating agency and citizenship, Sō Percussion enthusiastically pursues a growing range of social and community outreach. Examples include their Brooklyn Bound presentations of younger composers; commitments to purchasing offsets to compensate for carbon-heavy activities such as touring travel; and leading their SōSI students in an annual food-packing drive, yielding up to 25,000 meals, for the Crisis Center of Mercer County through the organization EndHungerNE.

    Sō Percussion is the Edward T. Cone Ensemble-in-Residence at Princeton University, where they offer educational work and present an annual series of concerts. They are also Co-Directors of the percussion department at the Bard College-Conservatory of Music, and run the annual Sō Percussion Summer Institute (SōSI, now in its ninth year), providing college-age composers and percussionists an immersive exposure to collaboration and project development.

    One of the first things any group needs is a name. When our group was founded in 1999, we cast far and wide among our friends and family for suggestions. The winner was this simple, short word offered by Jenise Treuting, Jason’s sister.

    Jenise has been living and working in Japan as an English-Japanese translator for 20 years. The word “Sō” was punchy, enigmatic, and memorable.

    “The Sō in Sō Percussion comes from 奏, the second character in the compound Japanese word 演奏 (ensou), to perform music. By itself, so means “to play an instrument.” But it can also mean “to be successful,” “to determine a direction and move forward,” and “to present to the gods or ruler.” Scholars have suggested that the latter comes from the character’s etymology, which included the element “to offer with both hands.” 奏 is a bold, straightforward character, but lends itself to calligraphy with a certain energy that gives so a springy, delicate look.”

    – Jenise Treuting

    See the full article here .

    Please help promote STEM in your local schools.

    STEM Icon

    Stem Education Coalition

    John Schaefer


    For new music by living composers

    newsounds.org from New York Public Radio


    https://www.wnyc.org/
    93.9FM
    https://www.wqxr.org/
    105.9FM
    http://www.thegreenespace.org/

    For great Jazz

    88.3FM http://wbgo.org/

    WPRB 103.3FM

    Dan Buskirk Spinning Jazz Mondays 11:00AM-1:00PM
    Will Constantine Jr, Blues Bop and Beyond Thursdays 11:00-2:00 featuring Latin Jazz
    Jerry Gordon Serenade to a Cookoo Frdays 11:00AM-2:00PM with Jerry’s Room at 1:00Pm
    Jeannie Becker Sunday Jazz 10:00AM-1:00Pm


    Please visit The Jazz Loft Project based on the work of Sam Stephenson
    Please visit The Jazz Loft Radio project from New York Public Radio

     
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